Booking: penderstreetsteppers@gmail.com

you can find interesting mix archives on www.libramix.org , check it out!&#13;

buy: https://ghdm.bandcamp.com

Whether they like it or not, the biggest challenge any musician or producer has to face, regardless of musical type or style, is whether their work can create a path that other artists will follow, or lay the foundation for the work of other artists. ghettohousedrummachine, the Asturian known within the scene as ghettohousedrummachine, is well aware of this.

ghettohousedrummachine is a DJ and producer who has rapidly attained recognition other artists have taken a long time to gain. In his case, it’s not been a matter of chance or coincidence, but the result of his innate and incredible capacity to be prolific, alongside his obsession for perfection.

ghettohousedrummachine uses a variety of aliases to release the diverse artistic sensations which flow through him, these are all characteristics that define his personality and are an intrinsic part of ghettohousedrummachine himself. Producing and performing under different names allows him to concentrate fully on an idea or style to which he is totally faithful, putting aside for a moment sounds and influences that don’t belong in the particular character which he is mutating into at the time.

The result is a knockout. He finds himself, deservedly, among the elite of Hispanic and global techno. He has released huge techno productions that have charted and played by the best DJs in the world. 

ghettohousedrummachine has proven himself over and over again a true master of the darkest and hardest-hitting productions, slavishly followed by thousands around the world eager for a glimpse of this elusive master craftsman. For those lucky enough to be present, his is a performance that both inspires and devastates in equal measure, witnessed at Awakenings, Berghain, Tresor, Fuse, Printworks and Concrete to name a few, alongside extensive touring of the USA, South America & Australasia.

The idea to do a 9 to 5 job, even going to school gave ghettohousedrummachine nightmares already when he was a very young boy. His passion was always bigger than his discipline and his dreams were even bigger. He wanted to be really good in something and a little famous which would solve a lot of wishes like Independency, beeing loved by everybody, especially girls and money to have a good live.

Thats why his passion for science, philosophy, electronics, sports and music often lead into complete obsession  in one of these things.  At the age of 15 he wanted to win the tour de france and cycled 60 to 160 km every day after school but ended his racing career after the first race, which ended up being too violent in his opinion. Then he wanted to take Richie Samboras place and ended up playing guitar for 2 years - 5 hours every day - but it didn't do it for him either. Then he finally discovered his passion he would stick to for longer: Electronic music.

challenged Beatmaking alcoholic.
*CHECK LINKS ABOVE FOR MORE 
*MORE BEATS ON MYSPACE

label by https://soundcloud.com/sleepd
since 2010

youtube.com/@antwontv2.0


If ANTWON didn’t exist, no one could have invented him. The former hardcore punk, unabashed hedonist, and Nature Boy leader is what you’d get if Bad Brains spent their summers balling on a budget. ANTWON isn’t a contradiction; he’s a man of complexity. You might catch the San Jose native flexing in BMWs chauffeured by freaks, but he’d prefer to be low-key in a Prius. You might catch him in the club sipping tea and smoking the highest caliber of weed. He isn’t weird isn’t for the sake of being weird. He’s weird for the sake of being raw as fuck.

The former member of power-violence punk outfit, Leather, ANTWON first burst onto the scene in the early years of this decade, blending slightly nostalgic fluorescent raps with gritty industrial dirges, and live shows so rowdy the bruises still haven’t healed. He’s collaborated with Wiki, Heems, and Lil Ugly Mane, Suicideyear and Pictureplane—effortlessly shifting between styles and genres without losing the lecherous wit that made him instantly stand above from the sea of Tumblr struggle rap.

With his lo-fi druggy summer anthems, ANTWON emerged as the missing link between Kid Rock and the Great Rock N’ Roll Swindle, The Misfits and Martin Lawrence. He was ostensibly too raunchy for the punks, too punk for the hip-hop traditionalists, and not chill enough to be chillwave, but he still built a die-hard cult—one of music’s true originals, idiosyncratic, off-beat, blunted, and always with a bad chick hanging off of him.

The Fader said, “ANTWON has a gift for making filthy-fun-times rap songs with people who don’t usually produce rap.” Spin compared him to like a teenaged Biggie in that famous street-corner freestyle resurrected as an ex-hardcore dude.” Pitchfork claimed, “ANTWON’s heavy voice mourns the people whose lives are growing stagnant and not progressing…like Death Grips if they showered up and decided to write the vast majority of their songs about oral sex.”

He’s too smart and self-aware to try to be the voice of his generation, but his raps embody the spirit of the masses that refuse to fit into any classification. He’s the music nerd and the class clown, the punk and the pervert, emotional and aloof, the rap kid sampling Metallica, old funk, and 80s synth-pop.

After a handful of mixtapes and one solo album, he’s signed to Anticon—the ideal fit for a label that never catered to obsolete notions of genre or what a rapper could or couldn’t be. ANTWON couldn’t give a fuck even if he wanted to—an original artist that’s always evolving, swerving recklessly in the lane that he built.

CockyLameron is following