dona selma do coco

1. A Barca - Dona Mariquinha
2. A Barca - Ararinha
3. Casas Populares da BR 232 - Meninin
4. Casas Populares da BR 232 - Casinha Branca
5. Ponto BR - Bombo de Macaíba
6. Mestre Ferrugem - Nossa Senhora
7. Samba de Coco Raízes de Arcoverde - Seu Maia
8. Samba de Coco Raízes de Arcoverde - Abelha Aripuá
9. Dona Selma do Coco - Areia
10. Dona Selma do Coco - A rolinha

Bloco 2

batucando

som de preto

coco de roda

Coco

musicas boas

mujeres

Côco

Brazil, zil, zil, zil!

Never before released until now!!

BIgg Nugg vs Gay Fight Club

The homorevolution club kid remix (GAYFIGHTCLUB vs BIGG NUGG)

Selma do Coco - A Rolinha

Cover of Proud Mary, originally by Tina Turner.

Proud Mary - Tina Turner

Yes, I’m a witch I’m a bitch I don’t care what you say,
My voice is real, my words speaks truth, I don’t fit in your ways.
I’m not gonna die for you, you might as well face the truth
I’m gonna stick around for quite a while.

We’re gonna say we’re gonna try, we’re gonna try it our way.
We’ve been repressed, we’ve been depressed, suppression all the way.
We’re not gonna die for you, we’re not seeking vengeance
But we’re not gonna kill ourselves for your convenience.

Each time we don’t say what we wanna say, we’re dying.
Each time we close our minds to how we feel, we’re dying.
Each time we gotta do what we wanna do, we’re living.
Each time we’re open to what we see and hear, we’re living.

We’ll free you from the ghettos of your minds,
We’ll free you from your fears and binds
We know you want things to stay as it is
It’s gonna change, baby.

It’s gonna change, baby doll
It’s gonna change, honey ball
It’s gonna change, sugar cane
It’s gonna change, sweetie legs
So don’t try to make cock-pecked people out of us.


Taken from the Yoko Ono album 'A Story'.
Yoko Ono: vocals and background vocals
Ken Ascher: keyboards
Gordon Edwards: bass
Arthur Jenkins: percussion
Rick Marotta: drums
Hugh McCracken: guitars
David Spinozza: guitars
Michael Brecker: tenor sax
Randy Brecker: trumpet
Lewis Del Gatto: baritone sax, bass clarinet;
Alan Rubin: trumpet
George Young: flutes, clarinet

A Story is an album by Yoko Ono, recorded in 1974, during the "lost weekend" sessions in which John Lennon produced Walls And Bridges. The album went unreleased until the 1992 box set Onobox, which featured material from A Story on disc six. It only saw proper release as an individual album in 1997, with the re-issuing of Ono's back catalogue by Rykodisc.


Yoko Ono - Yes, I'm A Witch

Mané (4:28)
BR-LGS-07-00010
Compositora: Dona Célia do Coco

Ô Mané tu deixa de valentia
Tu bate em tua mulher
Toda noite, todo dia

Tu sabes que a violência 
Ta fazendo confusão 
Homem que bate em mulher
Ele não tem cartaz não

Por isso é que te digo
Me preste bem atenção
Você ta fazendo isso
Por uma alimentação 
Eu digo meu camarada 
Não faça isso mais não
Que o homem da capa preta
Ta na sua direção 

A violência de hoje é uma calamidade 
Estão matando mulher
Sem dó e sem piedade
Pra todo lado se ouve
Essa grande crueldade

Ficha Técnica 

Voz: Dona Célia do Coco
Bombo: Adriano Elias
Pandeiro: Alexandre L’Omi L’Odò
Ganzá: Marcony Preto 
Congas: Rinaldo Aquino
Vocal: Arlene, Jaene, Sandrinha, Marilda 

Ô Mané - Dona Célia do Coco

Versão da OCO para música "Roda", de Gilberto Gil, para a coletânea Red Hot 2011. Part. Emicida. 

