Single Tracks

Originally released in 2009, this standout remix package followed the release of Steve Bug’s fourth full artist album, Collaboratory, which dropped earlier that year to widespread acclaim. The album captured Steve’s dedication to forward-thinking house music, teaming up with a stellar cast of collaborators including Gigi, Donnacha Costello, and Simon Flower.
Collaboratory Remixes Vol.1 brought fresh interpretations from Ribn, Motor City Drum Ensemble, and Sven Tasnadi, and still holds up today.

Ribn (aka Manuel Tur and Langenberg) deliver a deep, dubby, Detroit-tinged take on “Like It Should Be” featuring Gigi. Their Translucent Vox Remix builds with patience, drawing you in with a long, atmospheric intro before locking into a driving, bass-led groove that honors Gigi’s sultry vocals.

Motor City Drum Ensemble brings the heat with a raw house twist on “Still Music,” the Bug and Costello collaboration. Loaded with late 80s and early 90s drum machine attitude and bubbling keys, it’s an acid-tinged workout that still burns.
Sven Tasnadi rounds things out with a tight, tracky remix of “Passing Clouds” (Bug and Simon Flower), fusing melancholic synth lines with solid drums and a modern tech-house edge.

Collaboratory Rемiхs Vol. 1

stream/vinyl/more

Steve Bug - Like It Should Be feat. Gigi (Ribn’s Waisting Time)

DJ mix by Colossio (Mexico) recorded at Código Techno Club  (León) 18.04.205.

Rotten City Basement Mixes #2 - Colossio

@encanto_o - Go
Label - @AzulDrama

All Sinchi premieres available on 
Youtube: https://www.youtube.com/@SinchiMusic
Spotify: https://open.spotify.com/playlist/7sd3nFrzl9itGooHqItGFG
Instagram: https://www.instagram.com/sinchicollective

♫ Info + Buy ♫

PREMIERE - Encanto - Go (Azul Drama)

We’re excited to unveil the third chapter in our Various Artists series. A vibrant reflection of our ongoing musical journey and ever-evolving vision.

This latest release is a tribute to artistic expression, bringing together a dynamic lineup of forward-thinking producers. Each track tells its own story, shaped by unique sonic perspectives and creative energy. With this compilation, we invite you to dive into a rich tapestry of sounds that highlight individuality, innovation, and the spirit of exploration.


DCLVIII OFC & Alex Mendes - Astral Drift [YCTVA003]

Cocoon Compilation V

Split Second

Ken Ishii & Yuada - Split Second - CORLP057

Escapism

DC Salas - Escapism - CORLP057

Dimensional Fold

Desert Whisperers

Reso Flow

Buy/stream: https://kompakt.fm/releases/hack_the_system_feat_futuradora

Renowned for her genre-blending approach and sharp production skills, Brazilian-Austrian artist Joyce Muniz returns to Kompakt with her powerful new single, “Hack The System.” This track marks a bold artistic statement that goes beyond the dancefloor, merging infectious electronic rhythms with a deeper socio-political message.

Featuring vocals by Futuradora, “Hack The System” is a call to awareness—an urgent and rhythmic critique of structural inequalities and digital surveillance culture. With pulsing basslines and hypnotic synth work, Muniz crafts a track that is as politically charged as it is club-ready.

This is Muniz’s second release on Kompakt, following the critically acclaimed “Beats & Lines” with Sara Bluma. Where that track explored personal connection, “Hack The System” speaks to a collective resistance and the need for systemic change, aligning with Muniz’s roots in underground culture and activism.

“Hack The System” will be available via Kompakt’s digital platforms and streaming services.

Hack the System (Instrumental)

Joyce Muniz - Hack the System (Instrumental)

Out July 25th

Following EPM's recent vinyl collaboration with Paris' Yoyaku on Reel By Real's "Surkit – Remixed and Remastered", EPM present a new project, again with a French touch. Madben returns (this time solo) for the "Groove On EP".

Born in the North of France, Madben has retained a taste for DIY culture and a nickname that comes direct from the warehouse. The Lille resident has been "living" techno since his emergence in the scene. From the 1990s, he followed this new scene closely via the flyers he found at local record stores. With his friends, he spent nights in Belgium; Fuse in Brussels, Kozzmozz parties in Ghent or in disused factories in Kortrijk - free and perfect territory to listen to the best sounds of the time.

In 2010, Benjamin put his savings into a rudimentary studio, a pair of speakers, a monitor, a MIDI keyboard and a computer equipped with Reason and Ableton and eventually starts broadcasting it in real time on Soundcloud. Pushed by his friends, he sends demos to Laurent Garnier who immediately responds: Garnier plays a track on his radio show, It is What It Is, on Le Mouv. Madben's name begins to grow and he teams up with Brest festival Astropolis, a French electronic institution, before launching his own label.

