SHOP EXCLUSIVE - NO ONLINE SALES! Only available for purchase in-store, not for ordering online. No exceptions made! Clone Store Only Series 007. Support your local record dealer and ask him to get it for you!

https://clone.nl/item35772.html

Vernon Felicity - Persuader EP - SOS7

Butterflies (Original)

Back again

Scientific Dreamz Of U is a physicist working on next-generation nano-magnetic systems. Exploring their potential as candidates for hardware-based neural networks (as opposed to the software ones which we currently have) and as playgrounds for deeper fundamental studies on phenomena such as negative absolute temperatures and magnetic monopole excitations.
He has got an EP coming up on Pinkman with a remix from Mick Wills, should be out early Summer. Aside from that he've been working on some pretty different stuff, much more rhythmically focused than previous releases and closer to some of the later part of this mix. 
He'll be at a new club just opened in Leipzig, 'Mjut' in May and will play the Crave festival in Den Haag in early June. Putting together a new party in London along with DJ 'Hope Stress Dose' at the moment and cropping up on the Loophole soundsystem too.

This mix was recorded last November at a  party called 'MINA' in Lisbon, put on by a wicked crew including Marum, Photonz, Violet, BLEID, Naomi & more. As Tony said, the place had a crowd and energy that you don't see too much anymore. Very special place and dripping in all the right ways.

**Scientific Dreamz Of U will be in Athens on 28th of April at Astron bar 

Links:

https://soundcloud.com/scientific-dreamz-of-u
https://www.discogs.com/artist/3801660-Scientific-Dreamz-Of-U
https://www.facebook.com/scientificdreamzofu

Phormix Podcast #121 • Document • 31• Scientific Dreamz Of U

Full stream of "Lullaby" from SN005 - Violent Light EP

Aos’ boundless love for music is apparent in everything she does. As a producer, a DJ, and an event organizer with Seattle’s secondnature and TUF collectives, Kayla Waldorf’s vision eschews traditional categories and genre boxes in favor of an ecstatic spontaneity. Her DJ sets are well known for their playful energy and narrative threading between many different styles. Violent Light is Aos’ first offering on secondnature’s own label, and it captures this playful essence.

The title track’s stomping groove (complete with rave whistle) sets the tone, while Lullaby and What/Why move into headier territory composed of dusty synths stabs and clouds of vocal effects. Finally, secondnature’s own Fugal delivers a remix that flips What/Why into a rolling depth charge.

Violent Light will be available in stores in October 8, 2018 via ReadyMade Distribution, and on secondnature’s Bandcamp

@aosseattle
@fugal

Violent Light

Aos - A2. Lullaby [Full Stream]

Ryan James Ford’s productions are rarely anything other than inspired. Through regular releases on Marcel Dettmann Records, Answer Code Request and his own SHUT imprint, Ford has proved to be an exciting producer, capable of mangling sounds and styles to fit his wide-ranging musical vision.
The Berlin-based Canadian arrives on Happy Skull with a label debut that dramatically emphasizes the point. While each of the four tracks features audible nods to a wealth of influences and inspirations, the bold individuality of the resultant cuts all but renders such comparisons redundant.
For example, EP opener “Ormst Kaban”, whose wild, crashing, off-grid breakbeats and twisted, foreboding electronics aggressively spar with glacial chords and icy textures. The 16 bit arpeggio lines of 'Hobrv Kegdit' are underpinned by powerful sub-bass tones and industrial drum-breaks that merge to create a densely sprawling mass of dance floor melancholia.
This pattern continues throughout the EP, with “Slown Ridel” and “Nos Ummi” balancing skittish, noise-seeped percussion with the dreamy, glassy-eyed swell of classic ambient and pioneering early ‘90s IDM.

HAPSKL015

LISTEN ON YOUTUBE

PREMIERE : Ryan James Ford - Nos Ummi

The 414th episode of @DarkScienceElectro was a guest mix by @Digital-Distortions boss-dudes and DJ duo 'Horror Brawl'.

Horror Brawl is Bushby & Mallory. After meeting at Leeds infamous Back 2 Basics club and shopping at the same record shops they struck up a friendship and DJing partnership that has spanned 17 years.

