mellow music group

Playlist 1

dl: https://www.mediafire.com/?e4227w7cpt99lac

Charles Hamilton - Headed To The Top (Prod. by Oddisee)

from the upcoming album, Georgia Anne Muldrow "A Thoughtiverse Unmarred" https://itunes.apple.com/us/album/a-thoughtiverse-unmarred/id977866048

produced by Chris Keys
cover photo by Ernie Paniccioli

About the album:
Past is prologue. The sins of the father are visited on sons and daughters. The madness of the world only abates when you stop the cycle—when you seek something beyond the mono-cultural and the corporeal. 

Georgia Anne Muldrow is a seeker and truth-teller. The words on her first rap album—produced entirely by Chris Keys—balance a beautiful delivery with brutal honesty. These are the honest confessions of a mother who refuses to turn a blind eye to immediate and ancestral misdeeds. Her rhymes are conscious, but more importantly, they speak to our deeper conscience. 

The prophetic soul artist offers a singular voice, yet belongs to a storied lineage. Listening to this record, you can hear the echoes of past oracles: Billie Holiday, Alice Coltrane, Erykah Badu, and Lauryn Hill. But the wisdom and narrative reflect Muldrow’s most personal revelations. 

From the album’s inception, we find her analyzing the patterns of her life in the constellations, rambling down dusty trails, pledging to jot down these crystalline thoughts in her mind as a north star for the misguided youth. She holds her head high, not in the vein of superiority, but as someone who “used to roam wild on a one-way street.”

The evils of the world are given no quarter. She indicts corporate thugs and warmongers, the shamelessly materialistic and musicians who refuse to offer a modicum of substance. Her motivation isn’t to brow beat, but to challenge you to do better—it’s the type of record that can trigger resolutions on any day of the year. It’s a document of racial solidarity and pride, but one that offers an olive branch to anyone down for the cause. 

The beats are dusty and suffused with warmth so overwhelming it practically radiates Vitamin D. The gritty drums and hypnotic loops are minimal enough to let Muldrow’s mineral-rich voice fill in the gaps. There’s a timelessness in it’s questioning of age-old human problems, yet it tailors the inquiries towards the issues we currently grapple with on a diurnal basis. 

Muldrow uses music as a vessel to inspire hope and propel people towards a better future. Beyond identifying worldly inequities, this record details one woman’s quest to improve things for herself, her children, and everyone else. It’s about finding universal truths, while staying true to one’s essence—transcending the hate and slowly starting to heal. 



Georgia Anne Muldrow - "Ankles"

produced by L'Orange
vocals by Jeremiah Jae
guest vocals by Gift of Gab

The Night Took Us In Like Family
https://itunes.apple.com/us/album/night-took-us-in-like-family/id962648340

About the album:
Enter those bloody alleys blocked off with yellow tape and chalk outlines. Secret backrooms riddled with sly crooks and blunt smoke. Slink into the underworld, the seedy shadowland owned by Jeremiah Jae and L’Orange on their noir-hop opus, "The Night Took Us In Like Family." 

Consider it the alchemy of Madvillain and "The Maltese Falcon": a five-part fable of tangled crimes, narrow escapes, and raining lead. The door busts open with “A Conspicuous Man.” L’Orange’s carefully severed cinematic clips hold the frame steady. The Windy City-raised Jae muscles the narrative forward—the hitman creeping. 

Beats bend sinister with imagery aiming for the temples. Jae invokes dark clouds, crowns of thorns and LSD eyes. Bars written in dirt. Samples are disembodied and ethereal. It’s like a grand jury indictment doubling as a Greek chorus. A song title like “Ice Obsidian” says it all. This is frozen lava, black and white celluloid, the spoils won by sinners. Watch your back rap. 

Or maybe it’s the hip-hop version of the gangster flicks made before the Hays Code—raw and uncensored, deeply artful without pretension. Pitchfork once described Jae as: “a lot of people talk loud and say nothing; Jeremiah Jae finds strength in the inverse." On "The Night Took Us In Like Family," he inhabits both eulogizer and executioner. He triumphantly looms over the corpses and explains how this all came to be. L’Orange supplies concrete requiems of dusted soul: beats to crack safes, soundtracks to stealth assassinations. 

If gangsta rap remains one of the genre’s most well worn tropes, Jae and L’Orange take inspiration from the rarely tapped roots of the tradition. This isn’t riffing on Oliver Stone’s "Scarface" like popular cliché, but rather the original Al Capone exploitation flick from the early 30s. Jae conjures a villain who vaporizes. Run-the-Jewels-raw but still sophisticated. Cuban cigars stuffed with California chronic. 

The picture unfolds wide frame. Guest stars include New York poison dart-thrower, Homeboy Sandman and Blackalicious’ Gift of Gab. The chapters flesh out the story: The Conspicuous Man skulks into “God Complex,” “The Damning,” “Revenge and Escape.” Jae and L’ Orange build their world as a catacomb and find a way to escape just as the walls feel like they’re closing in. It fades out as “A Macabre Instrumental” plays. The funeral is closed casket. The memories aren’t easily disposed.

L'Orange & Jeremiah Jae - All I Need (feat. Gift Of Gab)

https://itunes.apple.com/us/album/time-astonishing!/id1000803681

Coming July 24th from Mello Music Group, Time? Astonishing! is the latest dimensional warp from hip-hop’s premiere astral traveler. His union with MMG producer L’Orange finds him exploring uncharted terrain: choppy volcanic rock planets, ice glacier moons, new surgical procedures, and fresh rappers to toss into the ether. The scalpel remains eternally sharp.
 
Even a flying DeLorean seems too conventional for the Bronx legend. He’d more logically orbit throughout the galaxy in a gleaming chrome spaceship, teaching the stars and aliens new forms of originality. He is too weird to live, too rare to die, too uniquely ultra-magnetic to be accurately mimicked.
 
L’Orange’s production appropriately coaxes the most appealingly baffling gonzo vision from Keith since his days collaborating with Dan “The Automator” Nakamura. This isn’t the noir-rap of L’Orange’s previous work, but something atmospheric, ethereal, and absurd.
 
Yet there’s a sense of tradition within the playfulness. The beats glow with radioactive grit. Hard enough to knock from your car speakers, cinematic and plutonium-propelled enough to transport you to strange terra firma. Buck Rodgers movie serials meet boom-bap. And along for the odyssey are a cast of the best underground MC’s of the last decade: Blu, Open Mike Eagle, Mr. Lif, J-Live, and more.
 
Welcome to the new world, even more sinister and suspenseful than the last one. We live inastonishing times: abstract, absurd, and indelibly Kool.

L'Orange & Kool Keith - The Traveler (feat. J - Live)

Motor City representative FINALE is proud to announce his upcoming album "ODDS & ENDS" produced by ODDISEE.  The new album is coming out AUGUST 14th on MELLO MUSIC GROUP.

Original Art by Gene Pendon 

Finale feat. Homeboy Sandman & Miz Korona - "Just Due (prod. Oddisee)"

The Roots - The Fire

featuring billy grim, mi swaco, malarkey ruse & jimmy de la chambre

produced, mixed & mastered by malarkey ruse

Caffeine

london
mi swaco + bill grim + malarkey ruse

Caffeine

clockwork graveyard