Anthony Rother is described as an influential visionary, an electro pioneer and one of electronic music’s most prolific producers. For more than two decades Rother aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

Starting his recording career in the late ‘80s, the Offenbach-based producer established himself in Germany’s electronic music scene with his first two releases, "Sex With The Machines" (1997) and "Simulationszeitalter" (2000). In 1998, he founded his label Psi49Net, allowing him to keep his artistic independence and showcase his vision of electro music that cultivated a unique storytelling approach, guided by dystopian future visions on societal changes due to technological progress. The vocoder-driven vocals and the dark dystopian synth sound with machine-like beats have become Rother’s trademarks, even before he found international recognition as a science-fiction avant-gardist with the virtual electro-pop project "Little Computer People" (2001) and his 3rd solo LP "Hacker" (2002).

In 2004, Rother created the Datapunk imprint to evolve an immediate, more song-orientated language that used simple melodies and even autobiographic anecdotes collected on "Popkiller." Perceived as one of his most venturous endeavors, yet his sonic shift had a decisive effect on many artists' careers: The Hacker, Boys Noise and Terence Fixmer published on Datapunk in its early days. While some of the experimental ambient recordings for Pete Namlook’s infamous label Fax +49-69/450464 reflects Rother’s prolific output, he also worked and co-produced with several prominent artists such as from former Kraftwerk member Karl Bartos, Sven Väth and DJ Hell.

After its success, Datapunk turned into an enlarging business which devoured both time and creativity to make music. In 2013, Rother decided to let the project rest and took a break that he used to move his studio while only producing music for his HYBRID sets. Through his self- contemplative retreat, he eventually rediscovered the artistic instincts that brought him back to his roots; both in terms of his renewed independence as well as how he channels creativity as a producer. In late 2017, Rother resurfaced with an EP on Danny Daze’s Omnidisc and contributed the track "Technic Electric" to Fabric 96 mix by DVS1. Last year, Rother returned to his Psi49Net label with a new album "3L3C7RO COMMANDO" that transports a clear message: Anthony Rother not only lives in and through his pure electro music, he still has something to say – here and now. The past represents the future!

In April 2019, Rother will release two 12’’ on DVS1’s Mistress Recordings followed by another EP as well as a conceptual LP for Psi49Net in fall. Moreover, Rother will drop a 12-inch on Radio Slave’s Rekids offshoot Stranger In The Night.

KEITH TUCKER aka K-1
The music scene in Detroit has a long history of producing many forms of music and special artist. Keith K1 Tucker is one of those artists; he has been globally influential in the age of “Detroit Techno and Electro.” Keith Tucker, as an Artist and DJ, has captured this vision in his extensive catalog. Co-founder of AUX-88, and also known as DJ K-1, Alien FM, KT-19941, and his (Alter Ego) movie score sounds of Optic Nerve. Tucker Created electro mayhem in the mid 90‟s to create the electro revival you hear so prominent in the new millennia today.

Tucker has recorded as Frequency on the famous Label Metroplex While Touring Live and Djing around the world Tucker has performed and programmed Juan Atkins first live shows as Model 500. Tucker has also toured extensively as Dj K1, Live performances as Aux88 & Optic Nerve. Tucker went on to explores his own personas in 2020 leaving Aux-88 to keep creating music with his record label PUZZLEBOX Records. Tuckers many releases, interviews, reviews and performances in the U.S and Europe, has given him the recognition he deserves. 

Call him what you want but by any other way, but don't call him blind. This visionary from DETROIT has brought his unique brand of dance music to the awaiting ears of the world recording New Optic Nerve Lp Uncharted on Jeff Mills Axis records, Far Away ep on Soma and collaborations with Anthony Rother, Carl Finlow, Detroit In effect, Anthony Shakir, Cosmic Force, Dj Godfather, Slam, The Exaltics, Strand and extensive remixes for so many in the genre. See his exclusive dj energized dj sets.

Electro / Techno / Minimal / House

For COa, each beat, rhythm, and melody is more than just sound; it's an unfolding story, a testament to the dedication, evolution, and heartfelt inspiration.
Aleksandar (COa)'s musical journey began in grade school early 90’s as drummer for "Art Bliss" an alternative band from Jagodina. During those days, COa discovered his natural connection to music, a gift influenced by his father's beats as a rock drummer and complemented by his older brother's own musical pursuits.

In the mid-'90s, Aleksandar's musical sensibilities were inundated with new sounds. For the first time, he was introduced to the underground rhythms of acid house via FM radio. Television broadcasts like VJ Techno, Supernova, and the Thursday late night radio show "Fraktal" on Radio Politika further fueled his passion for electronic music. This newfound love culminated when he attended a major party in Belgrade in 1996.

During challenging times in the 90s for Serbia, without access to proper DJ & studio equipment, COa and his friend Dragan F. delved somehow into the world of DJ-ing with BST CDJ Players, and music production using software such as HammerHead Rhythm Station, PropellerHead ReBirth RB-338, and later Fruity Loops. This passion led them to establish a concept called "Technodrome" (1997 – 2003) - techno parties that became a voice of resistance and revolution in Jagodina. 

Yet, it was in 2012, with the embrace of Ableton Live, that COa truly found his electronic voice, uncovering an enriched appreciation for the vast canvas of electronic music.

Throughout their music journey back in 90's and 2000's in Jagodina, COa, and Dragan F. established themselves as central figures of the electronic music genre, taking up long-term DJ residencies in renowned clubs including Rupa, DNK, Life, and Princip. Their sets became anticipated events and influenced the local electronic music scene.

Between 1997 and 2003, Jagodina witnessed a cultural metamorphosis. "Technodrome" wasn't merely an event; it was an experience, a movement that COa and Dragan F. created. Their influence permeated deeper than the turntables & CDJs. From 1997-2003, the "Technodrome" phase under their stewardship redefined Jagodina's electronic music cultural soundscape.

In 2003 both COa and Dragan F., collectively known as “Technodrome”, made the difficult decision to dissolve their organization. But they wouldn't bow out quietly. Instead, they orchestrated what would become the most significant party Jagodina had ever witnessed: 'Demonstracija Sile' (Demonstration of the Force). This monumental event drew a crowd of over 5,000 attendees, unfolding in the expansive cinema hall, equipped with a staggering 20-kilowatt Turbosound system, lasers, and a video projector. It wasn't just a party; it was a statement, marking the end of Technodrome but ensuring its legacy would echo through the chronicles of Jagodina's electronic music history.

COa's influence wasn't confined only to the decks; he became a beacon for new budding artists from Jagodina, mentoring and enlightening them about the intricacies of music production.

Transitioning into the Hypnotix phase, he proudly introduced two EPs to a U.S. label, 1 Vinyl LP for the German Label, and the subsequent metamorphosis into COa marked another chapter of his diverse musical journey. 

Now, his work embraces genres like electro, techno, and techno house (not a tech-house shit).

Presently, COa is more than a pseudonym; it's a representation of Aleksandar's expansive journey. Through his Live Project and DJ sets, he showcases a curated experience, reflecting years of dedication and an innate understanding of electronic music.

For full discography & DJ mixes, please check my Mixcloud on the link below!

COa is following