the Sven vath remix 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥

essa track no tw brasil foi absurda, volta sven <3

Pre-Order: info@mond-musik.de

Limitiert auf 250 Stück

1982 komponierte Axel Schulß das Konzeptalbum "Papertiger and the Cat Cammerorchestra - TEE-Age" unter dem Pseudonym John Buttermann. 
Auf diesem Album war unter anderem der Titel "In The Disko" welcher von einem Kokainkauf auf einer Diskothekentoilette handelt.
Axel, der aus Münster kam, war sehr bekannt in der Kunstszene. Er studierte Philosophie, Journalismus und Germanistik. Zudem war er Mitglied der freien Künstlergemeinschaft SCHANZE (Münster),
Erfinder und Betreiber des Ü welches ebenfalls in Münster ist.

Axel Schulß starb 2009 an den Folgen seiner MS Erkrankung. Unser Ziel war es nun, dieses wunderbare Lied und somit auch Axel Schulß wieder auferleben zu lassen.
Wir danken dir Axel Schulß für dieses superwitzige denglische Meisterwerk! 


In 1982 Axel Schulß did a concept LP "Papertiger and the Cat Cammerorchestra - TEE-Age" under the alias John Buttermann which includes the track "In the disko". 
The Track is about a cocaindeal in a Discothektoilette.
He lived and was very well known in the art scene in Münster(Germany). He studied philosophy, journalism and german language.
Axel also was a member of the art collective SCHANZE and founder of the Ü in Münster.

Writer, musician and artist Axel Schulß aka John Buttermann has died in 2009.
We wanted to rerelease this Track in thoughts to the artist.
Thank you Axel Schulß for this great and funny denglish electronic masterpiece! 



Songtext/Lyrics:

You should once the people see(n)
Going shopping for cocaine
Dealers vor the disko stehn
Ask you with them rhinezugehn

In the disko
In the disko-disko

Drowssen is too much gefahr
"Yesterday" were bullen da
And they also have long haar
So you ask: "What make we da?"

In the disko 
Aber wo ?
In the disko
On the (k)lo(o)
Ach so!!

Though you know it stinks da so
You are creeping to the klo
You and dealer - each a door
When police comes: naked poe

Then the deal from cell to cell
He gives cocaine - you give geld
Then the paper-rustle-show
Plus push-button-waterfall

In the disko
On the klo
Ach so !!

Papertiger and the Catcammer Orchestra - In The Disko (Original)

Sven Väth - L'esperanza (Âme Reinterpretation) - Full Lengh

Abyss

morphing

Chapping on the door to wake me, YOU CUNT. 
I have been waiting here all night. 
You could've picked me up. 
Oh, she had more "strings" to her did she? She can fuck off, am telling you.
I don't wanna hear about her ways. 
You know you love it this way, get a grip and hold my neck. 
Make it dirty baby. Make me throb. 
Like when we first met. 

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Occasionally the stars align to create something truly special. Well, without beating around the bush, that’s what we’ve got for you here. Not only a classic Legowelt hymn that’s ripe for a revisit but three quality remixers (Tuff City Kids, Catz 'N Dogz and Younger Rebinds aka Benny Rodrigues) turning in scandalously good remixes for Cocoon Recordings. Yes, we’re spoiling you...but you’re worth it!

Disco Rout first surfaced in 2002. The electro revival that had ushered in the new millennium was in full swing and this was to prove a seminal tune, being voted track of the year by Groove magazine. As if to prove a point the bass line still grabs you the moment it drops, while the laser-guided melodies feel as relevant today as they ever did. Fusing the past with a neon future, Legowelt’s complex interwoven elements fit like a glove and the clarity of the mix makes everything seem effortless. Maybe that‘s why it’s such a fascinating track to revisit, having already been remixed over the years by the likes of Deetron, Johannes Heil and Freeform Five.

Anyway, this current crop of remixes are equally top notch starting with Tuff City Kids who do what they do best, serving up an organic, conga driven workout complete with percolating synthetic percussion, cut up vocals and silky smooth choral pads. Warping and flanging the original riffs into an infectious, state-of-the-art revamp, they stay true to the retro vibe with added emphasis on the vocal hook for a more pronounced breakdown that briefly trips out before regrouping and taking flight once more. 

Following hot on their heels is a screamer from Catz ’N Dogz who drop the tempo slightly, layering a metallic cowbell motif over a tough, robotic disco groove that adds extra swagger to the bass line. The original parts gradually spiral into view, cranking up the pressure till we hit a solid state of euphoria that in turn, disintegrates into freaky alien chatter. There’s no let up though, as squawking synths lock on to the rhythm and everything evolves into a full-on percussive outro.

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