"Whitacre is that rare thing, a modern composer who is both popular and original"
- The Daily Telegraph, London

Eric has inspired millions as composer, conductor, innovator, broadcaster and charismatic public speaker. His compositions rank among the most popular and frequently performed of the early 21st century, their reach broadened since 2010 by the extraordinary success of his online Virtual Choir project. Light & Gold, his first album as composer and conductor, won the 2012 Grammy® Award for Best Choral Recording and instantly topped the US and UK classical album charts.

Born in Nevada, he discovered a passion for choral music while studying at UNLV and he began composing soon after. He went on to study at the Juilliard School of Music in New York under John Corigliano. Many of his choral compositions, Cloudburst, Lux Aurumque and Sleep among them, have entered the standard choral repertoire and his orchestral music has been performed by some of the world’s most distinguished orchestras both sides of the Atlantic. Eric is currently Composer-in-Residence at Sidney Sussex College, Cambridge University, UK.

A distinguished speaker, Eric has been invited to address the UN Leaders Programme, give the closing plenary at Davos World Economic Forum and to speak for UNICEF and Google among others. He has appeared twice on the main stage at the global TED conference in Long Beach CA, earning standing ovations on both occasions. Recent Virtual Choir projects include ‘Glow’ written for the Winter Dreams holiday show at Disneyland© Adventure California and the Virtual Youth Choir, in association with UNICEF, which premiered at the Glasgow 2014 Commonwealth Games. Broadcast live to 119 countries worldwide, Eric made his iTunes Festival debut with his professional choir in 2014, inviting multi award-winning composer and conductor Hans Zimmer to join him on stage. The performance was consequently released as a live album. Eric returned to the Minnesota Orchestra for a second residency in 2015 culminating in three performances at Orchestra Hall.


Since his earliest self-produced CD-Rs, Philadelphia psych-pop master Kurt Vile has referred to himself as "Philly's Constant Hitmaker"—and while he gave himself that name with a sly wink, he was also nodding toward the songwriting prowess that would result in him becoming one of his home city's most celebrated rock artists. "I’m always thinking about catchy music, even though it’s fried, or sizzled, out," he says. "It's my own version of a classic thing—it's moving forward and backward at the same time." 
On his latest album, (watch my moves), Vile pulls his talents as a singer, songwriter, multi-instrumentalist, and producer in unexpected directions—and the result is a vibrant, yet meditative album propelled by Vile's laid-back charm and curious spirit. Every lyric has been chiseled down into an aphorism, every bloom of distorted guitar or murmuring synth helping create that "fried" pop. "It's about songwriting. It's about lyrics. It's about being the master of all domains in the music," he says of his ninth album and first in partnership with a major label, Verve Records.
(watch my moves) comes from a period when Vile, whose touring and recording schedule during the 2010s was seemingly constant, stayed in one place. His mind was always swirling, though, puzzling out pointillistic lyrics, dreaming up spit-shined choruses, and checking in on other dimensions. "My favorite pastime these days is sitting drinking coffee in the morning post-breakfast by the window, reading and listening to Sun Ra, sun shining through the forest trees," says Vile. "In that moment, it's all the traveling I'll ever need. This record encapsulates all that—letting two years roll by and staying in my zone, traveling all the while in my brain, at the piano or in my guitar."

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