Space Trip At Home by Wes1800

He's trying to warn her about what it's like to be with him. Then he has to go to court. It's Lou Reed inflected Americana folk rock.

Screaming Geezers ep

Warned

Here is a rehearsal snippet from a band i was in back in 2005.  Recorded with a couple of mics in our rehearsal space at Red Carpet Studios.  We didn't have a long run, therefore not much recorded material out there....just rehearsal stuff.  So YOU WILL hear mistakes!  So don't judge to hard! LOL...we did end up having this song honed in very well and played it much better.  Jerry King-Guitar, Shelly King-Keyboard, Michael Kinney-Bass, Travis Plantico-Drums....Comments welcome

Red(King Crimson Cover) - 2005 Wheels of Fire Rehearsals

Cigarettes And Lies

Hearts Of Stone

5A - Edge Of Prairie

4A - Time Is Killing Me

h4, h5, h6, h7, h8=Q

Steve Rowley - guitar
Ric Parnell - percussion & drums
Mike Wolfram - bass
Troy Graham - piano

Woodpushers

Pushin Harry

zug·zwang
/ˈzəɡˌzwaNG,ˈtso͞oɡˌtsvaNG/

a situation in which the obligation to make a move in one's turn is a serious, often decisive, disadvantage.

Steve Rowley - guitar
Ric Parnell - percussion & drums
Mike Wolfram - bass
Troy Graham - piano

Zugzwang

From the album "Spaceship Landing in a Cemetery" by John Shirley and Jerry King.   John Shirley words & voice, Ginger Marten violin, Bill Jungwirth batterie, Jerry King remainder.

Spaceship Landing In A Cemetery

High

Dark poetry riding on the hot current of progressive rock, alt jazz, and pure musical creativity: John Shirley--vocalist and lyricist--collaborates with Jerry King, respected progressive guitarist and multi-instrumentalist songwriter. Superb musicians from the Lizardz and other wild projects collaborated with Jerry and John to create SPACESHIP LANDING IN A CEMETERY, an album that takes us from death to transcendence; from the dark night of the soul into the light of inner freedom. John's lyrics have been compared to Lou Reed and Leonard Cohen and Don Roeser; Jerry King's untethered guitar and compositional power has been compared to King Crimson and other prog greats.

The two artists at the heart of this extraordinary musical alchemy: John Shirley and Jerry King. Jerry wrote and recorded CLOUD OVER JUPITER, 5th MASS FROM THE SUN and was co-writer on the MOON MEN album "AMAZING SCIENCE FICTION STORIES"; he also played on the DIRATZ album, Jamie Bruhn's solo album "CIGARETTES AND LIES and the DUKES OF 1987's "RETRODERELICT." He appears on the compilation album FRETS OF YORE with Fred Frith and Henry Kaiser, and Greg Segal's album "INVISIBLE GROUND OF SYMPATHY". Having completed SPACESHIP LANDING IN A CEMETERY he's currently working on the new CLOUD OVER JUPITER album and the second album from MOON MEN. An upcoming interview about his work, including SPACESHIP LANDING IN A CEMETERY, appears in issue #74 of Progression Magazine. 
In Portland, Oregon John Shirley was the original lead singer of Sado-Nation before going to New York to perform in Obsession, and San Francisco to lead The Panther Moderns and The Screaming Geezers. John has written the lyrics for eighteen songs recorded by the Blue Oyster Cult, including "See You in Black", and more songs by John are expected on the next Blue Oyster Cult album coming this fall. He's also written lyrics for Joe Bouchard, Dennis Dunaway and Al Bouchard for their up and coming band Blue Coupe. Writing lyrics comes naturally to John--he's not only a widely published poet, he's written numerous novels and the award-winning story collection Black Butterflies. He's now working with Mark Tremonti (Creed, Alter Bridges), to adapt Mark's new science-fiction rock opera into a novel: A DYING MACHINE. John's already gotten shout-outs in Billboard and at MSN and many other places for his work with Tremonti. John Shirley was also co-screenwriter of the movie THE CROW.

High

Jerry King

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