aérien

house papi cox

Some tech init

alles

Ⓜⓤⓢⓘⓒ  ..ιllιlι.ιl. ☊ ..ιllιlι.ιl.

It is with undoubted excitement that Stroboscopic Artefacts can present the new release from Irish duo Lakker as SA019. This comes hot on the heels of Lakker's recent work for the label through the dark trappings of Monad XIV.
'Harbour' could imagine a vessel out to sea, battling a tempest. Heavily distorted rhythms build like the swirl of a storm, a distress signal popping on, radio distortion. As implosion seems near a moment of calm sets in and a less maniacal beat assumes control. But the unpredictable hammers resume once more, thumping above a sheet of glinting and sharp precipitation. The storm eventually ceases, abruptly, and the 'Harbour' is left still.
'eeAea' is a different experience. It is based on surer footing, concrete beneath the limbs. A thump, incessant, pounds in the background, giving clarity to a winding sigh and dissonant percussion. Yet there remains melody in the madness, with beautiful hi ends peeking through the atmosphere and a strut which surges towards conclusion.
The conclusion ends (unresolved) at 'Valentina Lane'. It is a street of mystery, set upon a gas of syncopated flashes and airy scrapes. An uncomfortable synthesiser hums in the background, darting high and interjecting low. And it meanders thence, pausing for the odd moment of reflection. It is as deliberate as 'Harbour' is chaotic; it is a tight, cogent finale.

Lakker 'Untitled' [SA019]

GARNIER "AF 0490" - Still Music

Tracklisting
A1 - Bang (The Underground Doesn't Stop) 
B1 - Boom (Chakolak)
B2 - Beat (Da BoxX)

Order a 12" copy: http://goo.gl/cYvcGy
Download digital version: http://goo.gl/DVO2kA

______________________________

It started with Chicago. Then, Manchester.

For nearly three decades, Laurent Garnier has urged himself to create on the cutting edge of dance music. Beyond the turntables and studio, Garnier moves between genres and performance techniques with the aim of continuously challenging himself. Pick any moment from his musical journey, and it's easy to see this creative momentum: there was the Hacienda in the late '80s, his time spent in America exploring house, the techno of his label F Communications and his entry into the realm of jazz. "I never want to be an old artist playing my old tracks just to please the older crowd," he says. "I don't think that's healthy." (RA)

Laurent Garnier is now an undeniable force that is making the planet dance.
Last summer (2013) Laurent Garnier met with Jerome Derradji over dinner before his long awaited return at the decks in Chicago for SmartBar. Longtime friends, Laurent and Jerome talked about the possibility of releasing some of his new productions under the name Garnier. A new venture for the veteran Dj and producer, that will see him release a series of 12”s for labels such as 50 Weapons and more....

“AF 0490” is the first release in the series and showcases Garnier at his best.
Three tracks that pay their respect to the heroes of Trax, Dancemania and to the Chicago sound they helped create without any misplaced nostalgia.
“Bang (The Underground Doesn’t Stop)” is a dancefloor anthem, magnificent and pure Chicago circa 1998. “Boom (Chakolak)” takes you way back to the Southside with its gritty “footwork” 909 kicks, snares and vocal loops, massive! “Beat (Da BoxX) is a pure Garnier, Dancemania inspired techno monster. The loop is finally complete, Garnier can now hop on flight AF 0490 direct from Paris to Chicago to Bang The Box once more.

Tell your friends, 2014 looks like it’s going to be the year of the Garnier.

http://facebook.com/laurentgarnierofficial
http://twitter.com/laurentgarnier

Order your copy!

A1 GARNIER - Bang (The Underground Doesn't Stop) (preview)

Get 'Netzwerk (Falls Like Rain)' & 'Netzwerk (The Album)' here: po.st/KlangkarussellPreOrder

http://klangkarussell.com
klangkarussell.com/live
facebook.com/klangkarussell
twitter.com/Klangkarussell
instagram.com/klangkarussellofficial
play.spotify.com/artist/041iTeoMIwXMlShuQPIVKo
youtube.com/klangkarussell
youtube.com/klangkarussellvevo

Netzwerk (Falls Like Rain)

Netzwerk (Falls Like Rain) (Zwette Remix)

Jesse Bru - Psychedelic Brain Paint (Erik Ellmann's Smoothed Re-edit)... :)