Roda (Gilberto Gil, 1967), por Orquestra Contemporânea de Olinda + Emicida

BARATO TOTAL
(Composição: Gilberto Gil)
------------------------------------
Lá, lá, lá, lá, lá, lá, lá
Lá, lá, lá, lá, lá, lá, lá
Quando a gente tá contente
Tanto faz o quente, tanto faz o frio, tanto faz
Que eu me esqueça do meu compromisso
Com isso ou aquilo que aconteceu dez minutos atrás
Dez minutos atrás de uma idéia já deu
Pra uma teia de aranha crescer e prender
Sua vida na cadeia do pensamento
Que de um momento pro outro começa a doer
Lá, lá, lá, lá, lá, lá, lá
Lá, lá, lá, lá, lá, lá, lá
Quando a gente tá contente
Gente é gente (gato é gato!)
Barata pode ser um barato total
Tudo que você disser deve fazer bem
Nada que você comer deve fazer mal
Quando a gente tá contente
Nem pensar que está contente
Nem pensar que está contente a gente quer
Nem pensar a gente quer, a gente quer
A gente quer, a gente quer é viver


Gal Costa E Nacao Zumbi - Barato Total

Contains a sample loop from CHIC's "Good Times" (1979), and a sample loop from Nile Rodgers scratchy rhythm guitar on CHIC's "I Want Your Love" (1978).

The vocals is from Loleatta Holloway's "Love Sensation".

This came about by just playing around...I know it has many flaws...

CHIC and Loleatta Holloway - Sensational Times (Pocat's Mix 2011)

01. A Barca - Dona Mariquinha

02. A Barca - Ararinha

03. Casas Populares da BR 232 - Meninim

04. Casas Populares da BR 232 - Casinha Branca

05. Ponto BR - Bombo de Macaíba

07. Coco Raízes - seu maia

09. Dona Selma do Coco - Areia

10. Dona Selma do Coco - A Rolinha

04. Coco Raízes - acorda criança

05. Coco Raízes - A Sergipana

08. Cumadre Fulozinha - Grande Poder

09 - Chorei - Não chore não - Grupo de Coco Ouricuri

04. Dona Selma do Coco -  Odete

.41. Dona Selma do Coco - A Rolinha

http://rapnacionaldownload.blogspot.com.br/search/label/RAPadura

RAPadura - Fita Embolada do Engenho

Quilombo do Futuro dives deep into afro-brazilian rhythms and sound system culture.  It's the roots of the terreiro growing and overtaking the asfalto.  Crumbling it bit by bit.  Life that springs from urban decay.  Coco, maculelê, samba, jongo and capoeira meet ragga and dub, hip hop and kuduro, grime and dubstep. Organic elements combined with electronic production to bring the punch and power for big sound systems, this is serious batucada and bass, mids, treble. TUDO.

Maga Bo has performed and worked in over 40 different countries - from Delhi to Sydney, Berlin to Addis Ababa, New York City to Brasília, all the while keeping his feet (and ears) firmly planted in the sonic axis RJ/SP/BA - Rio de Janeiro, São Paulo, Salvador.  Inspired as much by his experiences touring internationally in the global beats and bass world as his time spent in the traditional Afro-Brazilian roots scene in Rio de Janeiro, Quilombo do Futuro offers a careful juxtaposition of raw, heavy bass with organic, instrumental and vocal subtlety.  Far from relying on pre-made loops of "Brazilian" drums or other shallow cultural signifiers, this album was recorded with some of the most original and brightest musicians in Brazil today. 

Working with celebrated Brazilian musicians, BNegão, Gaspar, Lucas Santtana and Marcelo Yuka, the record also brings in new talents, Funkero, Biguli and one of the most innovative groups in Brazilian music today, BaianaSystem.  Bo's mestre of capoeira angola, Mestre Camaleão, brings the berimbau while Rosângela Macedo's vocals hold down tradition.  Guyanese Brooklynite, Jahdan Blakkamoore, and Panamanian Chicagoite, MC Zulu, bring the dancehall vibe to riddims that most don't even try to touch.  All percussion was tracked and produced by Maga Bo and his long time partner in riddim, percussionist and fellow carioca, João Hermeto. 