During that time they have held various residencies in their home town of Leeds including the legendary techno night Detatched, started two respected labels: Digital Distortions and it's now defunct offshoot: Limetree Projects and 2 podcasts: BRAWLcast , for the darker electronic genres and Kitchen Spasm for more house based flavours where they produce mixes under the name MxK

Bushby: @hrrrbrwl
Neil: @neilmallory

Carlos Sicrock - Computers 
Sansibar - Nolla 
SC-164 - Dialed Apart
Cyan85 - Computor Punk 
Tinfoil - Every Saturday Night (Sync 24 remix)
DJ Nephil - Astral Perception
Vin Sol - Hyper Tension
Univac - Tangra
Vaimler - Avalon
Maelstrom - Spasm
Jensen Interceptor & Assembler Code - Wireframe 
Viers - AFB
Sound Synthesis & Datawave - Modulation 
Carlos Sicrock - Kill Zone 
Low Tape - Acid Television
Djedjotronic - #1#0#2 
DJ Nephil - Venom

www.intergalactic.fm

Digital Distortions

Dark Science Electro presents: Horror Brawl guest mix

@40fodamaneirissimo founder Repetentes 2008 injects his sputtering, genre-bending club workout with a giddy playfulness. 

'Galaxia Fini' is out September 6th on Superconscious Records.

Pre-order: bit.ly/2HBjkjJ

@repetentes2008
@superconscious-records

Premiere: Repetentes 2008 - Acavalcan Ritmos [Superconscious Records]

The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast affiliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions. Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.

Function’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills. For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life.

Cosmic synths soar and swoop in ‘Pleasure Discipline’ through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. ‘Zahlensender’ reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, effecting a dissolution of boundaries. ’The Approach’ recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. ’Golden Dawn’, featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. Parnow assisted the production process in its entirety, providing inspiration and featuring vocal contributions. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.

With Existenz, Function reveals an essential body of work, spread over 4LP/2CD - thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma.

Existenz

Buy on Tresor Store

Function - Growth Cycle (feat. Robert Owens)

the exaltics – muted world

a1 :: every beginning has an end
a2 :: second phases
a3 :: muted world

b1 :: second phases (kamikaze space programme remix)
b2 :: broken

transformed and detached by the exaltics

release date: february 4, 2013 (12" vinyl)
distribution clone.nl
http://clone.nl/item26132.html

the exaltics - muted world [TRUST23 | preview]

Cette semaine, direction l'Espagne avec WLDV (@wldv).
WLDV, pour We Love Dolce Vita, a démarré en 2012 avec des soirées pleines d’italo disco et de styles qui s’en rapprochent, disco, synthpop, minimal wave, mais aussi de classiques EBM, acid, techno et house. Initialement un duo, WLDV est depuis 2016 le projet solo de Nathan Church, co-fondateur avec Radhitor du label Eclectic Reactions. Au niveau production, ce sont les musiques électroniques des années 70 et 80 qui l’ont influencé, et notamment les BO de films d’horreur et de science-fiction de série B. Très productif, WLDV a sorti des tonnes de podcasts, de mixtapes, de compilations et d’EP, et vous pourrez trouver ses K7 et ses vinyles sur des labels comme Giallo Disco, Bordello A Parigi et bien d’autres tout aussi recommandables. Son BandCamp est rempli d’edits d’artistes de référence comme Dead Can Dance, Noura, The Force Dimension ou l’incontournable John Carpenter.

L’histoire de WLDV est très liée depuis 2014 au Vocoder Club de Bilbao, sa ville natale. Il y a en effet organisé masse de soirées avec des artistes comme Rude 66, Intergalactic Gary, ou encore Gus Van Sound, résident du club Moog à Barcelone.

La catastrophique crise du Covid a mis WLDV au chômage, le Vocoder Club est fermé jusqu’à nouvel ordre, mais grâce à la magie de la radio, vous allez pouvoir retrouver ce soir l’ambiance d’un warm up de WLDV au Vocoder. 

Bonne écoute

Vernon Felicity - Persuader EP - SOS7

clone records