After a short break, in Passing tides is back with it's first guest of 2025 ~ @xivro ! 

following slyn's signature relaxing wash, xivro shares 28 minutes of sounds for ambient dreams. swaying in and out of a dream world that's filled with fuzzy, cushioned bass, emotive trance fringes, and torpid voice notes, they dip in and out of aural realities and fading memories.

in Passing tides 09 ~ xivro & slyn ~ (09.02.25) (Retreat Radio)

something old and something new. Live set recorded 14/02/25.

Deep Listening at the ICA Philadelphia w/Spindrift Live Set

What a dream to play before the insanely talented & lovely HUNTRESS (https://soundcloud.com/hushhuntress) and LCN (@lucyproduction). Really enjoyed going from 95bpm to 135bpm, and how much the crowd was there with me for it. Big thanks @plantainchipps for including me in such a memorable night x

tracklist: 

Alien Sterometrix
Level Skip Jonny From Space 
Turgor Teqmun 
Human Energy Sakura Tsuruta
Licky Nikos
OXI Ambigan Yushh
Geomagnetic Reversal Gent1e $oul
Freon Conna Haraway 
Theeves Jurango 
Pillow Talk trickpony 
Patent Conna Haraway 
Ion (Tool Mix) Notte Infinita
Kindred andrea_andrea
Redshift phil in a maze 
Tokamak Siu Mata 
Kara Arriba Yushh
Respira Basile3 Y Clara!
PAYG (Motorola Razr Mix) Mulholland
Non Phones On The Dancefloor Oscar Huang
Decisions Look Like
9 to 5 Daniel 58 
U LCY 
Logic Eclipse Eugene Pascal 
Road to Yuzu Perdu 
Tilda’s Goat Stare (Priori Remix) CCl, Ciel
Artois Joe Koshin x Denham 
Chicken Garage Objekt

slyn | Plantainchipps Curates: LCN @ EXIT | 22.03.25

Dedication to Yana Pavlova — NTS 07.04.2025

co:clear is overjoyed to welcome @jonnnah to its fold, with a new long-form 12” edition. Featuring Pavel Milyakov (aka @buttechno) right off the bat, ‘Me, With You’ is an album that grips its listener tight with gleaming electronica, off-kilter trip-hop and swampy bass.

With past offerings to Soleil Rouge and Second End Records – a label which he heads – there's a thread that laces all of Jonnnah’s work. Although never sticking to a definable bracket, the Lyon-dweller effortlessly floats through various tempers, peddling impeccable electronics as equally suited to colossal sound systems, as they are to solitary early morning walks in headphones. It's ambient for the foreground that surprises with flurries of two-step and amen breaks – present-day sonics that doff their cap to what’s come before.

Out on limited edition 12” vinyl & digital, 30th May 2025. Limited to 200 copies.

Written & Produced by Pierre Paumier
Featuring Pavel Milyakov
Mastered by Ike Zwanikken
Cut by Pitchcraft Mastering
Artwork by Conna Haraway
Distributed by Rubadub

Me, With You

pre-order

COCLEAR003: Jonnnah – Me, With You (previews)

Our 60th podcast comes from Mike Midnight.

Over the past decade, Mike has established himself as a versatile DJ, with standout downtempo EPs like Angel Hours and the collaborative trickpony with Roza Terenzi and Gem K. His productions channel early 2000s nostalgia through lush textures, emotional pulls, and playful sampling.

Recent mixes for NTS’s Braden Wells, Rinse.fm’s Baraka, and pipipi showcase his deep knowledge of club music, trip hop, and downtempo. With a delicate grip on energy and flow, Mike delivers a hazy morning-after remedy of hopeful synth pads, angelic vocal washes, and bleepy melodies.

