62 minute live set recorded at Circus Osaka, Japan in June 2018. Comprising of mostly unreleased and never to be released Overmono material.
Overmono ‎– ライブ大阪 2018年6月
Label: Poly Kicks ‎– POLYCAS001
Format: Cassette, Limited Edition
Country: UK
Released: Feb 2019
Genre: Electronic
Style: Breakbeat, Techno

Overmono - ライブ大阪 2018年6月  (Live in Osaka June 2018)

Rinse FM Podcast

Nikki Nair with Chloé Robinson & DJ ADHD - 12 October 23

Combining two of the most forward thinking artists within the UK’s bass-loving continuum, BLUMITSU (Bluetoof & Jossy Mitsu), provide a 90 minute, future-facing look at dance music, featuring mutant acid, electro and breaks blended together with a subtle ferocity.

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Crack Mix 586: BLUMITSU

https://www.instagram.com/djswisha
https://www.instagram.com/acemo
https://www.instagram.com/kush_jones_
https://www.instagram.com/moma_ready

https://soundcloud.com/dj-swisha
https://soundcloud.com/acemo
https://soundcloud.com/kush_jones
https://soundcloud.com/moma_ready

DJ SWISHA, AceMo, Kush Jones and MoMa Ready B2B @ The Lot Radio 11-27-2024

One hour of resolutely DIY club workouts, from one of the West Coast's most exciting producers. 

If you've been in the club recently, chances are you've heard the work of Julian Edwards, AKA bastiengoat. Maybe it was the standout 2022 track "Tell Me If You Like It," which blends jungle breaks with a slinky sample from Cassie's R&B anthem "Me & U" to create a 130 banger perfect for modern dance floors. The Oakland-based producer has become a go-to name for party cuts that bounce,  favoured by the likes of Bianca Oblivion and fellow Bay Area artist—and frequent back-to-back partner—Bored Lord.

Born and raised in the Bay Area, Edwards is deeply connected to Oakland's underground rave scene. Reflecting on his early experiences, he explained how the region's unique blend of crowds—from "raw hardcore sound to hyphy house parties"—and legacy of DIY warehouse raves has always shaped his music. 

While gentrification in the region has limited opportunities to throw parties in those spaces, Edwards, as part of the label and collective NO BIAS, is carrying that torch for a new generation, pushing jungle, UK garage and all manner of US club variety while maintaining a strong DIY ethos. As dance music grows increasingly global and commercial, Edwards and co offer a refreshing antidote. 

A prolific producer, Edwards is hard to pin down musically. He can apply his distinctive touch to virtually any genre. Take "Slander," where he blends hardcore and electro with Jersey club. Or "at em" a collision of 2-step, bassline and furious breaks. At the core of his work is a transatlantic bass connection, much like fellow West Coast star Introspekt. Both have a serious knack for fusing intricate rhythms with the kind of deep, murky bass weight synonymous with so much UK dance music. 

For RA.990, Edwards jumps between genres with flex and ease—one moment it's grime-like basslines evoking "Pulse X," then aqueous, melancholic club, before twisting into fast and furious breaks. Rough, ready, and rowdy, it’s music that’s equal parts technical showcase and peak-time firework display.

@bastiengoat
Find the interview and tracklist at ra.co/podcast/990

RA.990 bastiengoat

Korea Town Acid : Take Over @ Nuits Sonores - 01 Juin 2025

Live set from the Azaadi stage at Glastonbury 2025

Baalti - Live Set @ Glastonbury 2025

DJ Supreem

https://krypsis.bandcamp.com/track/thirsty-dub

BANDCAMP

Krypsis - Thirsty Dub

Beneath the city, sounds fade into the rain as metal keeps the breath of time.
A hidden pulse moves through the dark, where forgotten lights keep dreaming

Two Shell - Alpha Test

c-