Jesse Bru - Psychedelic Brain Paint (Erik Ellmann's Smoothed Re-edit)

Follow Digitalism:

http://www.twitter.com/digitalism
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http://www.thedigitalism.com/

Kassettenrecorder Mix - December 2014

Gregor Tresher DJ-set, recorded at Barraca, Valencia, Spain, February 7th, 2015.

for more info & news:
www.facebook.com/gregortresherofficial
www.twitter.com/gregortresher
www.gregortresher.com


...and here´s the tracklisting:
1. Ascent - Many Reasons
2. Enrico Sangiuliano - Missile
3. Loco & Jam - Meltin Point
4. Luigi Madonna - Unconditional Beauty
5. Daryl Stay - Percussimo
6. Boris - Be
7. Kaiserdisco - Ten Commandments
8. Tribalism Boys - Buzzmatic
9. Gregor Tresher - Goliath
10. Roberto Capuano - Never Stop
11. Argy & Mama - Recluse (Hot Since 82 Remix)
12. Skober - Back to Life
13. Paride Saraceni - Lost In Space
14. Gregor Tresher - Stormblade
15. Alex Costa - Groove Five
16. Roger Martinez - Neurons To Nirvana
17. Jochen Kling - Open Your Eyes (Cari Lekebusch Dub)
18. Gregor Tresher & Petar Dundov - Taurus
19. Yotam Avni - UR Sleeping
20. Joel Mull - The Last One
21. Gregor Tresher - The Life Wire (Petar Dundov Variation)

Gregor Tresher @ Barraca, Valencia, Spain, 07.02.2015

VARIOUS ARTISTS - ZEHN - Mixed By CHRIS TIETJEN - Pt.5- CORMIX049

Stream / Download: https://ampl.ink/Y9900

Chameleon

Alice

Stream / Download

Meir - Ellý Vilhjálmsdóttir
Power - Pachanga Boys
RollMoff - Rubac Wruhme
Shubby Patrol (President Bongo mix) - Lukas Fritscher
Time to Freak (Santos Resiak Remix) - T.W.I.C.E.
One Lonely Knight - Arto Mwambe
#four - Daniel Stefanik
Is This Goodbye (Tale of Us mix) - Martin Dawson

RADIO BONGO - NOVEMBER 2011

SA009 sees Stroboscopic Artefacts return to the split vinyl format, with the formidable Pfirter taking to the A-side and the two minds behind Artefacts Mastering, Dadub, taking care of the B-side. As Pfirter's 'Monad IV' proved, his releases on SA are not as you've heard him before. His vision cut to wax is "Universe", a 10 minute odyssey that's both militantly 4/4 and peppered with unpredictability. It's 4/4 that's optimized for those liminal moments in a peak-time set. Dadub's 'Metropolis' is a cityscape rendered in all its complexity. They take dub and scissor into it. It's panoramic in scope and knottily brilliant. From these two tracks, two tools have been skillfully extracted by a new edition to the SA family: Edit Select. Out of Pfirter's 'Universe' he distills a silken serum. And what emerges from the distilled essence of the track is pure iridescence. The B-side 'Metropolis' is pushed deep; the beats drop fathoms below and leagues above the top lines reverberate with hazy memories. It's just the start of Edit Select's story on SA - and what an opening chapter.

SA009 was craftily mastered by Artefacts Mastering, Berlin.

Words: Clare Molloy

Pfirter / Dadub – 'Universe' / 'Metropolis' [SA009]

Stroboscopic Artefacts presents the Monad series. Rarefied and introspective, confrontational and extreme, each featured artist will delve into the Monad concept:
“The generation of number series is related to objects of geometry as well as cosmogony. From the Monad evolved the Dyad; from it numbers; from numbers, points; then lines, two-dimensional entities, three-dimensional entities, bodies, culminating in the four elements earth, water, fire and air, from which the rest of our world is built up.”
Chevel’s command of his sound palate is flawless: Monad I seamlessly contorts from elegance to malevolence. The incremental changes, readings, measurements, observations are collected and clustered together. The EP forms a log of four experiments into texture, timbre, tone. It’s geometric techno. It’s violent subaqueous dub. It’s stratospheric ambience tangled amid whispy white noise. Chevel’s just 19 and he’s that moreish combination of low profile and high quality. This is a not just a producer to watch, he’s one to follow with real intent.

