Just like "Analog Funk", the foundation of this song was developed by Impulse, who supplied some of sounds through the Arcade plugin. These particular tracks were later condensed into a single .m4a file, a process that took multiple attempts to complete. This alleviated the need to download the Arcade plugin onto my computer but also came at the expense of restricted control over individual instrument parameters. Granted, this was a sacrifice we willingly made.

I asked Impulse to record Digital Funk at a slightly faster tempo than Analog Funk to reflect the hurried nature of the digital world. On my end, I restructured some chord changes and section durations and carved out brand new passages for more variety.

Impulse: synth and bass programming, samples, songwriting, arrangement

Sinny: synth, bass, and rhythm programming, nose whistle, kalimba, Wavedrum, octo-snare cajon, djembe, talking drum, tambourine, maracas, jam block, samples, arrangement

Digital Funk

Slippery slope

Dear friends,
to the people of Afganistan!
This song might be a fiction, but is it from real life......??
You get so very sad when you see pictures of faces filled with fear, confusion and sadness!

Confused

I recently heard about
some folks who confused are
They don’t know what to do these days
should they stay in their home, or can they go out
and what clothes can they wear, maybe not what they have
and the shops in their towns are closed down

I heard that the girls and their moms
must change their lifes from now
they are also afraid of the guys
who are patrolling the streets all the days and nights
can the girls see their friends and can they go to their schools
that is a big question that they have

Their country is ruled by pious men
at least it is what these men say
and the future will show if they are right
and the world wish You luck - we will think of You
that You all will be safe and be treated with respect
and that You folks will have a pleasent life

 Approximate translation into Swedish
Förvirrad
Jag hörde nyligen om
några som är förvirrade
De vet inte vad de ska göra nuförtiden
ska de stanna i sitt hem, eller kan de gå ut
och vilka kläder kan de ha på sig, kanske inte vad de har
och butikerna i deras städer stängs

Jag hörde att tjejerna och deras mammor
måste ändra sitt liv från och med nu
de är också rädda för killarna
som patrullerar på gatorna alla dagar och nätter
kan tjejerna se sina vänner och kan de gå till deras skolor
det är en stor fråga som de har

Deras land styrs av fromma män
åtminstone är det vad dessa män säger
och framtiden får visa om de har rätt
och världen önskar dig lycka till - vi kommer att tänka på dig
att ni alla kommer att vara trygga och behandlas med respekt
och att ni får ett trevligt liv

Confused

Don't Look Down

remix of a track by the fabulous Paul aka Paploviante https://soundcloud.com/paploviante-and-friends/lazzy-paploviante-open-collab // lookin' for the right flavour my choice was the Akai EWI breath controller - the sound comes from the synth "Respiro" by Imoxplus https://soundcloud.com/rudy-verpaele-236350062
open collab music, Bass - Paploviante   //   solo, remix - joerxworx
Respiro sound: Colour of Brass / trumpet hybrid A // photo: Stanislav Ferrao, unsplash

a "Respiro" solo on >> Lazzy << by Paploviante

Collaborators of all 
In a crystal ball 
Doth my hat to the Undel halls
7 shades of shadow 7 shades of light
Each one a balance in a prism for the sight
Each one a flight from prison you reside
In your flesh form with the real you inside
From the dinosaurs and mankind alike
We all see  that meteor strike
Impact well sit back kick back and rest
For the sum of your thoughts shall do the rest
No missiles needed for man to manifest 
His outcome also determined by the best
Telepathic projection to redirect objects of direct threat
If the writings on the wall
King Cyrus dialect 
Acheamedic Alphabet 
To the Aramaic intellect 
How war always interject
Sinful breath we take
Bashing down the gates of our fellow humans plunder and rape
Seems like no escape still the same today
But doesn't need to be this way
We pray in the wrong way 
No answers given 
Ask of the universe
Ask of yourself on the inner
Kingdom within you project to outside and deliver 
Or let them have thier nuclear winter
Mother Earth
Splinter my mind a thorn resides within her
As families sit down to dinner 
Discussing how to be a bred winner
No confession of a sinner 
Only being honest to yourself or whither 
The Cinderella glass slipper metaphor 
The trapped soul..... you've met her before
You been that too
Round and round we go here we go round two