Left Bank 060 - Mike Midnight

info: https://radio.syg.ma/episodes/peripherie-16-igor-dyachenko
https://igordyachenko.bandcamp.com
https://soundcloud.com/igordyachenko

Peripherie

Peripherie 16 – Igor Dyachenko

Detox № 50 - on2kly

A synapse-popping electro-acoustic soundwalk around Western Europe's cathedrals, chapels and churches, 𝑪𝒂𝒎𝒑𝒂𝒏𝒂 𝑺𝒐𝒏𝒂𝒏𝒔 skews recognizable sacred soundscapes, proposing a contemporary mythology that muddles the past, present and future. Following on from his critically-acclaimed 𝑩𝒂𝒕𝒉𝒉𝒐𝒖𝒔𝒆 𝑩𝒍𝒖𝒆𝒔 full-length, American sound artist Jake Muir familiarizes himself with German and British sonic architecture by studying some of the medieval shadows that still hang over Europe's streets, even as they continue to evolve. Manipulating environmental recordings captured in Germany and England, Muir presents an impressionistic juxtaposition of parallel cultures: the UK's distinctive "change ringing" technique, where a team of bell-ringers play long varied sequences on a set of tuned bells; and Germany's more sober style, with monotonous peals that add rhythm to daily life.

When Muir moved from Los Angeles to Berlin back in 2019, it wasn't just the German capital's damp weather and long, dark winters that came as a surprise. He was immediately struck by the city's anomalous acoustics, and one particular element stood out: the resonant church bells that echo around Berlin throughout the day to mark time, and for 10 minutes on Sundays as a call for mass. Gathering his field recording equipment, Muir acquainted himself with his new home by following the sonorous clangs, wandering from kiez to kiez to capture each church's distinct auditory flavor. And the more material he collected, the more engrossed he became in the history of bell ringing, prompting a deep dive that would shuttle him across Germany and into Italy, Belgium and the UK.

On 𝑪𝒂𝒎𝒑𝒂𝒏𝒂 𝑺𝒐𝒏𝒂𝒏𝒔, Muir trains his focus on Berlin, where his journey began, and on England, where he encountered the most elaborate bell ringing practice. 𝘌𝘳𝘻𝘬𝘭𝘢𝘯𝘨 is a hypnotic lattice of sounds recorded all over the German capital: at Parochialkirche, a reformed church in Mitte; at evangelical church St. Matthäus, at Sophienkirche, another Mitte landmark; and at St. Mathias, a Roman Catholic church just in front of the Potsdam Gate. By fusing the liturgical chimes with snippets of local ambiance - traffic, chattering tourists and birdsong, for example -  Muir takes a blurry snapshot of the city, queering its idiosyncratic color spectrum with his various digital processes. Using reverb to replicate the acoustic properties of both the streets and the church interiors, he subtly disturbs the timeline, stretching out brief peals into long, mesmerizing drones and turning garbled voices into ghostly babble.

The environment alters considerably on 𝘊𝘩𝘢𝘯𝘨𝘦𝘴; Muir uses the same technique and applies it to recordings made at the 1000-year-old St. Oswald church in Oswestry, St. Bartholomew's, Edgbaston and Holy Trinity in Stratford-Upon-Avon, home to Shakespeare’s final resting place. Here, Muir methodically untangles the change-ringing process, linking back to 𝘌𝘳𝘻𝘬𝘭𝘢𝘯𝘨 with a single bell tone before moving inside the church itself and documenting the ringers' shouted instructions, blending the calls with the bells' mathematical cyclic patterns. Muir memorializes what in 2025 is a dying art-form - a community skill that's disappearing worryingly quickly as young Brits lose interest in the church and its rituals. Unsettling distortions bite into the undulating sequences and underneath the noise, Muir highlights the music's latent euphoria, drawing out its most celestial tonalities.

File under: devotional music.

---

recorded by Jake Muir
audio finalized by Glyn Maier
photography by Jake Muir
design template by Joe Bastardo

Campana Sonans

Erzklang [Preview Clip] (ENM-14)

s/o @h-b-recording , made some more vibes!!

Time (ft. Zero)

LetsConverseAtLengthOnTheRationalScrutinyOfPropositions

COCLEAR003 – coclear.bandcamp.com/album/me-with-you
COTHERAPY001 – sold out
COCLEAR002 - limited copies
COCLEAR001 – sold out

COCLEAR003: Jonnnah – Me, With You (previews)

𝗰𝗼:𝗰𝗹𝗲𝗮𝗿