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Bruhlist

that gritty, dark, heavy, electronic stuff.

DARKKE ‍☠️ KLB

you can start with any album, but when you do, listen in order :) - make sure you have shuffle turned off for this one. each album is a journey within itself.

Best Albums of All Time ⏳ KLB

Brick

rnnr

Gritty technoid opener from Hypers brand new album 'Lies' as seen on Gran Turismo 5.
www.facebook.com/hyperuk
www.djhyper.com
www.twitter.com/djhyper

clockwork

Hyper - Clockwork

lies

spoiler

Hyper - Spoiler

Be the first to know about new music and future shows: http://magicgiant.com/join
- - - -
Sour
Sweet as rain
Leaves a stain

Power
Struggle of the heart
You can't tear apart the blame

Now i know that hello is a show for a sweet goodbye
No tears to cry

Which one of us set on fire?
Cause we both went up in smoke
Which one of us cut the wire?
Ain’t no bottom to this hole

Coward
Burnin the page
Rose from the flames

Flowers 
Tossed to the wind
End to begin again

Now i know that hello is a show for a sweet goodbye
No tears to cry

Which one of us set on fire?
Cause we both went up in smoke
Which one of us cut the wire?
Ain’t no bottom to this hole

Would you save me
I’ll save you
We can save ourselves

Which one of us set on fire?
Cause we both went up in smoke
Which one of us cut the wire?
Ain’t no bottom to this hole
- - - -
Written by Zambricki Li, Austin Bisnow, and Brian Zaghi
Produced by Magic Giant
Additional production by Tyler Johnson
Vocal production by James the Human

Lead vocals and Juno by Austin Bis
Banjo, lap steel, dobro, and backing vocals by Zambricki Li
Mandolin, acoustic guitar, and backing vocals by Brian Zaghi
Live drums by Ian Meltzer
Additional gang vocals by Ian Meltzer and James The Human

Recorded at The Bunker, Silverlake, CA, USA
Mixed by Ruadhri Cushnan, Rhubarb Music, London, UK
Mastered by Steve Smart, Studios 301, Alexandria, AU

Photo by Leo Deveney
Graphic design by Brian Zaghi
- - - -
Facebook: http://www.facebook.com/magicgiant
Twitter: http://www.twitter.com/magicgiant
Instagram: http://www.instagram.com/magicgiant

Spotify: https://open.spotify.com/artist/7eaa5...
iTunes: https://itunes.apple.com/us/artist/ma...
Pandora: http://www.pandora.com/magic-giant

Download on iTunes!

Set On Fire

Valleys Of Neptune

Sunshine Of Your Love

The Best of Motörhead

Ace Of Spades

Limousine

We Sold Our Soul for Rock 'N' Roll

Paranoid

In The Wind

Hideaway

Window (Prelude)

Jade

Form

Last Resort and Spa

Buy on iTunes

Magic Giant - Window

Support my music on Bandcamp.
https://danieldeluxe.bandcamp.com/

New music and tour news in link below:
🔗 linktr.ee/danieldeluxe

-
Graphic design by Alex Coffin (www.instagram.com/alexcoffin/) 

Illustration by Victorien Aubineau (www.instagram.com/kashu_2080) 

All tracks are written and produced by Daniel Deluxe.

Instruments of Retribution

SATURATION

STAR

SATURATION II

GAMBA

SWAMP

RENTAL

🔥 Download/stream/buy: https://fanlink.to/OompaLoompa

Follow the 'Season II 2018 Moretin releases' playlist on Spotify: http://spoti.fi/2CWNSre

🔥 Follow Unholy:
Soundcloud: https://soundcloud.com/unholy-334106881
Instagram: https://www.instagram.com/unholy_unofficial/

🔥 Follow Moretin:
Soundcloud: @moretinmusic
Facebook: https://www.facebook.com/moretinmusic
YouTube: https://www.youtube.com/c/moretinmusic
Instagram: https://www.instagram.com/moretinmusic/
Spotify: https://open.spotify.com/user/moretinmusic?si=DkVIYn4eQ7mbmzktFPi9Dg

\\
Artwork by Yan Przybyszewski.

