Songs To Art 2

December 2016

dEC16

Jan 2017 New Music

Music Monday: December 5, 2016

Hyped Tracks of 2016 - Week 49

Songs of December - Recap

Morning Show's debut single. Released October 21st, 2014.
Download your copy at: www.morningshow.bandcamp.com

Watch the lyric video over on YouTube: https://www.youtube.com/watch?v=TZnVRsnAMIk

Find us online at:
www.morningshowmusic.com
facebook.com/morningshowmusic
twitter.com/_morningshow

Recorded with Colin Stewart at the Hive Creative Labs in Victoria, BC. 
Mastered by Stu McKillop at Rain City Recorders in Vancouver, BC.

Papershaker

© 2015 Black Honey, All Rights Reserved.

Written, Recorded & Mixed by Black Honey.

Artwork by Olivia Savage - http://www.oliviasavage.co.uk/

Text us at: +447578 533359

Black Honey - Madonna

Black Honey - Corrine

"Go Home" is from the Summer Cannibals album 'Full Of It', available May 27th, 2016.

Pre-order at www.killrockstars.com/fullofit

Kill Rock Stars is excited to announce the latest addition to their roster: Portland’s own Summer Cannibals. The brilliant rock band is set to release their third full ­length album Full of It on May 2016.
Led by guitarist/vocalist Jessica Boudreaux, the Cannibals initially cut their teeth on the local circuit, sharing the stage and receiving encouragement from peers such as The Thermals. Along the way, they released a pair of fantastic full­lengths ­­ 2013’s No Makeup and 2015’s Show Us Your Mind — on their own label, New Moss Records. Show Us Your Mind was recorded by legendary NW engineer Larry Crane and was recently named one of the best of 2015 by Sound Opinions co­-host Jim DeRogatis. The band has since spent an unhealthy amount of time on the road, earning accolades and adding plenty of fresh converts to their highly­ charged, no frills attack.
It seems only logical that when the band decided to sign to a label, they chose a label like Kill Rock Stars, which has a long history of putting out fearless, female­ fronted bands like Bikini Kill and Sleater­Kinney. “Summer Cannibals take us back to our roots,” says KRS President Portia Sabin. “Jessica is a great songwriter and the band is super exciting live, it’s a perfect fit.”
The new album Full Of It is the band’s defining statement to date. Recorded at the amazing analog recording studio The Dock with producer Chris Woodhouse (Thee Oh Sees, Wild Flag), the LP is one of those massive leaps forward that every band hopes to achieve at least once in their career. Aided by a new powerhouse rhythm section of drummer Devon Shirley and bassist Jenny Logan and guitarist Marc Swart, the 11 songs spark with that perfect mix of snotty attitude, unbounded energy, and window rattling volume.
For their part, the four musicians keep their collective foot on the gas pedal, roaring through tunes like the jagged, screaming title track and the shouting, fist pumping drive of “Just A Little Bit.” But they’re savvy and talented enough to ease up when it counts. Just listen for those sweet melodies carrying “Say My Name” along or the pair of simmering tunes that close out the album: “Fall In” and “Simple Life.” The whole thing is done and dusted in about 35 minutes. Just enough time to catch your breath and drop the needle on side A again

Summer Cannibals - Go Home


Led by guitarist/vocalist Jessica Boudreaux and aided by the rhythm section of drummer Devon Shirley, bassist Jenny Logan, Summer Cannibals have that perfect mix of snotty attitude, unbounded energy, and window rattling volume. The band will bring this energy to stages across North America as they join The Thermals on a national tour. 

Full Of It will be released on May 27th, 2016. Pre-order your copy at www.killrockstars.com/fullofit

Summer Cannibals - Say My Name

© 2016 Black Honey, All Rights Reserved.

Written, Recorded & Mixed by Black Honey.

Artwork by Olivia Savage - http://www.oliviasavage.co.uk/

Text us at: +447578 533359

Black Honey - All My Pride

Best with headphones
Right, then left, then centered

LANY - ILYSB (Stripped)- Layered 3x

Find Your Lover

recorded in someone's kitchen

@matildalucas

free dl: https://smarturl.it/skyblushDL

sky blush w/ matilda lucas

Taken from the 'Startpoint' EP released via Beatnik Records on 18th November 2016.