Ground forces in hostile suits 
Refugees fleeing carrying ox tail soup
And various food cans
Plus some sun dried  fruit
Heading to boot camp
Boots stamp the escort of troops.
Ground forces
Using civilians as war horses
To build the enormous prison camp
They been endorsed with
The ones who built it.
The prisoners behind the wall it's 
The ground forces who patrol the halls
That its reinforced with
Fortunate that fortune favours the brave
Oh wait the poor met with hand grenade 
Heavy fire barbed wire
Trip mine and grave
Flamethrower game over
When the take over's made 
Chess board deaths door are the enslaved 
Yes your just as afraid seeking shelter in the shade
Let them invade well the kill below still water
Like crocs in the Everglades 
7 shades of sun from 8 points 
All points to one
Under stars you was born 
To keep you warm in all the daily rituals you perform 
Listening to the sky horns
The warning before
All shall be endured
A difficult time of humanity 
As the energy transforms all the depravity
The greed the war the slave salary
The agony the hidden lies the soul catastrophe 
Sold to highest bidder but yo you won't master me
From your straw man you think as a grasp of me
In the courts of laws I'm blowing raspberries 
Cos the joke of this whole calamity 
This is none reality gradually clawing your way out
Ahhh get out my way now
As the selfish me selfishly 
Tries to find it's way down 
Back to the bottom
That negative rotting 
That scheming and plotting 
Where have I gotten?
What have I forgotten? 
Why was I looking?
What am I becoming?
In the darkest dungeon
Plunging the sword 
Cos I know I fight for something 

Lyrics written and performed by Codex Scrolls
Beat produced by The Italian job remix https://soundcloud.com/the-italian-job-remix
Mastered by Codex Scrolls 2021

Hymns For Clipped Wings by Codex Scrolls (Prod by The Italian job remix)

Originally recorded this in 2017 but I learned a thing or two about mixing and mastering since then. Also I have better tools to perform said mixing and mastering more adequately. So I went back to the recording and fixed the drums, guitars, bass, vocals, overall mix and mastering treatment.

Especially this track for the run at the time was in need of it (I am happy with the other tracks for the most part).

enjoy!


lyrics

firing shots into the unknown
already lost inside a dead zone
no walls at all to run into
no prayers and thoughts that can reach you
a realm of fading memory
like slipping away under the sea
with a side of anxiety

forever life under construction
poised to rake the interaction
the fallen cry to reroll dice
but it all went down with the other lies
and none to witness the sacrifice

❤️ @Bandcamp

Long Shot (2021 remix)

Avi Loeb is no stranger to controversy. The prolific Harvard University astrophysicist has produced pioneering and provocative research on black holes, gamma-ray bursts, the early universe and other standard topics of his field. But for more than a decade he has also courted a more contentious subject—namely, space aliens, including how to find them. Until relatively recently, Loeb’s most high-profile work in that regard was his involvement with Breakthrough Starshot, a project funded by Silicon Valley billionaire Yuri Milner to send laser-boosted, gossamer-thin mirrorlike spacecraft called “light sails” on high-speed voyages to nearby stars. All that began to change in late 2017, however, when astronomers around the world scrambled to study an enigmatic interstellar visitor—the first ever seen—that briefly came within range of their telescopes.

The object’s discoverers dubbed it ‘Oumuamua—a Hawaiian term that roughly translates to “scout.” The unavoidably cursory examinations of this celestial passerby showed it had several properties that defied easy natural explanation. ‘Oumuamua’s apparent shape—which was like a 100-meter-long cigar or pancake—did not closely resemble any known asteroid or comet. Neither did its brightness, which revealed ‘Oumuamua was at least 10 times more reflective than one of our solar system’s typical space rocks—shiny enough to suggest the gleam of burnished metal. Most strangely, as it zoomed off after swooping by the sun, the object sped up faster than could be explained by our star’s waning gravitational grip alone. Run-of-the-mill comets can exhibit similar accelerations because of the rocketlike effect of evaporating gases jetting from their sunlight-warmed icy surfaces. But no signs of such jets were seen around ‘Oumuamua.

To Loeb, the most plausible explanation was as obvious as it was sensational: taken together with its possibly pancakelike shape and high reflectivity, ‘Oumuamua’s anomalous acceleration made perfect sense if the object was in fact a light sail—perhaps a derelict from some long-expired galactic culture. Primed by years spent pondering how we might someday find evidence of cosmic civilizations in the sky’s depths, he became increasingly convinced that, with ‘Oumuamua, the evidence had instead found us. In late 2018 Loeb and his co-author Shmuel Bialy, a Harvard postdoctoral fellow, published a paper in the Astrophysical Journal Letters arguing that ‘Oumuamua had been nothing less than humanity’s first contact with an artifact of extraterrestrial intelligence.