Now numerous releases and three albums into his career (two solo productions and one collaboration as Trunkline with Yann Lean), Madben is a steady pair of hands both behind the decks in clubs such as Berghain (Berlin), Printworks (London), Awakenings and De Marktkantne (Amsterdam) or as a producer on labels such as Astropolis, Maceo Plex's Ellum, Skryptom Records, Fedele's Obscura and Berlin based Mobilee.

Following last summer's "We Hit Drums EP" alongside Kosme, Madben continues his alliance with EPM, highlighting that techno not only needs clubland raw power but also that all important groove.

Kick-starting with a rattling break, "Groove On" builds into a club busting roof-raiser, complete with strings, stabs and a party call to arms! "Celebration" wraps itself around a melody that is sonically stamped with Motor City DNA throughout, whilst "My Groovy Animoog" toughens the beat with dark industrial undertones that echo '90s European techno. Closing out we have the hypnotic crunch of "Don’t Mess With My G", where sinister beats meet the darker side of the Windy City.

Living in the shadows between techno and house, "Groove On" draws from Detroit, Chicago and rave culture with equal measure. The very essence of Madben.

Madben - Don't Mess With My G [Epm music 122]

Pre-order on iTunes: http://apple.co/1NH8Zze

Forthcoming on Knee Deep In Sound

http://www.facebook.com/kneedeepinsound
@leftwingaudio

Leftwing & Kody - Carnival

BBC Radio 1 - B.Traits debuts the Rhythm Masters remix of The Fog 'Been A Long Time' forthcoming on Murk!

Rhythm Masters / Dis-funktional Recordings
Represented by Jonathan M Waller 
Strikeforce 360 Media
Enquiries - info@strikeforce360media.com
Rhythm Masters / Dis-funktional Recordings
Represented by Jonathan M Waller 
Strikeforce 360 Media
Enquiries - info@strikeforce360media.com

https://www.facebook.com/disfunktional
https://www.facebook.com/RhythmMastersOfficial
https://www.facebook.com/Strikeforce360

The Fog - Been A Long Time (Rhythm Masters Remix)- MURK

Its big bad and heavy and its brand spanking new. After premiering Patrick Topping’s breakthrough single Forget on Jamie Jones’ Hot Creations, we are pleased to present some new brand new heavyweight tech house business from the Geordie lad. 

http://i-d.vice.com/en_gb/article/premiere-patrick-topping-rights

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More on i-D

Premiere: Patrick Topping - Rights

Since first bursting on to the scene a few years ago now thanks to his affiliation with Luciano's Cadenza imprint, Lee van Dowski has quickly emerged as one of Switzerland's most treasured and consistent house exports. For his latest release he lands on Crosstown Rebels sub-label Rebellion for the release of his 'high hitting' ‘Quasar 27.3' EP and we have to say it's a cracker. 

Offering up four cuts of serious distinction the release is an exercise in versatility, showcasing the Geneva based producer's multi-faceted take on house, packing expertly snipped vox, entrancing percussion and bags of emotion into one slickly delivered EP. Our pick of the bunch? Why 'If Only Jack Was Here' of course! We'll readily admit that we're as in the dark as you are as to who Jack is and why he's so missed but we guess that's for Lee to know and us to find out. As shadowy as it is intense, it makes for the most cinematic of openers, leading listeners into the EP with aplomb. 

Expect to hear plenty more of this one as the nights begin to drawn in... 

Lee Van Dowski - If Only Jack Was Here

KEVIN SAUNDERSON Feat. INNER CITY - TILL WE MEET AGAIN (CARL CRAIG REMIX) - CORMIX051 CD1

Cocoon Recordings has been founded in the year 2000 as a part of the Cocoon Music Event GmbH. Sven Väth has initiated Cocoon Recordings in order to complete the Cocoon platform as a supporting tool for young artists in Electronic Music. The label philosophy is as simple as demanding: helping young producers and DJs to release their music without depending on Major Label structures. The releases can mainly be assigned to the genres Techno and House.

Cocoon Recordings as a label and Sven Väth as an artist stand for the use of vinyl as sound carrier, also in the future. Admittedly, the Digital Division of Cocoon Recordings has also been set up in 2008 and the numbers of downloads are indeed enjoyable. However, the label's focus is on vinyl, now and in the future. In order to complete the range of services that Cocoon Recordings offers, the publishing company Cocoon Publishing was founded in 2010.

KEVIN SAUNDERSON Feat. INNER CITY - TILL WE MEET AGAIN (CARL CRAIG REMIX) - CORMIX051 CD1

cocoonrecordings

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KEVIN SAUNDERSON Feat. INNER CITY - TILL WE MEET AGAIN (CARL CRAIG REMIX) - CORMIX051 CD1

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