The Tower

The End Of Time

NIKOLA GALA - THE BEGINNING

Gregor Tresher - Nightcolors

Release date: 8 December 2023

The latest compilation album in COD3 QR's "Artist Cod3" series is, as always, focused on eclecticism, open-mindedness, divergence and non-conformity.  The usual wide range of electronic music is featured with Drum & Bass don Calibre opening up the release with Dub, followed by Techno from Seroplexx and Costello, a more Detroit style vibe from Jim Rivers, Deep House from Subground_3000, while Marcellus, and Melatron & Ancient Artefacts complete the vinyl package with Leftfield beats.   

Bonus digital tracks come from Subground_3000 once more, plus some melodious Techno from Oliver Way & Dany Rodriguez.

All the tracks have been handpicked by Laurent Garnier and Scan X.

COD3 QR wants to remain free of all expectations and all prejudices because only one thing counts: the music, The Music, THE MUSIC in every shape and form!

Cod3 QR 015

Oliver Way & Dany Rodriguez 'Third Act'

Out now: https://orcd.co/REKIDS241

Radio Slave's 'Venti' is released on Rekids on May 17th and is a twelve-track celebration of Matt Edward's most prominent alias' history. Starting life as a series of singles that began in 2023, 'Venti' sees Edwards explore lower tempos, House, Disco, and the Pop reinterpretations that birthed the moniker back in 2001.

'Like everyone else, my life slowed down during the pandemic, and then I decided to move from Berlin with my family after being in the city for 15 years. This all led to a new perspective, and 'Venti' is a direct result of that - a new perspective on my career, history, future, and the current state of dance music.’ - Radio Slave

From Venti’s opening track onwards, a glistening piece of piano-led house that's become an anthem at Sean Johnston and the late Andrew Weatherall's lauded ALFOS parties, it is clear that Edwards is keen to celebrate the past but through the lens of now. A Radio Slave favourite, 'Wait A Minute', is updated to include a powerful vocal from Nez. Kylie's 'Can't Get You Out of My Head' - a track that kicked Radio Slave into the modern dance music consciousness is reinvented as an Italo-inspired cover featuring Michael Love Michael delivering glorious vocals. 'Wild Life' and 'Wake Up', another two tracks that, as singles, dominated house and disco sets of the great and good in 2023, feel simultaneously fresh while paying homage to the origins of House - message-heavy vocals and all. A cover of Audion's 'Mouth to Mouth' and Edwards' tribute to Terry Hall, the Fun Boy Three reimagining 'The Lunatics' are keen displays of Radio Slave's knack for taking on beloved tracks and making them his own.

The lasers-set-to-stun cut-and-paste nu-disco of Radio Slave’s 'Jaws' is a muscular and timely reminder that the punch of a track lies in its feel rather than tempo, while Edward's command of dub aesthetics and unmatched ability to stretch grooves into a tension-filled journey shines through on 'New Balance' and the epic closer, 'Thirty-Six'. Never one to entirely give into the throes of the 4:4, the cinematic electro of 'Stranger In The Night' and Balearic Cagedbaby collab 'Amnesia' round out 'Venti' as the whole Radio Slave experience - as intense as it is subtle.

One of the most prolific and critically lauded electronic music artists of the past two and half decades, Matt Edwards was born in Catford, London, in the early 1970s. When acid house hit the city, Edwards was deep in the scene, and he's remained there since. Residencies at the groundbreaking Ministry of Sound and an 'unofficial' residency that has seen him become one of Panorama Bar's most booked DJs during his 15-year stint living in Berlin have provided the grounding for an enviable tour diary that continues today.

His Rekids imprint, a label that has platformed some of dance music's biggest names, has been regarded as a high benchmark for two decades with Matt as sole A&R. Collaborations with legendary artists such as DJ Hell and Robert Hood, releases for Running Back, R&S, Innervisions, Figure and more, and a remixography that simply couldn't be repeated in modern music show just how important Radio Slave is.