The Revolt Of The Oompa Loompa

Download/buy/stream

Unholy - The Revolt Of The Oompa Loompa

* All produced by O.O.W


가만히 앉아있다가 보면 오늘도
멍하니 지나는 시간이 반복되고 또

저기 바쁜 사람들 모습과 
여전히 변한것없는 거리도 
 
또 날 떠나지 않는 소음과
자꾸 끌어당기는 무게감

몇개의 핑계를 늘어놓는 모습도
이제 초라해져만가 

지긋지긋한 sns와 너의일상
누군가를 부러워하는것도 

이럴수록 내가 더 작아보이니까
잠깐 바깥공기라도 좀 마셔야하나?


온통 하얀색 벽지로 둘러쌓여  
온통 하얀색 벽지로 둘러쌓여
온통 하얀색 벽지로 둘러쌓여
온통 온통 

어제와 같은 밤하늘 나의 shooting star
돌아오는길엔

오늘밤은 생각이 많을것만 같아
woo woo woo woo woo
  

또다시 마주한 하얀 방구석엔
소음과 찝찝한 기분이 가득해 
책상엔 먹다만 음식 몇가지에
어질러진 흔적들이 가득해

날위로하는 똑같은 핑계거리와
자꾸나를 내려다보는것도

이럴수록 내가 초라해보이니까 
(oh no)


온통 하얀색 벽지로 둘러쌓여  
온통 하얀색 벽지로 둘러쌓여
온통 하얀색 벽지로 둘러쌓여
온통 온통


어제와 같은 밤하늘 나의 shooting star
돌아오는길엔

오늘밤은 생각이 많을것만 같아
woo woo woo woo woo

White Room

feat. Laurel Halo, Kuljit Bhamra, Jonny Lam, Verity Susman, Untold

Beatrice Dillon - Workaround
Format: LP / DL
Cat.No: PAN 106
Release Date: 07 February 2020
Purchase: bit.ly/33ISoYr

‘Workaround’ is the lucidly playful and ambitious solo debut album by rhythmobsessive musician and DJ, Beatrice Dillon for PAN. It combines her love of UK club music’s syncopated suss and Afro- Caribbean influences with a gamely experimental approach to modern composition and stylistic fusion, using inventive sampling and luminous mixing techniques adapted from modern pop to express fresh ideas about groove-driven music and perpetuate its form with timeless, future-proofed clarity.

Recorded over 2017-2019 between studios in London, Berlin and New York, ‘Workaround’ renders a hypnotic series of polymetric permutations at a fixed 150bpm tempo. Mixing meticulous FM synthesis and harmonics with crisply edited acoustic samples from a wide range of guests including UK Bhangra pioneer Kuljit Bhamra (tabla); Pharoah Sanders Band’s Jonny Lam (pedal steel guitar); techno innovators Laurel Halo (synth/vocal) and Batu (samples); Senegalese Griot Kadialy Kouyaté (Kora), Hemlock’s Untold and new music specialist Lucy Railton (cello); amongst others, Dillon deftly absorbs their distinct instrumental colours and melody into 14 bright and spacious computerised frameworks that suggest immersive, nuanced options for dancers, DJs and domestic play.

‘Workaround’ evolves Dillon’s notions in a coolly unfolding manner that speaks directly to the album’s literary and visual inspirations, ranging from James P. Carse’s book ‘Finite And Infinite Games’ to the abstract drawings of Tomma Abts or Jorinde Voigt as well as painter Bridget Riley’s essays on grids and colour. Operating inside this rooted but mutable theoretical wireframe, Dillon’s ideas come to life as interrelated, efficient patterns in a self-sufficient system.

With a naturally fractal-not-fractional logic, Dillon’s rhythms unfold between unresolved 5/4 tresillo patterns, complex tabla strokes and spark-jumping tics in a fluid, tactile dance of dynamic contrasts between strong/light, sudden/restrained, and bound/free made in reference to the notational instructions of choreographer Rudolf Laban. Working in and around the beat and philosophy, the album’s freehand physics contract and expand between the lissom rolls of Bhamra’s tabla in the first, to a harmonious balance of hard drum angles and swooping FM synth cadence featuring additional synth and vocal from Laurel Halo in ‘Workaround Two’, while the extruded strings of Lucy Railton create a sublime tension at the album’s palatecleansing denouement, triggering a scintillating run of technoid pieces that riff on the kind of swung physics found in Artwork’s seminal ‘Basic G’, or Rian Treanor’s disruptive flux with a singularly tight yet loose motion and infectious joy.