A quilombo was an autonomous, fugitive settlement founded by ex-slaves and others in colonial brazil.  The Quilombo do Futuro is more than a possible physical space.  It is a potential world-wide agglomeration of cultural resistance.  After centuries of wealth generated by an economy built on slavery (and the subsequent post-abolition adaptations), the Quilombo do Futuro is a break from this legacy.  Fortified by an international community based on plurality, inclusive democracy and direct communication, cultural resistance is paramount in creating a sustainable, healthy existence in the face of world-wide corporate domination.  

Born in the United States and based in Rio de Janeiro since 1999, Maga Bo has collaborated with Mulatu Astatke, Issa Bagayogo, Bollywood star Shilpa Rao, BaianaSystem as well as releasing critically acclaimed remixes for Poirier, Luisa Maita, Filastine, Blick Bassy and Bomba Estéreo.  His music and remixes have also been released on Tru-Thoughts, Ninja Tune, Cumbancha, Dutty Artz, World Connection and many others.  Among his many international tours, he has performed at the Sydney Festival, WOMEX, Club Transmediale and Mundial.

FREE DOWNLOAD

02  No Balanço da Canoa feat. Rosângela Macedo and Marcelo Yuka

05  Maga Traz a Lenha feat. Jahdan Blakkamoore

07  Galope feat. Robertinho Barreto

Quilombo do Futuro dives deep into afro-brazilian rhythms and sound system culture.  It's the roots of the terreiro growing and overtaking the asfalto.  Crumbling it bit by bit.  Life that springs from urban decay.  Coco, maculelê, samba, jongo and capoeira meet ragga and dub, hip hop and kuduro, grime and dubstep. Organic elements combined with electronic production to bring the punch and power for big sound systems, this is serious batucada and bass, mids, treble. TUDO.

Maga Bo has performed and worked in over 40 different countries - from Delhi to Sydney, Berlin to Addis Ababa, New York City to Brasília, all the while keeping his feet (and ears) firmly planted in the sonic axis RJ/SP/BA - Rio de Janeiro, São Paulo, Salvador.  Inspired as much by his experiences touring internationally in the global beats and bass world as his time spent in the traditional Afro-Brazilian roots scene in Rio de Janeiro, Quilombo do Futuro offers a careful juxtaposition of raw, heavy bass with organic, instrumental and vocal subtlety.  Far from relying on pre-made loops of "Brazilian" drums or other shallow cultural signifiers, this album was recorded with some of the most original and brightest musicians in Brazil today. 

Working with celebrated Brazilian musicians, BNegão, Gaspar, Lucas Santtana and Marcelo Yuka, the record also brings in new talents, Funkero, Biguli and one of the most innovative groups in Brazilian music today, BaianaSystem.  Bo's mestre of capoeira angola, Mestre Camaleão, brings the berimbau while Rosângela Macedo's vocals hold down tradition.  Guyanese Brooklynite, Jahdan Blakkamoore, and Panamanian Chicagoite, MC Zulu, bring the dancehall vibe to riddims that most don't even try to touch.  All percussion was tracked and produced by Maga Bo and his long time partner in riddim, percussionist and fellow carioca, João Hermeto. 

A quilombo was an autonomous, fugitive settlement founded by ex-slaves and others in colonial brazil.  The Quilombo do Futuro is more than a possible physical space.  It is a potential world-wide agglomeration of cultural resistance.  After centuries of wealth generated by an economy built on slavery (and the subsequent post-abolition adaptations), the Quilombo do Futuro is a break from this legacy.  Fortified by an international community based on plurality, inclusive democracy and direct communication, cultural resistance is paramount in creating a sustainable, healthy existence in the face of world-wide corporate domination.  

