Inspired by Isaac Asimov's 'Foundation' and The Adverts 'Gary Gilmore's Eyes' (1977). 

I know the end is coming,
But hoping I'm not right.
The evidence is building,
The dying of the light.
History stops for no one.
Even kings of ten thousand suns.

Anything to stop me.
To say what's on my mind.
Nothing is permanent
If you read the signs.
History stops for no one.
Chaos, one millenium.

Hidden hands will help me
To keep things on the line.
It's a pleasant fantasy:
That things are by design.
History stops for no one.
What will fall and things to come.

Hari don't need his eyes to see:
Numbers don't lie - Other's won't believe.
Hari will sing a different song,
Secretly - to rebuild takes so long. 
Eyes receive the message now,
All predicted, and he will tell you how.

Looking through Hari Seldon's Eyes

Hari Seldon's Eyes

Introducing Im Osten Geht Die Sonne Auf, the second full-length album release by the duo Recht Auf Rausch from Offenbach, Germany. This 12-track album features the captivating vocal stylings of Momo paired with Kalocain's masterful electronic production. Together, they create a cold and immersive environment that will leave you entranced from start to finish.

The album doesn’t follow homogenous guidelines nor conceptional requirements.
It’s a spontaneous expression of our moods facing obstacles of society.
Producing music to connect, grow, heal - a cathartic process.

While drinking tea and smoking cigarettes in our bedroom studio the procedure of making music starts with some sounds till we feel the direction of the song, and then we begin to implant the lyrics.
The fast flow defines our collaboration which feels mostly symbiotic and unforced. In this way, our creations become raw, honest and vulnerable.

Composed and mixed by Kalocain
Lyrics and voice by Momo
Artwork by Sergej Karmanov
Mastering by Meshes

Follow the artists: @rechtaufrausch

Recht Auf Rausch - Compass Cold

Taken from the EP 'Infinite Dream Weapon'

Order: https://alterstock.org/product/infinite-dream-weapon/

PC World - At Heaven's Gate (ALT76)

Secret - Remix

Premiere of the track "Bruised" by the Bulgarian producer Evitceles, taken from his upcoming release on Amek Collective.
-
Artist: @evitceles
Track: "Bruised"
Album: "Bruised"
Label: @amekcollective
Format: Cassette + Digital
Artwork: @wildkiriya
Release Date: 20 October, 2023
Pre-order: https://amekcollective.bandcamp.com/album/bruised

Premiere: Evitceles - Bruised [AMEK069]

Gladio Operations label presents its ninth release, with volume 2 of the Split Machine series, which this time features two new and recognised faces on the European and American electro scene.

One of these new faces is producer Noamm. This Greek artist, who has releases on such respected labels as Bass Agenda and Fundamental Records, opens the EP with "Clone Machine" and "Scientific Technological Device", two excellent rough and pragmatic tracks which link perfectly with “Verruckter Wissenschaftler”. The latter track, a fast-paced cut impregnated with tasty dark textures, perfectly defines the talent of the Hellenic producer. 

The B-side bears the signature of Brice Kelly, who also debuts on Gladio Operations and gifts us three fantastic, enveloping, and melodic tracks. The American producer kicks off with “Beings of Alpha”, a deep and very well-constructed journey that gives way to “If You Don't Think Like Us”. 
We really like it, even more so if it is accompanied by an elegant vocoder and enigmatic strings. Lastly, we arrive at “Powers That Be”, the closing track of the album, where we can perceive a cut of aggressive bass lines and gloomy textures, well aligned with well-chosen robotic vocals.

Limited Edition 12" Vinyl

Side A written and produced by Noamm
Side B written and produced by Brice Kelly
Mastered by Boris Divider
Graphic Design by Silvia Miguez
Distributed by Bordello A Parigi

links:

gladiooperations.bandcamp.com/
www.facebook.com/gladiolabel

Brice Kelly - Powers That Be

(today we're leaving 
so I wont make the bed 
this morning 
cause it's the last time 
it's being used  
said we won't be 
more together 
now we're supposed  
to be alone)

synths whistle
about earth
on suits of water
they coexist
fightingly

see the motion
on the paper
emotions want to be
on spotlight
fight for the stage x2

who gets the main role?x2
go poison
the main
actress

(it needs to leave
the warmth of cold air)

Actress

Album credits "Sturm & Drang":

Vinyl Mastering by Pete Burns at The Shelter

Sturm + Drang

Vor 3-4 Jahren traf ich den Maler tiefnachts in einer halbstillgelegten Metallwerkstatt im Industriegebiet. Ich weiß nicht, ob wir viel geredet haben, aber sicher sagte er: "Carlo, du chasch alles vo mir ha". Es war die Zeit in der die Texte zum Album 'Souleater' entstanden. Das hiess damals aber 'Oszillation' und wurde von einem freundlichen Peruaner auf selbstgemachten Kassetten veröffentlicht, unterlegt von komplett anderer Musik. Eine Skizze vom Maler auf dem Cover. Wahrscheinlich präsentierte ich die verwunschene Italo-Disco Plattensammlung aus dem Brockenhaus als ich den Maler traf. Als wir uns das erste Mal einigermaßen wahrnahmen. Auf dem riesigen 90er Soundsystem. Ich glaube das war der Nachlass eines lustigen verkoksten DJs. Drum war ich ihm so sympathisch. Als 'Oszillation' erschien, da war ich wieder daheim. Zurück vom Irrenhaus. Weil mir das Geld ausging. Und es war mir total Wurst und ich war froh, dass sie weit weg war, die Kassette.

