Song time

Jan21 Rock and multi genre

My crazily-multitracked take on someone else's take on All About That Bass.

Grace Lloyd - Drums
Joe Malbon - Guitar
George Casci - Tenor Sax
Lucy Roberts - Bass Guitar, Double Bass, Lead/Backing Vocals, Producer

Thank you to Daisy and Nora for clicking for me, and to all these amazing musicians for their input. 




All About That Bass

Madre Tierra

Composition de ma fille Agathe. Elle chante et joue de la harpe. C'est une collaboration post confinement. Je joue la guitare et j'ai réalisé les arrangements basse batterie clavier.

Alice

Un poco de aire para soportar la cuarentena.

aire

Aire

At Ease Soldier

Look at the blue line of the Vosges
Enemy from the East
Look at the blue Cayenne Porsche
Melody of the beast

And you open your arms
And you open your heard
You’d like to leave the scene to go to 
The kingdom of secrets
And you open your arms
And you open your heard
You’d like to leave the scene to go to

The kingdom of secrets
A kingdom not made of love 
To the kingdom of secrets
A kingdom not made of love

Sit down at the king’s table drinking
Poison from the east
Lie down in the king’s bedroom giving
Pleasure to the beast

And you arch your back
And you open your legs
You’d like to leave the scene to go to 
The kingdom of secrets
And you arch your back
And you open your legs
You’d like to leave the scene to go to

The kingdom of secrets
A kingdom not made of love
To the kingdom of secrets
A kingdom not made of love (X3)

It’s still time to change your mind
Close your eyes, don’t be blind
Beast beauty will loose your mind

Sing sing, the music’s fine
It’s still time to change your mind
Close your eyes, don’t be blind
Beast beauty will loose your mind (X3)

Close to Robert

Kingdom of secrets

Spotify

This track is inspired by an old piece from 1982, which we played in my third Band. At that time we were enthusiastic and wanted to make music as a living. But we all ended up somewhere else, only our singer made it, as he joined Pink Cream 69 and later Helloween, where they are playing the big festivals till today :-)
I myself had stopped playing at all, focused on my profession and touched only the acoustic guitar from time to time. My Marshall JCM 800 and my Fender were becoming more and more living room Accessoires and were nicely looking hanging untouched at the wall. In 2015 my son woke up music in me again, when he came to me playing a song he had created with GarageBand on an iPad. Then the guitar flame started to burn again and finally the result you can listen here. I hope you enjoy it.

Fehlalarm Suite Part 1

Fehlalarm Suite Part1

Another bizarro trot around the paddock with the inimitable The Phaige and Dairv W, my astral Neighbours. Gary sent over his backing before Santa loaded up the sleigh and D and I worked independently at first then bounced some ideas around. Gary meanwhile worked his magic with layer upon layer of synth and some really cool bass. D soars and flies magnificently. 
A real pleasure to work with these gents..great talent and always high quality. Modern, proggy music that I hope you enjoy

The Phaige bass and synths https://soundcloud.com/one-other
Dairv Dubbleyew lead and rhythm guitars https://soundcloud.com/dairv-dubbleyew
Nick lead guitars @( no need your already here, petal)

Be good
Nick

Similitude - One and Other, Dairy Dubbleyew and ♤

This is the second Part, where more the bass is in the foreground than the guitar. I am playing a Fender Jazzbass Deluxe with active pickups, which gives it a nice crunchy sound.

Fehlalarm Suite Part 2

Fehlalarm Suite Part2

Composed, arranged, performed, and produced by:
Jason Mowry and Carlos Vivanco
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic

Brighter Days

Bluesoul

Bluesoul by Jason Mowry & Carlos Vivanco

Pierre Bordetti productions (c) 01/2021.

Composed, arranged, performed, lyrics, and produced by:
Pierre Bordetti

Thanks to my little Julie for this magnificent photo taken during a stay on a Brazilian beach.

In these special and difficult times, we all need sun, sea and above all peace, I hope to get you some of it through this song with Bossa Samba rhythms.

Remerciements à ma petite Julie pour cette photo magnifique prise pendant un séjour sur une plage Brésilienne.

En ces temps si particuliers et difficiles, nous avons tous besoin de soleil, de mer et surtout de paix, j'espère vous en procurer un peu à travers cette chanson aux rythmes Bossa-Samba.

Là-bas c'est ici (Paroles)

J'irais jusqu'au bout de la terre,
même en latécoère,

chauffer mes vieux os au soleil,
mon cerveau toujours en sommeil,

bercé par le chant des vagues,
abandonné dans mon hamac,

plein les yeux du film de la vie,
les battements d'ailes d'un colibri,
regard fixé sur un vol de cormoran,
les alizés pour seul carburant,

ne plus compter le temps,
ne vivre qu'au présent,

se construire que des souvenirs,
ce paradis en point de mire,

et chaque matin au lever,
me dire que je n'ai pas rêvé,

que là-bas c'est ici,
ici c'est la vie,
que là-bas c'est ici,
ici c'est la vie...

Là-bas c'est ici

Close to Robert is a French composer born in Scotland, pianist, producer and environmental activist, formerly elected to the town hall of Toulouse, France. 
His music mixes pop melodies, crooner voice, catchy bass lines, jazzy piano and synth solos. 
His compositions would be different without the Beatles, Bowie, Gainsbourg, Bashung, 80s Pop, the Roland JX3P synth... Close to Robert likes eclectic musicians, pop in the broad sense, like Chilly Gonzales, Jeanne Added, The Divine Comedy, Lana del Rey, Benjamin Biolay, Emilie Simon, Sébastien Tellier, Get Well Soon...
Ecology takes a major place in his lyrics, in a perspective that is both realistic and optimistic, because we have no other choice but to believe in humanity.