Crucially, the album sees Dillon focus on dub music’s pliable emptiness, rather than the moody dematerialisation of reverb and echo. The substance of her music is rematerialised in supple, concise emotional curves and soberly freed to enact its ideas in balletic plies, rugged parries and sweeping, capoeira-like floor action. Applying deeply canny insight drawn from her years of practice as sound designer, musician and hugely knowledgable/intuitive DJ, ‘Workaround’ can be heard as Dillon’s ingenious solution or key to unlocking to perceptions of stiffness, darkness or grid-locked rigidity in electronic music. And as such it speaks to an ideal of rhythm-based and experimental music ranging from the hypnotic senegalese mbalax of Mark Ernestus’ Ndagga Rhythm Force, through SND and, more currently, the hard drum torque of DJ Plead; to adroitly exert the sensation of weightlessness and freedom in the dance and personal headspace.

The album is mixed by James Rand and mastered by Rashad Becker at Dubplates & Mastering. Artwork by Thomas Ruff, layout by Johannes Schnatmann & Bill Kouligas.

Workaround

Beatrice Dillon - Workaround Two (PAN 106)

Amnesia Scanner — Tearless
Format: LP / DL
Cat.No. PAN 108
Release Date: 19 June 2020
Purchase: pan.lnk.to/Tearless

Berlin-based duo Amnesia Scanner have announced the impending release of their sophomore LP, Tearless, a sonic reflection of how it feels to experience Earth at a time when collapse is emerging as the prevailing narrative. As Amnesia Scanner founders, Ville Haimala and Martti Kalliala watch their icy home country of Finland thaw- the staggering scale of political recalibration and the worldwide climate crisis blows open old norms. “There’s a looming sense of radical change,” they noted pre-COVID, connecting the period of making the album to a fin de siecle horror and curiosity regarding what new world is being ushered in. Tearless has been referred to as “a breakup album with the planet”, to which Amnesia Scanner responds, on the LP’s closing track: “You will be fine, if we can help you lose your mind.” Amnesia Scanner are previewing the album in the form of a video for their accidental quarantine anthem “AS Going,” a clip featuring a cascade of images of spiraling humans.

Tearless marks a turning point in the duo’s trajectory, one begun in 2014 with the AS Live [][][][][] mixtape, followed by audio play Angels Rig Hook, two EP’s for Young Turks, and their 2018 debut album, Another Life (PAN). For Amnesia Scanner in 2020, the walls of the nightclubs, galleries, and institutions fall away and are replaced by full-scale theatrical productions complete with jumbotron stages, animatronics, and a surrealist costumed cast (literally so in the XL version of the album’s live show, Anesthesia Scammer). Likewise, the musical scope of the album is expansive, with guest vocalists — the Peruvian artist Lalita and the Brazillian DJ/producer LYZZA — descending into a vast uncanny valley of sound. With the crossfader on Tearless sitting closer to pop than abstraction, so too does the audience for this record widen in scope. Opener “AS Enter” sets a sombre tone until the fucking riffs of the second track (the titular, Lalita-helmed “AS Tearless”) make clear there’s plenty of roaring to come. A feature from metalcore band Code Orange on “AS Flat” follows, along with “AS Trouble” (feat. Oracle, the third, machinic ghost-member of Amnesia Scanner) and together they hit as black-metal-gaze dirges. Closing Tearless is the sadboy grunge of “AS U Will Be Fine” with a clear statement of intent: doom, despair, insanity, absurdity, it’s all natural, all cathartic, and all OK.

For the art direction of this release, Amnesia Scanner collaborators PWR scavenged the pop cultural unconscious, as if ventilating memory dissociated by trauma. The gatefold vinyl reveals a four-panel comic, full of iconic pre-millennial motifs, which arrive cut up and reassembled collage-style: fitting visuals for an album that channels Deftones as much as reggaeton, menace as much as the drop-outness of grunge. Refuse like the ‘90s and party like the ‘20s—if that seems senseless, you are doing it right.

The album is mastered by Enyang Urbiks, featuring visual direction from PWR Studio.

@amnesia-scanner
https://p-a-n.org/

Something Underneath

clipping.