Order here: https://matthewandme.bandcamp.com/

Music and Lyrics by Matthew and Me
Produced by Chris Bond at Deep Litter, South Devon
Artwork by Ali Raymond

Silver

Blossom

Cocoon

twitter.com/happynessmusic
www.instagram.com/happynessmusic/

Falling Down

Listen and download: https://bar25music.lnk.to/Ixu_1

Spotify: https://goo.gl/svPmwv
Youtube: https://bit.ly/3vq05FJ 
Apple Music: https://goo.gl/1NJi7h
Beatport: https://goo.gl/p2Pd4Q
Soundcloud: https://bit.ly/3H7tXcA 
Vinyl: http://bit.ly/2ueC2GU

❤️ Bar 25 Music Dynamic Link 👉 https://bar25music.lnk.to/home

Listen to our Spotify Playlists:
🪩 Organic House: https://bar25music.lnk.to/ZLvO6YtS
🪩 Best of Deep House: https://spoti.fi/46sfdQC
🪩 Melodic House & Techno: https://spoti.fi/3LSkPew
🪩 Ethno Deep House: https://spoti.fi/3ZOPLCa
🪩 Downtempo Chill: https://spoti.fi/3LTZtgV
🪩 Best of Indie Dance: https://spoti.fi/3tzrfc3
🪩 Greatest Hits: https://spoti.fi/3trKILX

Listen to our YouTube channels:
🔥 Bar 25 Music: https://www.youtube.com/@Bar25Music
🔥 Sounds Of Sirin: https://www.youtube.com/@sirin_music
🔥 TalkTalk: https://www.youtube.com/@talktalkrecords

🎬 Bar25 Cinema Movie & Soundtrack
👉 https://bar25music.lnk.to/bar25movie
👉 https://va.lnk.to/SdZ0O

‼️Follow us:
Instagram: https://instagram.com/bar25music
Facebook: https://facebook.com/Bar25.Music
Website: https://bar25music.com
Spotify: https://bar25music.lnk.to/home
Beatport: https://bit.ly/2kyIck4 
Apple Music: https://bar25music.lnk.to/home
Soundcloud: https://soundcloud.com/bar25
Bandcamp: https://bar25music.bandcamp.com/music
Vinyl: https://bar25music.lnk.to/vinyl

Follow our sub-labels:
👉 Sounds Of Sirin: https://sirinmusic.lnk.to/home
👉 TalkTalk Records: https://talktalk.lnk.to/home

Credits:
Label: Bar 25 Music
out: 25.11.2016
Cat. No: BAR25-046
Artist: Lee Jones
Release Title: Remember Tomorrow
Release Type: EP
Medium: digital
Territorry: ww

Tracklist:
01 Lee Jones - Rear View (Original Mix)
02 Lee Jones - Remember Tomorrow (Original Mix)
03 Lee Jones - Joyful Noise (Original Mix)
04 Lee Jones - Salmon's Song (Original Mix)

This EP is about remembering the past whilst embracing the future. Holding on and letting go. Moving forward but taking something with you. 
When I was asked to contribute an EP to the newly resurrected Bar25 Music label, I was overwhelmed by memories of a place which once dominated my life in Berlin. Friendships which have lasted to this day, and others which turned to dust, slipping through time's fingers. Love which turned sour, love that is still maturing. Adventures I'll never forget, others I struggle to recall. 
These experiences from the past often feel so detached they could belong to someone else, a character from a book or a dream maybe, but they were ours, and they make us, become absorbed into our DNA, and drive our evolution. 
These tracks reminded me of those days and that process of understanding your place in the flow of time. Past, present and future combined into one moment; our own reality. 
Rear View was based on an old jam I used to play at Bar25, which I never finished or released at the time. Remember Tomorrow was a track I made some years later with that tiny wooden dance floor and less-than-overpowering sound system in mind. Joyful Noise is a brand new creation which seeks to express the complexity of emotions. Salmon's Song began as collaboration with a friend from Tokyo, Salmon, who sadly passed away 5 years ago, before I had a chance to play him what I had done. The track was gathering dust but has found a place to breathe again with this EP.“

Remember Tomorrow EP

buy on Beatport

Lee Jones - Remember Tomorrow (Original Mix)[Bar25-046]

Lee Jones - Rear View (Original Mix)[Bar25-046]

"I wanted to keep a pure signal from each part to allow for space. A kind of serene, altered state of consciousness. To effect the vox I used the Solid Dynamics EQ, Replika and the convolution reverb Reflektor. Both Replika and Reflektor are awesome on vocals - airy and never aggressive or metallic. The synth comes from Reaktor Prism. It has a huge identity and can define a track on its own. I effected it with Solid Dynamics EQ.

