Name: Experience Cloud by Colin Jenkinson
Duration: 4 min 53 s
Description: Ironwood Chapman stick volume pedal and DD5 delay. Kevin Schwartz on Trumpet.

Would be an awesome opener track for a post rock album

 SICK. XD we could LARP the plotline of The Salton Sea so hard the feds might drop the case.

3:33

3:33 (disquiet0480)

Soundtrack is a part of the soundtrack that collects music written and composed by composers to accompany particular moments in the film. The soundtrack enhances the emotion of the film by creating a sound atmosphere for each scene. The musical score constitutes much more than a mere emotional accessory; on the contrary, music is capable of radically altering the viewer's empathy for the characters in the scene, the emotions attributed to them, the evaluation of the scenic environment, and the anticipation of the plot

Maleficent sings

Forest

Septic Underground - Oberheimdall

Performed by Ben Clark and Antonin Granier on 13.6.19 at LOOSE, LINE, LAYER in St. Mary-at-Hill, London.

The piece invites a child-like curiosity towards the instrument, and simply investigates its sonic possibilities. The materials arose from working collaboratively with percussionists Ben Clark and Antonin Granier. The first movement explores flexibility, the second looping elements, the third resonance.

Piece for three tuned cowbells (2019)

Someone said: This sounds like Moby in the beginning and like Plaid at the end.
What do you think?

bready2

you can download: 
https://epia-tloe.bandcamp.com/album/a-report-of-intergalactic-investigation-sep-2019

long version for your work:
https://youtu.be/jESfglNObr4

A Report Of Intergalactic Investigation Sep 2019

20190924Ens2 v6

Download

20190924Ens2 v6 (short edit)

This is the world premiere of the new work for double-bell horn, developed during the Virtual Brass Academy with Christine Chapman and Ensemble MusikFabrik, July 2020. This performance took place on July 30th, 2020 - in Cologne.
I am indebted to Ensemble MusikFabrik and the fantastic work they did with us in introducing us to the worlds of double-bell instruments, and to the ever-expanding repertoire of new music for these instruments they are bringing to the world.

The work explores a sense of dual forces that act and react upon each other, and how the relative mediator (the performer) indeed interacts with the score, the instrument and it's two bells, and finally how the theatre of the piece - both through actions and the position of the instrument - is transmitted to the audience. In the four sections of the piece that each explore a different facet of the manipulation of the horn - first through the use of a contra-bassoon reed to produce aggressive yet fulfilling multiphonics; then in the second and third exploring the two bells and their range of possibilities. The final section condenses the instrument down to only it's single-bell form and the mute and interacts briefly with it to express a settling within the performance. Gasping, grunting, growling and grandeur are all some of the ideas explored in this short miniature.

Image: LIGO/Caltech/MIT/Sonoma State (https://www.vox.com/science-and-health/2017/6/1/15721268/gravitational-waves-ligo-future)

Understated Matter - for solo double-bell horn [premiere]

Seasons Greetings & Happy New Year
<33333333333333333333333333333333
Thanks & big ups to all :)

90 ⋯ d4n4 - Chasing-Rabbits-Being-Chased (Leaps&Bounds Mix)

Ironwood Chapman stick volume pedal and DD5 delay. Kevin Schwartz on Trumpet.

Experience Cloud

Impulsive Habitat, 2014.

The material of this work is based on a static recording: I installed a microphone under the roof of my father's house in a small village in Alsace (France) for one year. Each day, I recorded one minute of sound on the hour at four different intervals: midnight, morning, noon and evening. I subsequently selected one recording per week for each of the intervals.
These (untreated) recordings were then sewn together in four different tracks, one for each time of day, spanning the course of a year. This results in a cyclical movement consisting of four different time-lapse sequences that trace the entirety of a year in one place.

Experience Cloud

Colin Jenkinson

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eMcee KULTRA

cotton beast

AuDioChosis - Steven F. Allen

Virtual Trash ✞

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