The paper has been a smash hit with journalists but has fallen flat with most of Loeb’s astrobiology-focused peers, who insist that, while strange, ‘Oumuamua’s properties still place it well within the realm of natural phenomena. To claim otherwise, Loeb’s critics say, is cavalier at best and destructive at worst for the long struggle to remove the stigma of credulous UFO and alien-abduction reports from what should unquestionably be a legitimate field of scientific inquiry.

The observations suggest this unusual object had been wandering through the Milky Way, unattached to any star system, for hundreds of millions of years before its chance encounter with our star system.

“For decades we’ve theorized that such interstellar objects are out there, and now―for the first time―we have direct evidence they exist,” said Thomas Zurbuchen, associate administrator for NASA’s Science Mission Directorate in Washington, in November 2017.

Immediately after its discovery, telescopes around the world, including ESO’s Very Large Telescope in Chile, were called into action to measure the object’s orbit, brightness and color. Urgency for viewing from ground-based telescopes was vital to get the best data.

Oumuamua (First Contact Album Version)

Morphine dulled the pain but he never recovered his true soul

Bela's Tears

This track is a short improvisation and a first test of my upgraded studio. I mixed and mastered the whole track on the Tascam Model 24.
What do you think?
Please follow me on Soundcloud and Instagram:
www.instagram.com/marz.jam/

Gear I use:
Taylor Guitar 414
Elixir Strings
Thalia Capo
Tascam Model 24
Korg KR-55 Pro
Garageband
Korg Minilogue xd
Lewitt, Audiotechnica and Shure mics

If you have any questions please feel free to ask them, and please support this channel with a follow.

Syncopated Leaves

Enter a fast paced space travel mode at which light rays from varying sources pierce through the stark cold darkness of gravity's grip.
Expose yourself to the compulsion of beats. 
[Can any of you guess what message lies behind the symbols on the Album's upper left corner?]

Naked Galaxy

Interdimensional Highway

please help the Scribes with any donations you can, we intend to push the music movement this year to our limits .
much love to the world.
https://www.gofundme.com/f/community-project-and-global-plan-with-sound-model?utm_medium=copy_link_all&utm_source=customer&utm_campaign=p_cp%2Bshare-sheet
I am a solo artist mc/producer/writer and one of the founding members along with Wolfbane & Zanda G of the hip hop group
(Scribes of Avalon). We are now many
Always willing to collaborate and I have beats for sale if required as do other members of the group. message me for details.
 for other group members see links below
https://www.youtube.com/channel/UCRqL3ov2rYA_P3GDRsYOXPQ?
view_as=subscriberWolfbane https://soundcloud.com/user-499643355
Zanda G https://soundcloud.com/zanda_g
Rasmus Destructo
https://soundcloud.com/rasmus-destructo
Snipezillahttps://soundcloud.com/dex-mackie
Oceanhttps://soundcloud.com/oabnlp
Check out Son of Lamech on #SoundCloud
https://on.soundcloud.com/cMS5v
Lost4tzhttps://soundcloud.com/lost4tzstudios
Bunsen.
A.R Tokinhttps://soundcloud.com/artokin
Logistix https://soundcloud.com/logistix-mc 
E.P Beats  https://soundcloud.com/lala-land-361191160
Tubo DJ https://soundcloud.com/davidiere
Finest Skillz https://soundcloud.com/finestskillz-music
J$N
https://soundcloud.com/artisticdevastation 
https://soundcloud.com/operation-o
https://soundcloud.com/vickyg82
Check out U.Poet on #SoundCloud
https://on.soundcloud.com/Dwsqnhi62QfZ1f3T6
Check out Lyrical C4  (Scribes of Avalon) on #SoundCloud
https://on.soundcloud.com/y6GSouGrn7y9FTXk9
I am also currently representing North Recon
https://soundcloud.com/2slum.  stay tuned for more on this

Hymns For Clipped Wings by Codex Scrolls (Prod by The Italian job remix)

Codex Scrolls. (Scribes of Avalon)