Free download :
https://snkls.bandcamp.com/track/user-18081971-tha2-snkls-edit

User 18081971 _tha2 (SNKLS Edit)

collab with @c_r_y_s_t

originally a 30 sec long toffo's remix of triumph of reason

iceleaps, toffo — t7mx

"Shirakawa Suigen, Shirakawa Spring Source is so famous that Ministry of Environment chose it as one of the 100 Best Natural Waters in Japan. 14 degrees Celsius, 60 tons water gushes out per minute."
https://kumamoto.guide/en/spots/detail/219

32.825359, 131.096755

Móatún7 | TUN011 | Nike_Vomita
10" Vinyl - moatun7.bandcamp.com/album/tun011

10" Vinyl

Neu_0.0_RVRS.edt

This album is made by Bplrxxiii and Native Cell. We worked on and off on it, over a period of two years (2017-2019). It was a fun creative process, sending each other ideas back and forth to achieve intriguing sounds and soundscapes. Our inspiration was taken in nature and the infinitely large and infinitely small. Mixed with retro-futuristic vibe, ambiant and glitchy spiked details.

Nor Particle

patch002

Wait for me 2

Bridge Over Troubled Water

Alexandra Spence – “Do jellyfish breathe?”

A reworked version of this piece has been released as the album 'a veil, the sea' as a cassette tape or download on the Mappa label. You can purchase a copy here:

https://mappa.bandcamp.com/album/a-veil-the-sea

During Sydney’s most recent lockdown I submerged* a 15 minute-long piece of cassette tape in seawater collected from a local beach. The cassette tape contained a field recording of waves, and a recording of my voice offering a (non-definitive, and non-hierarchical) list of things found in the Pacific Ocean.

I’ve been thinking about connection with bodies of water, as well as connections between bodies and water, and how we might reimagine our bodily limitations to examine the things that connect us to each other and to our surroundings. The sea has always felt like home, and having lived on both the east and west edges of the Pacific Ocean it has become a place of connection for me.

I’ve been thinking about the Pacific Ocean as a home – not only to marine creatures and sea currents – but to the obscure movements of global trade, offshore data barges, and sunken satellites deactivated and dumped from space. Vast bodies may seem infinite, but nothing is – the depths hold mysterious, beautiful, and troubling things.

…Bottlenose dolphins, ancient artefacts, Lego pieces, approximately 36 species of shark, underwater mines…

Imagining an infinite ocean has led to overfishing, floating plastic-particle gyres, lost whales (as a result of the underwater din of shipping and naval industries), and an international sense of unaccountability.

“… Do jellyfish breathe?” is a kind of sonic traversing of oceanic layers, exploring imaginary landscapes, entwining and encountering unequal forms, such as breath with wave, fish with fishing line, along the way.

*Submerging the tape in salt water is an expansion of an ongoing project in which I bury tape loops 7-second field recordings on tape loops before burying them in the earth at the location in which they were recorded. I imagine this as a collaboration of sorts — I make a recording and the physical variables of each place and location alter it. While the magnetic coating of the tape retains sonic remnants of the recorded sounds of the place, the physicality of the tape ribbon retains material remnants of the place: sand, salt, other, which, in turn, impart audibly on the recording in the form of crackles, scratches, tape-warp, and hiss.

Paragate

Cohesion