Radio Slave - Jaws

Buy/stream: https://kompakt.fm/releases/the_floor_is_lava_2xlp_dl

Michael Mayer albums don’t come round too often, which is one of many reasons why his fourth collection, The Floor Is Lava, is a genuine event. It’s been eight years since his last one, the collaborative & released on !K7; its predecessors, Mantasy (2012) and Touch (2004), took their sweet time, too. It’s no real surprise, given the many hats Mayer wears – globetrotting DJ, revered remixer, inveterate collaborator, and boss of both Kompakt and Imara – that his solo productions are relatively sparing. But this also speaks to their quality: Mayer’s name on a record sleeve is a sign of quality, of music that’s both looking to the future and calling back to the past, that balances the imperatives of the dancefloor and the loungeroom, that’s as exploratory as it is functional.

On The Floor Is Lava, Mayer seems to be taking the temperature of both the music that surrounds him (past and present), and the ideas of the industry he works within. There’s that iconic album title, for a start. “The album’s mindset,” he says, reflecting on those four words together. For Mayer, it’s partly a critique of the way the industry boxes in both producer and listener, focuses them on genre, on market, on the next new thing: “Being a free minded spirit that transcends genres has become an uphill battle.” A battle worth fighting, though, and with The Floor Is Lava, the result is an album that’s varied, quixotic, idiosyncratic, charming, and deeply, addictively listenable.

Throughout, Mayer finds thrills in exploration and juxtaposition, allowing unexpected things to blossom and giving them their life, their platform, throwing the listener exciting curveballs: “It’s a DJ album by a DJ that’s easily bored.” Either easily bored, or endlessly curious, The Floor Is Lava is rich with ideas. It opens with “The Problem”, which looks back to look forward, embracing the rickety way early house productions threw samples together with gleeful abandon. Mayer mentions Pal Joey, and the scene around Rockers Hi-Fi and their Different Drummer imprint, as reference points, and you can hear that freewheeling spirit throughout.

That’s The Floor Is Lava: then and now, brainwaves and nerve structures, problems and solutions, genres on fire; the real, the unreal, and the surreal. An album for the easily bored and the endlessly curious. Mayer has the last word, telling us all you need to know about the album’s spirit: “Burning for the cause, being zealous, being addicted to the heat of the night, the exuberant powers of music.”

The Floor Is Lava

Brainwave 2.0

Michael Mayer - Brainwave 2.0

OUT 19 DEZ!
🎧 Pre-order/Save: https://KFS.lnk.to/NLM

Novi 4.0 - Losing My Mind [Future Soundz - KFS372]

Novi 4.0 unveils “Losing My Mind,” a deep house–driven track that leans into warmth and emotion. 
A beautifully crafted atmosphere meets a bassline that moves with real flow and feeling. 
It’s a standout release that shows Novi 4.0’s melodic touch in its most heartfelt form.

Artist infos:
https://www.instagram.com/novi_4.0/

℗+©2025 Future Soundz [LC 52393], a division of Solution of Sounds GmbH

Licensing contact: licensing@k-directmusic.com

Follow us on Facebook:
https://www.fb.com/FutureSoundz

Losing My Mind

Pre-order / Save

Novi 4.0 - Losing My Mind | OUT 19 DEZ!

I’m releasing a small EP while waiting for the album :)

Margiela

Shape Fascination

Spencer Parker - Shape Fascination (DJ Deep Dub)

Chris & Cosey - Love Cuts (AA Edit)

@josephashworthmusic's track 'ReRoute' will be released on his split EP with @molly_music 'ReRoute / Mr Ro Land' through @cin-cin-303122974 on September 18th. More info: bit.ly/AshworthPrem

Joseph Ashworth / Molly - ReRoute / Mr Ro Land

ReRoute / Mr Ro Land

Joseph Ashworth – ReRoute

MUSIC DIVERSITY IS OUR STRENGTH.
Label run by Laurent Garnier and Oliver Way.
Curating for the curious, the seekers, the adventurers and the brave. Cod3 QR is about going back to basics. About that feeling of discovering hidden gems and long sought after oddities. If it’s good, it’s good. The music is the message.