Magisch denkend, mich über Paolo Coehlo lustig machend, obwohl er mir im sympathisch ist. Zweite Jugend. Frei von der Idee, sein zu wollen. Schön wärs. Immer das Gefühl, dass es an Zeit fehlt, schreibe ich 500 Lieder. Wie andere mit dem Hund spazieren gehen. Ein tonales Tagebuch. Der Wirrwarr lässt sich wohl nur kommentiert überblicken. Es kommt vor, dass ich Menschen treffe, die mich mit meiner Musik verwechseln. Zu nah schreibe ich an was ich antreffe und sich der Kopf darauf reimt. Dabei ist zu unterscheiden: Was man denkt und phantasiert ist nicht gleich was ist und was man sich wünscht. In einem Gespräch letztens ging es um die Einstellung in der Musik, um den dahinterliegenden Existenzialismus. Die Ernsthaftigkeit gepaart mit Discomusik und Schalk - im besten Fall. Und wie sich die Themen wiederholen, wie die Texte immer wieder aufgenommen werden. Wie Mantras. Auch "Sturm + Drang" ist Teil dessen. Eine persönliche Celebration. Auch ziert es wieder ein Bild des Malers. Ich habe das Original nie gesehen. Es sei genau so gross wie ein Plattencover. Als ich ein Foto in höherer Auflösung besorgen wollte - das Bildli ist von google - hiess es schlicht und knurrig: "Dä Fotograf hätz mit is Grab gno." We've seen Darker Days. Eine liebe Freundin half mir, die Grafik umzusetzen. "Du chasch alles vo mir ha." Angestoßen hat diese Musik ein DJ-Set auf Youtube, welches "This Youth got no Future" mit hedonistischem Wumms unterlegte. 909 olé! Und erst noch von Zalando gesponsert. Das Absurde schlägt zurück. Die Platte ist als kleine Feier gedacht. Als Feier der vergangenen 3-4 Jahre. Ein Weitermachen und sich vorwärts und rückwärts bewegen. Aus Trotz und mit Neugier.

Sturm + Drang

Carlo Onda - Dangerous [COLD TRANSMISSION MUSIC]

IAMTHESHADOW:
Pedro Code - Voices, Synths, Guitar and Programming
Herr G. - Electric Bass
Vitor J. Moreira - Synths

The Wide Starlight

IAMTHESHADOW - Unfold [COLD TRANSMISSION MUSIC]

Encore performance, live at FUNK, Koprivnica, February 24/2024
supporting Buš? Bum!, Wojtyla and Mycena

Originally written and performed by Siouxsie And The Banshees
Siouxsie's original portrait by Ewan Fraser

Fireworks (Live)

Lyrics:
Sometimes I
Drive past the street
We used to live
No one knows us anymore

And sometimes I
Can hear you
Crying out for me
Caught in the in-between

And what you see
Inside your head
Is different
Than what your parents met

And I can't believe
They found you in the tree
You were hiding in the leaves
It was right in front of me

I didn't get to say goodbye
To some people in my life
And as the world moves on
I fear we're left behind

And I just wish I could see
The kind of people they'd be
But I hope to God
That they all feel free

Only twenty years old
Dissociation, oh yeah I know
How it feels to be alone
In a body that doesn't wanna be your home

And how could I have helped
When I was barely there myself
I saw your ghost right in front of me
I couldn't tell if you were happy

And what's the point of the journey
If I hurt am I worthy
If I bleed am I purely
A being desperate and worthy

Of a life where I decide
On what is mine

And when I look into the mirror
Could you tell me what's clearer
Is it the face staring back at me
Or the light inside of me

Do you think I wanna be
In the skin you assigned to me
You don't think I could see
What's right in front of me

I didn't get to say goodbye
To some people in my life
And as the world moves on
I fear we're left behind

And I just wish I could see
The kind of people they'd be
But I hope to God
That they all feel free

I did it all for me
I did it all for me
I did it all for me
I did it all for me
I did it all for me

Left Behinds

Label and more for contemporary Post-Punk, any kind of Wave & Electronics.
All links in one place: https://linktr.ee/ColdTransmission

IAMTHESHADOW - Unfold [COLD TRANSMISSION MUSIC]

COLD TRANSMISSION MUSIC

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