This is really good...love the jazzy piano sitting with the dark electronica ...that fat bass is magic....top composition.

that bass that just came in is nicely sinister against the trippy piano

que músicon te haces manouvers!!!mu seio!!

a partir de la reproducción de un concierto de comer tostadas y marnelade ... escucha en el teléfono así que no hay grandes bajos ... Esto es una gran composición de este tipo ... El piano de jazz es excelente y se establece el contexto tan bien ... me quito el sombrero ¡ante ti!

@user-717082503-590487802: Thank you very much for the comments and for spending some time around here! Have a nice one!

Achille$ - RPA Remix of "Super Brooklyn" by Cocoa Brovaz

Super Brooklyn [RPA Remix] (prod. Cocoa Brovaz)

Track I've done trying out the Dave Smith Instruments OB6.  Used it for the Electric Piano type sound and for the Growly Bass.  

Demento

More info at:
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Hope you enjoy it :)

Weird Zone

First piece from 'Deer Heart' released 14/10/2016 through @hobbledehoyrecords
For press please contact Ken or Ali at Hermana PR
tel: +44 (0) 208 6538455 e: ken@hermana.co.uk / office@hermana.co.uk

Violin: Una Sveinbjarnardóttir
Viola: Þórunn Ósk Marinósdóttir
Cello: Júlía Mogensen 
Bass: Borgar Magnason
Clarinet/Bass Clarinet: Jóel Pálsson
Percussion: Frank Aarnink
Ondes Martenot on 'Orison': Jacob Abela

All other instruments, field recordings and body sounds: Tilman Robinson

Composed and produced by Tilman Robinson
Additional production by Paul Evans

Recorded by Paul Evans at Greenhouse Studios, Reykjavík
Additional recording by Tilman Robinson in Melbourne, Berlin, Reykjavík and Banff
Piano on "Her Heart Was Warm (until it stopped beating)" recorded by Zach Miley at the Banff Centre
Assistants at Greenhouse Studios: Sam Slater and Jan Leitner

Mixed by Valgeir Sigurðsson & Paul Evans at Greenhouse Studios, Reykjavík
Mastered by Lawrence English at 158, Brisbane

Photography by WILK

Deer Heart

Buy DL/CD/LP

Where We Began

Made this track early 2016, wasn't planning to release it but Owl Yeah wanted me to be part of his project with his poem: Review, so here it is...

Review

before us there have been younger suns
plants and bones, cozy homes, hired for yet another year,
but- tired of waiting- we dug them out:
proofs of death, well-preserved by our very own....
and so we left: roads and borders, restored values,
bit by bit our parental gifts. thats fine, so far,
we lose no more, sacrificing solely to the greater plans, we are:
worth it all for sure.

Music Written & produced by Sunken Sleep Owl 2016
Owl Yeah - poem and voice 

recordinghttps://soundcloud.com/owlyeahofficial

Play It Forward (Feat. Owl Yeah)

Hypnagogia is the experience of the transitional state from wakefulness to sleep: the hypnagogic state of consciousness, during the onset of sleep. Track from Sunken Sleep Owl's album The hypnagogic State.

Shore You Around

Book of Hours (2016)
for Vocal Ensemble and Chamber Orchestra

1. Now now now now
2. A thin layer of time (7:56)
3. Why had we even bothered making these things? (14:16)
4. Interlude (15:26)
5. I am much too alone for this world (17:26)
6. Timor Mortis (20:00)

'Book of Hours' takes its inspiration from an artist book stitched on tissue paper by Laura Grey. Loosely following the structure of a medieval book of hours, the project reimagines the ancient prayerbook as a large, hand-stitched, table-sized book. Several texts from various sources are collaged together, creating a narrative that references the structure of the original, while offering a contemporary perspective on the practice of daily devotion.

Often when looking inward we encounter a volatile and turbulent space: memories and premonitions, cares and worries, visions and dreams, clash with wide-ranging emotions of sometimes great intensity. 'Book of Hours' enters this space. Wistful childhood memories lead to a joyful outburst of song in the first movement, 'Now now now now'. A quiet meditation on time in the second movement, 'A thin layer of time', is rudely interrupted by the angry outburst of 'Why had we even bothered?' followed by a short instrumental interlude of equally violent intensity. In 'I am much too alone for this world' a sense of deep loneliness dissolves into the final movement, 'Timor Mortis'. A layering of text from Shakespeare’s Macbeth and a fragment from the Catholic Office of the Dead, 'Timor Mortis' concludes the work with a quiet prayer, gently accepting fear in the face of our uncertain future and unpredictable fate.

This piece was commissioned by the Present Music Commission Club for its landmark 35th season. Milwaukee, WI, USA, 2016.

Recorded live at the Cathedral of St. John the Evangelist, Milwaukee, WI, by Present Music and the Hearing Voices Ensemble, Kevin Stalheim, Music Director.

www.roberthonstein.com
www.presentmusic.org

Book of Hours

According to the annual  Electronic Music Conference held every winter in Miami, (WMC) Beatfreak Group releases his usual and awaited compilation including recent edited and unedited tracks.

A very explosive  group of artists is  selected for the ocassion 

Usual names of the label, as latest recruited  new artists  and new promises that for sure will make their remark in the industry through 2012.

A perfect conclusion of the successfully actual line on Beatfreak Group and an amazing advance of the coming months.


Bando & Sebastian Ledher - El Baile Anunnaki (Original Mix) EDIT

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