SAM001 was skillfully mastered by Artefacts Mastering, Berlin.

Words: Clare Molloy

Chevel 'Monad I' [SAM001]

Shdwplay-Nerve Noise-Original Mix

HMC - Cum On (snippet)

"And I Say" is one of my favorite tracks produced by Nicolas Jaar. I made this edit as a dj tool for myself but decided to share with you. 

enjoy.

X.

Connect @
http://www.facebook.com/xinobimusic
http://www.beatport.com/artist/xinobi/82950
http://soundcloud.com/xinobi

Nicolas Jaar - And I Say (Xinobi Edit)

SLPFNK004/SlapFunk Records

Release date: 
Vinyl : December 
Digital: ?

Samuel Deep - 3521 (SLPFNK004)

Taken from Time and Perception Pt. 1 by Abstract Division.

Abstract Division - Comprehend

Zeitgeber is a German word that, loosely translated, means “synchronizer.” It’s also the new project of Electric Deluxe head Speedy J and Stroboscopic Artefacts’ boss Lucy. Both artists make some of the most forward-thinking techno around, but Zeitgeber sees them pushing together even further into uncharted territories. Freed of dancefloor considerations, the duo have constructed an album that breathes with life and rewards close listening.
That’s no surprise when you consider the artists involved. Speedy J has been around from techno’s very beginnings. Based in Rotterdam, his Electric Deluxe label has consistently released techno that has gleefully tugged at the constraints of the genre. Lucy, on the other hand, is a newer name to most techno fans, but his Stroboscopic Artefacts label has quickly made a name for itself as one of the leading purveyors of the stuff.
Unpredictable and exciting are two words for much of what you get on SA. And that most definitely applies to Zeitgeber the album as well. The album kicks into life slowly with “Closely Related,” a track that sounds like a motor unsuccessfully revving up, its attempts extinguished every so often by a plate of molten glass. “These Rhythms” lives up to its name – as long as the “these” of its title is pronounced in an incredulous way. “Skin” devolves into white noise by its fourth minute, pulls itself together (barely) and then slithers onward like a snake that’s stuck in a desert looking for someone to poison.
It should be mentioned (if you weren’t sure already) that none of these tracks sound like conventional techno. They’re typified by the careful and exacting sound design of much of Speedy J and Lucy’s work but it employed to almost completely abstract ends. It’s only on “None of Their Defects” that a beat proudly comes to the forefront. True to form, though, it’s heavily swung and eventually gives way to one of the most emotional melodies of the album. “From Here” follows a similar path, building from a few simple elements to a chittering and complex finale.
“Now Imagine” shudders and quakes across its ten minute length, every single one of them completely necessary to make its point. “Before They Wake” is a gentle lullaby that hides multitudes under the calm surface. The album concludes with “Display 24” a track which seems to have taken a choir from Popul Vuh and stretched it out to epic lengths underneath a clanking, industrial-sized rhythm. It’s a terrifying ending to an album that doesn’t often let the light in.
That’s by design, however. Because when Zeitgeber do let the light in, it’s all the brighter. You’d expect nothing less from two of the most talented producers in the techno world. The culmination of 18 months of work, Zeitgeber is an album that is a collaboration in the best sense. Two artists urging other to new heights and new sounds.


Zeitgeber (Lucy & Speedy J) 'Zeitgeber' [SALP001]

Cocoon Recordings has been founded in the year 2000 as a part of the Cocoon Music Event GmbH. Sven Väth has initiated Cocoon Recordings in order to complete the Cocoon platform as a supporting tool for young artists in Electronic Music. The label philosophy is as simple as demanding: helping young producers and DJs to release their music without depending on Major Label structures. The releases can mainly be assigned to the genres Techno and House.

Cocoon Recordings as a label and Sven Väth as an artist stand for the use of vinyl as sound carrier, also in the future. Admittedly, the Digital Division of Cocoon Recordings has also been set up in 2008 and the numbers of downloads are indeed enjoyable. However, the label's focus is on vinyl, now and in the future. In order to complete the range of services that Cocoon Recordings offers, the publishing company Cocoon Publishing was founded in 2010.

VARIOUS ARTISTS - ZEHN - Mixed By CHRIS TIETJEN - Pt.5- CORMIX049

cocoonrecordings