Trevor, what is this Kariya mix called? Cheers

Grooves

Live mix from Shoom Summer Of Love 25th Anniversary at West Exit in Hastings 23.08.13

Accompanying blog piece at http://www.gregwilson.co.uk/2013/09/shoom-summer-of-love/

Check out my label's music at: https://superweirdsubstance.bandcamp.com

SHOOM SUMMER OF LOVE @ WEST EXIT HASTINGS 23.08.13 (greg wilson live mix)

DJ and producer, Terry Farley heads back to the 'second summer of love' and celebrates some of the biggest Acid House tracks, 25 years on.

Along with Andrew Weatherall, the duo started the now notorious Boy's Own fanzine in 1986, which commented on the slang, the parties, the tunes and the humour of the acid house days, and which also lead to the creation of the label Junior Boys Own. This imprint specialised in dance music and put out records by Orbital and Dig Your Own Hole by The Chemical Brothers, which celebrates 15 years this year.

Terry began making productions with Andy Weatherall, Hugo Nicholson and Pete Heller under the name Bocca Juniors. He later teamed up with Pete Heller and has gone on to re-mix many of the world's leading artists and singers: everyone from U2 to New Order; to the Happy Mondays and Primal Scream at the height of Balearica. He has also produced Kylie Minogue, The Farm and M People.



Terry Farley 25 years of acid house - 6 music BBC

I thought I'd bring you some more Big Room Drama as I enjoyed the last one so much.

Some tracks you'll know and some tracks you won't know. From a time when DJ's were given breathing space and could pay long records in full, rather than trying to shoe horn 20 tracks in to their one hour set.

Apologies for the record jumping on Global Communications, the decks are on a cupboard and the door fell open. How's that for glamour?!

WERK IT!!

Track list:

1. The Look - Glammer Girl
2. Angel Moraes - Welcome to the Factory (the instrumental)
3. Londonbeat - Come Back (Morales dub mix)
4. The Daou - Are You Satisfied? (The Tao of Def Mix)
5. Malice - What We Gonna Do Now?
6. Joint Venture  - Love & Happiness (The Chicago Club mix)
7. Lolita - Cocaine (Hani Old Skool dub)
8. The Factory Kids - I’m Simeon, Dammit (The Tech Funk dub)
9. DJ Rasoul - Oh Baby
10. Roach Motel - Wild Luv
11. Lifelike  & Kris Menace - Discopolis
12. OLN - Places of Pleasure (Sound System)
13. X-Press 2 - Say What (London Underground mix)
14. Salt City Orchestra - The Book (Hard Back dub)
15. Salt City Orchestra - Robinson Crusoe on Mars
16. Global Communications - The Way
17. Photek Feat. Robert Owens - Mine to Give (Morales World mix)
18. D*Note - Garden of Earthly Delights (X-Press 2 Supervox)

Glammer Girl - More Big Room Drama!

Trevor Fung @ Clockwork Orange "Summer in the city of love"

Episode 35 features a short commentary and music mixed by Terrence Parker recorded live on February 1, 2022 in Detroit, Michigan USA. Terrence is a music producer & dj from Detroit USA. For more info visit: 

RADIO: www.WTPRDetroit.com 

WS: www.TerrenceParkerMusic.com 

FB: www.facebook.com/TerrenceParkerMusic 

IG: www.instagram.com/Terrence_Parker_Official 

TW: www.Twitter.com/TerrenceParker

Sounds That Work Podcast 35 by Terrence Parker

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

It had been a while since we'd thrown a 2020Vision Day / Night party in London. So the pressure was on.  Would people still remember us ?  Would the notorius English weather be kind to us ?  Could we still pull it off ?  

The answer to all these questions thankfully was yes.  

It had been raining hard for a week before the party but the skies cleared and the sun came out on Sunday morning of May 25th.  A beautiful crowd of people turned up at iCan studios in Hackney Wick, East London for the day session as Kag Katumba, The Reflex and Psychemagik took control of  the decks.

This mix was recorded live from my closing set at sunset. I've always loved that transition between day and night.  As the light fades your ears take over from your eyes and people tune in more closely to the music.  

The party continued until the sun came up again with Citizen,  PBR Streetgang and Greg Wilson in the main room with the Loco Vision cubes.  

