DJ Matt Vaughan is the brainchild and resident DJ behind one of Sydney's most revered queer parties, Loose Ends, which has now been running for 18 years and thrives on a sense of musical adventurousness and truly inclusive queer partying.

Matt has also been playing all over Sydney and beyond for the last 20 years, from underground all-nighters, to fashion and art events. From big-time main rooms to micro loungerooms. He's played pretty much any queer party in Australia you can think of, and had several stints playing the dancefloors of NYC and San Francisco, and in 2025 had the special honour of playing at Berlin's iconic Berghain/Panorama Bar for the first time.

His musical interests have very few bounds and his magic power is marrying the silly and serious, light and dark in a way that has sparked countless moments of dancefloor alchemy and even more glorious connections between dancers. Which is what it's all about.

Find out more about Loose Ends here:
https://www.facebook.com/groups/looseendsphoenix/

Bookings:
Instagram: @balconyhealer 
Or: guy.r.grey@gmail.com

uk/eu bookings: nevan@klsbookings.com
au/nz bookings: james@watartists.com 


@georgia-bird-3 + @djsarahmorgan

other: sarah@neurotiqerotiq.com
+ georgia@neurotiqerotiq.com

~~ 

upcoming shows: https://ra.co/dj/IN2STELLAR/tour-dates

We also run monthly-ish parties // 
Neurotiq Erotiq

LGBTQ techno, pervy & loving collective, platform and night.
Mother of @maricasrecords

Boris, the long-standing Berghain resident, is deeply committed to the captivating magic that unfolds on the dance floor. This burning passion within him sparks a longing to shape, tease and playfully amplify the intensity of the dance floor action. With over two decades of experience as a producer for the likes of Ostgut Ton and Careless and as a DJ, he remains an unwavering, yet never predictable, mainstay.
Renowned for his extended, scorching techno closing sets, Boris is one of the most well-versed and dedicated protagonists in Berlin's vibrant queer electronic scene. However, to pigeonhole Boris only to Berlin would be doing him a disservice. In fact, his visits to legendary clubs like Paradise Garage and the Loft in New York City have left an indelible mark on his persona and DJ style.
Imagine the euphoric sounds that created a sense of belonging and ecstasy in Boris's heart while experiencing the massive pumping sound and welcoming community feeling at NYC's clubs. He brings this same warmth and playful energy to dance floors worldwide. His infectious style makes it effortless for clubbers to lose themselves in the music and partying, earning him a loyal following within the queer scene - and beyond.
Whether he's playing small, intimate clubs, festivals, or his prestigious residencies such as Berghain, Faust in Seoul, or House of Mince in Sydney, Boris has the gift to take people to another state of mind where nothing matters but the music and the moment.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

London and Sydney-based, Bristol-born producer and DJ.

Queer dance, Italo, Acid, having fun and you should too ✨🌈

DJ Bookings > ali@warmagency.com

Initially established in 2003 at The Eagle in London’s Vauxhall, Horse Meat Disco has evolved into a powerful force in queer and club culture as a whole, while staying local to its original home, each and every Sunday. Co-founded by James Hillard and Jim Stanton, and encompassing residents Severino and Luke Howard, the crew continue to maintain not only the weekly Sunday party, but a number of residencies in cities across the world, alongside a kaleidoscope of club appearances, festival dates and specially curated mixes.

Taking inspiration from a diverse, counter-cultural history of clubs and DJs, as well as from the sprawling, ever-expanding musical collections of it's resident crew, the sound of HMD is impossible to place. Nonetheless their style is undeniable, as is a popper-scented air of sheer authenticity. Rooted in hedonism, rhythm, freedom and emotion, a Horse Meat Disco set reinforces everything invigorating about disco, as comfortable as shattering old-school mirror ball cliches as basking in their light.

A typical HMD set blends classics, italo disco, house, oddities and punk funk, to conjure their initial spirit of “a queer party for everyone”, including, but not limited to, “Homos and Heteros, club kids, bears, fashionistas, naturists, guerilla drag queens and ladies who munch.” They have made appearances on every notable club scene in the modern world, as well as those beyond, and have long been a key fixture at festivals including Glastonbury, Bestival and Festival No.6.

Outside of the club, the Horse Meat Disco train rolls across the airwaves on Rinse FM, where the crew hold down a weekly residency every Sunday afternoon, serving as a pre and post-club Sunday lunch accompaniment, often delving into the more soulful shades of their sublime taste, often encompassing rave groove, gospel and whatever they can’t get away with on the dancefloor (which, as the years have proven, isn’t much). A series of expertly curated and acclaimed compilations for reissue label Strut helped further cement HMD’s formidable but communal reputation as disco masterminds, spreading their sound and many enviable obscurities into front rooms and record bags across the world. Their latest, ‘Meat Me Down the Disco’, was released on Z Records in 2017.