I used three bass sounds. The first from Kinetic Metal - I love the whole kit. It's deep, industrial, texturized and spacey. The second was Massive - I've been using it for a while now. The third bass comes from Reaktor 6's Lazerbass which is really rewarding with very few tweaks – it's sharp and always evolving. I combined it with the Enhanced EQ. The drums are from Battery and Action Strikes with effects from Replika and Driver." - Aïsha Devi

KOMPLETE 11 Instruments and Effects used: SOLID DYNAMICS, REPLIKA, REFLEKTOR, REAKTOR PRISM, KINETIC METAL, MASSIVE, REAKTOR 6, ENHANCED EQ, BATTERY 4, ACTION STRIKES, DAMAGE, DRIVER

For more visit www.native-instruments.com/kompletesketches

Sketches 003 - Aïsha Devi

♬ Klick für mehr ☞ http://trndmusik.de/2016/11/das-neue-tech-house-release-von-fennec-wolf-auf-incroyable-music-kommt/

Follow us on YouTube ☞ www.youtube.com/c/TrndmusikDe

Get Fennec & Wolf's EP on Incroyable Music here: 
➟ Beatport: http://btprt.dj/2gOwWfL

Am Montag, den 28. November 2016, kommt nach dem Sampler „Four Miles to Amsterdam #02“ das neue Release von @incroyable-music raus. Dazu kreierte der Kölner @fennec-wolf die EP „Krøpte“, gespickt mit zwei Original-Tracks. „Ich wollte gerne wieder was Neues ausprobieren“, erklärt der junge Produzent. In einer Zeit, in der jeder versuchen würde, Musik zu machen, „die sich so anhören soll, als wäre die von einem der ganz großen Labels oder Acts gemacht und released wurden, dachte ich, ich mache etwas, was nicht so klingen soll und wollte wieder mehr mit groovigeren Elementen arbeiten“, beschreibt der Kölner die Idee hinter den beiden Tracks „Krøpte“ und „Voices Of Ghoul“. (...)

Click for more ♬

Fennec & Wolf - Krøpte

Watch video on Noisey: https://noisey.vice.com/en_uk/article/ripsy-mays-video-for-dare-is-what-true-freedom-looks-like

Written by The Palms & Ripsy May

@ripsymay
@thepalmsmusic

www.ripsymay.com
www.thepalmsmusic.com

**

Video directed by Tigran Tovmasyan & Ripsy May

www.tigrantovmasyan.com

Dare

FOLLOW https://soundcloud.com/indrabhavalan

smoked out tales in ibiza w/ indra bhavalan

What You Like (feat. Ty Dolla $ign & Wiz Khalifa)

itunes

Full Premiere: http://www.wearesoundspace.com/premiere-miyagi-mz-sunday-luv-into-all-that-you-are-me-her-remix
Submit Your Repost: http://www.wearesoundspace.com/submit-your-repost

Spotify: goo.gl/phNY5q
YouTube: goo.gl/MlPo8d
Facebook: goo.gl/WGjgHO
Twitter: goo.gl/QJgbtz
SoundCloud: @wearesoundspace

Miyagi
https://soundcloud.com/miyagi
https://www.facebook.com/00miyagi

Mz Sunday Luv
https://soundcloud.com/mzsundayluv
https://www.facebook.com/MzSundayLuv

ME & Her
https://soundcloud.com/meandhermusic
https://www.facebook.com/meandhermusic

Einmusika Recordings
https://soundcloud.com/einmusika-recordings
https://www.facebook.com/einmusika

Into All That You Are EP | Einmusika089

Get the full premiere!

Premiere: Miyagi & Mz Sunday Luv - Into All That You Are (ME & her Remix)

if i could i would feel nothing (freestyle)
produced by J hill 
sample : Rydia basecamp

digital druglord

if i could i would feel nothing

"Learn My Life" is taken from Cloud Nothings' forthcoming 7", available exclusively on their North American tour this January / February. 