Thanks to everyone who came to share the experience and LWE for their superb production.  

Next stop is Sonar Lab as the sun comes up over Sonar Festival on June 14/15th.  

Ralph Lawson Live in London // 2020Vision Day Party

The Sound of Glitterbox - Greg Wilson is the second instalment in a series of mixes from our Glitterbox Resident DJs and Guests.   

Defected presents Glitterbox Ibiza 2015, available to pre-order now: http://defct.de/GBa

Defected Presents Glitterbox: a weekly playground for an international party crowd of all persuasions, where the DJs have free reign to educate and entertain - there’s no slavish following of ‘trends’, charts or genres – just the chance to hear true masters of their craft on one of the world’s best soundsystems.

Buy on iTunes

The Sound of Glitterbox - Greg Wilson

One of Mark Farina's epic mixes recorded on tape in Toronto, Canada

Mark Farina - Shades of Blu (mixtape)

Buy on Bandcamp

Skin To Skin (Feat Lola Delon) (Osunlade Remix)

Alone

Deep & Disco Edits - Feel The Rhythm (SadboiMxstt Club Remix)

The Clockwork family arrived at 338 and put on yet another spectacular party..... relive it in sound right here.

005 - Mr C - Upstairs At ClockWork Orange Studio 338 March 2016

OUT TO ALL THEM 5AM SING ALONG PARTY GUYS &amp; GIRLS, THE AFTERNOON IN THE PARK SQUAD, THE GETTIN IT TOO TIGHT FOR TECHNO PEOPLE... THIS ONE IS FOR ALL YALL.

Belfast resident and founder of Body Fusion Records Bobby Analog is next to pop in with a mix for our guest mix series. Ahead of his Boiler Room at AVA in a few weeks he's gone all doe eyed on us and chopped together some loved up ballads and classic jams.

Tracklist:
Candi Staton - Music Speaks Louder Than Words (Reprise)
Unknown - Love Action
Satari - Smile
Lisa Lisa & Cult Jam - I Wonder If I Take You Home
Simon Moloi - Shorty
Early Clover - I Wanna Take A Chance With You
Vaughan Mason ft. Butch Dayo - Feel My Love
Attitude - Love Me Tonight
The Ritchie Family - One And Only
Love Club - Hot Summer Nights
June Evans - If You Want My Lovin
Shirley Lites - Heat You Up (Melt You Down) Medlar Edit
Alisha - All Night Passion (Jordan Edit)
Melba Moore - Mind Up Tonight
Cuba - Ooh! What A Life
The Loni Gamble Band ft. Lisa Warrington - I Like The Way You Do It

Subscribe to podcast

Bobby Analog - House of Disco Guestmix 049

LDS Residents Mix 002 - Rory Cordz

Hot to the mix for edition 002 is longstanding resident and co-curator soundcloud.com/rorycordz, who has carefully helped cultivate the party and collective over the LDS's existence. Determined and driven by collective thinking, recognising that there is power and fun to be had in numbers, he has always had a passion for bringing people together to dance, plan, create and share things. His energy in these areas as well his cheeky grin (and track selections!) are something that gives great value and playfulness to what we do.

Rory has drawn influence from a wide range of genres over the years, experimenting with most forms of dance music from Drum & Bass, Breakbeat, Techno & Various off shoots of House Music. But it was back around the 2009 mark he found a deep appreciation for Disco music and the rhythmic guitar, funky basslines and soulful vocals which paved the way for a lot of the aforementioned genres. 

Now approaching 11 years deep into this love affair, you can still find him playing eclectic sets when not playing as LDS, but one thing is for sure, he knows how to bring that funky magic to the party, this mix selection is exemplary of his appetite for such floor shakers.

If you're feeling this mix, show some love with your likes, reposts and comments <3

FOLLOW RORY CORDZ
Facebook: facebook.com/rorycordz
Instagram: instagram.com/rorycordz
Mixcloud: mixcloud.com/rorycordz
Twitter: twitter.com/rorycordz

FOLLOW LDS:
Facebook: facebook.com/LondonDisco
Instagram: instagram.com/londondisco
Twitter: twitter.com/londondisco

Trevor Fung @ Clockwork Orange "Summer in the city of love"

ClockworkOrange

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