After decades of crate digging, globetrotting and partying, the HMD story continues apace. 2017 also saw the crew record their long-awaited contribution to BBC Radio 1’s ‘Essential Mix’, as well as their first joint foray into production, ‘Waiting For You To Call’, featuring Roy Inc., and released on their own, self-titled imprint. They are currently working on new music to be released with Glitterbox, with the new single ‘Let’s Go Dancing’ released in December 2018.

David Morales is a globally revered American DJ, a Grammy award-winning record producer, songwriter, and businessman. He has produced and remixed over 1000+ records for an all-star roster of multi-platinum artists, including Mariah Carey, U2, Michael Jackson, Aretha Franklin, Madonna, and Whitney Houston. A true legend of house music, the global phenomenon and penetration of dance music into Top 40 radio would not have been possible without him.
More recently, Morales launched DIRIDIM Records in 2018. With this new label, David is signing and developing new talent - and naturally, releasing some of his own music. DIRIDIM celebrates all kinds of dance music, ranging from the classic house music sound Morales is known for to straight-up electronic sonorities. In January 2022, Morales released "Life Is a Song", his first full-length studio album in almost 10 years. Produced during the pandemic lockdown, the album featuring artists, Mr. V., Blakkat, Elle Cato, Michelle Perera, Lea Lorien, Blondewearingblack among others, quickly gained an international following eager to hear more and skyrocketed up Traxsource's album chart to #1 for three weeks. His unquenchable thirst for newness is precisely why this native New Yorker remains at the top of his game into the new decade - “It’s about keeping an open mind,” as Morales says. In 2020, due to the global pandemic and inability to travel, he launched, Sunday Mass, a livestreaming show on Twitch to entertain his fans across the world. The 2021 IMS Business Report based on data, cited him as one of the dance music artists who experienced online success during the pandemic. Into post-pandemic times and with the reopening of clubs all over the world, David continued his legacy as a native New Yorker and trailblazing DJ, constantly gracing the best international stages with recent standout performances such as the Hacienda Warehouse Project in Manchester, Clockwork Orange in London, Stereo Montreal, EDC Vegas, Hi Ibiza, and After Caposile Venice. In 2024, David Morales is holding a residency at the legendary Pikes Hotel in Ibiza during the summer. A pinnacle in his repertoire is also the ongoing success of the Sunday Mass parties in NY, featuring both club nights and legendary boat parties during the summer. These events stand as a testament to Morales's enduring impact as a true legend on the house music scene. On top of this all, David is on the brink of releasing a new LP, 'Sunday Mass Vol. 1', the inaugural installment in a series with more to come in 2024. As we venture into 2024, expect a flurry of news and projects, with the new year expected to be a more than ever prolific one for David Morales.
 
FILM /TV/FASHION/RADIO
David Morales has transcended musical genres to create a global brand. His music productions have appeared in popular films and television shows, including The Devil Wears Prada, Ninja Turtles 2, Don’t Mess With the Zohan, and Star (TV Series). His DIRIDIM radio show can be heard on Ibiza Global Radio and numerous other stations around the world which is streamed to millions of listeners around the world. In 2016, Morales was the lead judge on “Top DJ” a national television series broadcast on Italia 1. When it came time to wear his fashion model hat, Morales appeared in a global advertising campaign for luxury design house, Iceberg. 

HISTORY
David Morales honed his skills as a DJ in the 1980s and 1990s at such legendary clubs as the Ozone Layer, Paradise Garage, Red Zone, Zanzibar, Tunnel and Club USA just to name a few. When the remix and DJ work began taking off, Morales teamed up with house music legend, Frankie Knuckles, and For The Record DJ Pool founder/NYC nightlife impresario, Judy Weinstein, to create Def Mix Productions.
Morales’ prolific production career kicked into high gear in the 1990s with the release of his solo debut album, “The Program” by David Morales & The Bad Yard Club. In the late-1990s, with hundreds of remixes (Mariah Carey’s “Dreamlover,” Janet Jackson’s “Throb,” Alison Limerick’s “Where Love Lives,” CeCe Peniston’s “Finally,” Jamiroquai’s “Space Cowboy”, Jaydee’s “Plastic Dreams,” Robert Owens’ “I’ll Be Your Friend,” under his belt, Morales recorded the groundbreaking house classic, “Needin’ U,” under the alias David Morales Presents The Face. Morales’ second album, “2 Worlds Collide,” arrived in 2005, followed six years later, by his third album, “Changes.” 
David Morales was nominated for his first Grammy Award in 1996 as a Producer on Mariah Carey’s album, ‘Daydream’ for the song ‘Fantasy’. In 1998 he won a Grammy Award for “Remixer of the Year.”
Though Morales’ past is surely one for music’s history books, the DJ-turned-artist always has his eyes firmly focused on the future—on what lies ahead. He keeps an ear to the ground, regularly exploring new music, new artists, and hotly tipped DJs who might inspire him to “go and do my homework.” He happily embraces the new generation of clubgoers. “They don’t care about yesterday”, he says, with a knowing smile.

For further information on David Morales please contact:
Valentina Cecchini @ OMNIVERSE S.r.L. on: +39 335 6810626 or email info@omniverse.sm

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