Tickets on sale now: http://www.cloudnothings.com

January 26th – Cleveland, OH – Beachland ballroom
January 27th – Toronto, ON – Lee’s Palace
January 28th – Montreal, QC – Fairmount Theatre
January 30th – Philadelphia, PA – Union Transfer
January 31st – Boston, MA – Paradise
February 1st – New York, NY – Webster Hall
February 3rd – Baltimore, MD – Ottobar
February 4th – Columbus, OH – A&R Music Bar
February 6th – Grand Rapids, MI – Calvin College
February 7th – Detroit, MI – El Club
February 9th – Madison, WI – High Noon Saloon
February 10th – Chicago, IL – Thalia Hall
February 11th – Minneapolis, MN – Fine Line
February 12th – Milwaukee, WI – Turner Hall
February 15th – Portland, OR – Doug Fir Lounge
February 16th – Vancouver, BC – Biltmore Cabaret
February 17th – Seattle, WA – Barboza
February 18th – Seattle, WA – Barboza
February 20th – San Francisco, CA – The Independent
February 22nd – Los Angeles, CA – Teregram Ballroom

"Learn My Life"

Hey!

So I wrote this song at the end of the summer and I have to say it's probably one of my favourite pieces I've ever written so I'd really appreciate it if you could give it a listen and let me know what you think:)

Please like and share
Thank you very much!

The Things You Do

Awaited for years by the large nationwide cult of Boggers in the know, Erin Birgy’s second LP at the helm of the fog-shrouded ship they call MEGA BOG is an instant and timeless classic. It’s equal parts nostalgic and futuristic, mapping a new, jazz-literate and free form of songcraft onto the model of the traditional guitar-based band. It’s poetry on roller skates, defying recognizable structures in favor of a stream-of-consciousness flow that guides Erin’s lyrics around their many soft and uncertain turns. It’s an inspiring example of a unique vision carried to it’s most honest and vulnerable realization. Happy Together was assembled on tape amidst a lot of movement, including Erin’s relocation from Seattle to New York. Like Joni Mitchell or Beefheart, Birgy has a seemingly magical ability to steer a diverse bunch of players into her own dream-world. And this album has a lot of players, many with big credentials we’ll refrain from mentioning (except for Zach Burba and Will Murdoch from IJI, and James Krivchenia from BIG THIEF, who earn mentions for being particularly present). Considering its variety of personnel and its long gestation, Happy Together is a remarkably consistent and complete record that cuts the deepest when experienced from start to finish, as it arcs from the surreal bubblegum tempos of “Diznee” and “Marianne,” thru the extended dreamscapes of songs like “192014,” and out to the free-wheeling catharsis of “Blackout” and “Fwee.” Take the journey.

Mega Bog - London

Carry On

Carry On (Vasco Remix) [feat. Killer Mike]

Awa Poulo "Djulau" from the album Poulo Warali, out now on Awesome Tapes From Africa (LP/CD/Digital). 
https://awapoulo.bandcamp.com/album/poulo-warali
Pre-order: http://amzn.to/2hhXxCn * http://apple.co/2hhVSfX * NL/BE http://bit.ly/2gdEynf * FR http://bit.ly/2h8IFpp * DE http://bit.ly/2gm2W9G 

Awa Poulo is a singer of Peulh origin from Dilly commune, Mali, near the border with Mauritania. Largely pastoral and often nomadic, Peulh- (or Fula-)speaking peoples are found from Senegal to Ethiopia but predominate in the Sahel region of West Africa. Awesome Tapes From Africa is proud to release Poulo’s newest recording of highly virtuosic folk-pop, fresh from the studio, broadcasting her vision of Peulh music beyond the grazing grounds and central markets of her remote home region in southwestern Mali. 

It’s not very common to find a female singer performing publicly among the Peulh. But Poulo’s mother’s co-wife is Inna Baba Coulibaly, who is a celebrated singer most Malian music fans know. Coulibaly herself was brought into music by forces outside her control when a regional music contest required an entry from her village and she was chosen to be a singer. So, set in motion by a surprising series of events, young Poulo’s entree into the music world was auspicious as she gained popularity across the region. After several locally released tapes and CDs, this record is Poulo’s first internationally-distributed record.

On Poulo Warali, she and her band combine the hallmarks of Peulh music—warm flute floating over cross-rhythmic n’goni (lute) riffs and resonant calabash gourd hand percussion—with broader Malian sounds like lightly-distorted guitar and a heavier, rollicking inertia. Shape-shifting layers of rhythm and woody overtones match Poulo’s commanding voice in a jocular yet deliberate dance.  

This is a relatively rare example of Malian Peulh music played in a modern, cosmopolitan context, reflecting the mixed society of Dilly, where Bambara, Soninke and Peulh-speaking people live among each other. 

Poulo’s conscious lyrics about community concerns speak to the distinctive identity of her broadly-flung people. While Peulh represents less than 10% of Mali’s melting pot of languages, the dynamic music here powerfully resonates well beyond the linguistic borders.