Born in the United States and based in Rio de Janeiro since 1999, Maga Bo has collaborated with Mulatu Astatke, Issa Bagayogo, Bollywood star Shilpa Rao, BaianaSystem as well as releasing critically acclaimed remixes for Poirier, Luisa Maita, Filastine, Blick Bassy and Bomba Estéreo.  His music and remixes have also been released on Tru-Thoughts, Ninja Tune, Cumbancha, Dutty Artz, World Connection and many others.  Among his many international tours, he has performed at the Sydney Festival, WOMEX, Club Transmediale and Mundial.

Eu Vim de Longe feat. Rosângela Macedo - Letras por Rosângela Macedo

eu vim de longe
vim na beira do caminho
saravá papai bendito
eu num quero andá sozinho
(nós não vâmo andá sozinho)
 
refrão:
ilaiê lalaiê ilaiê
lalaiê ilaiê
lalaiê ilaiê ô



I came from afar
I came on the edge of the way
bless pope Benedito
I don't want to walk alone
We're not going to walk alone

chorus:
ilaiê lalaiê ilaiê
lalaiê ilaiê
lalaiê ilaiê ô

12  Eu Vim de Longe feat. Rosângela Macedo

09 Roseira, Oh! Rosá

The Ting Tings vs. Rita Lee - Ti Ti Tings (by Naj0)

Marcel - Tell Me wax On Records, Vol. 3

Ike and Tina Turner A fool in Love

O Guarani (Carlos Gomes) - dominio público/public domain


Orquestra Brasileira de Música Jamaicana - O Guarani

Dona Selma do Coco - Areia

O Pato Stan Getz Bonus Out Take

1.  Maga Bo - Tempos Insanos feat. Bnegão
2.  Maga Bo - Tempos Insanos feat. BNegão (Frikstailers Remix)
3.  Samba de Coco Raízes de Arcoverde - Ê Boi (Maga Bo Remix)
4.  Bomba Estéreo - Fuego (Maga Bo Remix)
5.  Sub Swara feat. Lyrics Born - Fire It Up (Maga Bo Remix)
6.  Anthony B meets Subatomic & Nomadic Wax - Dem Can't Stop We From Talk (Maga Bo Remix)
7.  Maga Bo - Rapinbolada (Dr. Das Remix)
8.  Baiana System - Oxe Como Era Doce (Maga Bo Remix)
9.  Maga Bo - Maga Traz a Lenha feat. Jahdan Blakkamoore (Subatomic Sound System Remix)
10.  Maga Bo - É da Nossa Cor feat. Mestre Camaleão
11.  Systema Solar - Bienvenidos (Maga Bo Rejected Remix)
12.  Maga Bo - O Neguinho feat. Biguli
13.  Cidinho - Dinheiro (Maga Bo Remix)
14.  Maga Bo - Piloto de Fuga feat. Funkero and BNegão
15.  Maga Bo - Piloto de Fuga feat. Funkero (Stereotyp Remix)
16.  Maga Bo - Kizomba (Batida Remix feat. Sacerdote)
17.  Maga Bo - Immigrant Visa II feat. MC Zulu (Stank Remix)
18.  Maga Bo - Immigrant Visa II feat. MC Zulu 
19.  Maga Bo - Xororô feat. Russo Passapusso and Robertinho Barreto
20.  Maga Bo - Xororô feat. Russo Passapusso and Robertinho Barreto (Buguinha Adubada Remix)
21.  Maga Bo - Xororô feat. Russo Passapusso (Uproot Andy Remix)
22.  Maga Bo - No Balanço da Canoa feat. Rosângela Macedo and Marcelo Yuka
23.  Maga Bo - No Balanço da Canoa feat. Rosângela Macedo and Marcelo Yuka (Process Rebel Remix)
24.  Maga Bo - No Balanço da Canoa feat. Rosângela Macedo and Marcelo Yuka (Chanca Via Circuito Remix)

http://www.magabo.com

<a href='https://theartistunion.com/tracks/887d50'>Download for free on The Artist Union</a>

10. Dona Selma do Coco - A Rolinha

cocodafarrasadia