<a title="Request license for this Track." href="http://www.tracksandfields.com/track/request_license?track_name=The%2FDas+-+It%27s+True+%28Edit%29&amp;user_name=Sinnbus+Music&amp;from_sc=1">Request license for this Track.</a>Title track of The/Das' recent single EP
Info: www.sinnbus.de/sr046-3

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The/Das - It's True (Edit)

in pieces

Reflections in Repose

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Slow Heart Music is the acoustic side project of ambient and drone musician Ben Rath. Based in Manchester, UK, Ben has released music under his own name with labels including Sound in Silence, Unknown Tone Records, Eilean Rec., Cathedral Transmissions, Moonswing Netlabel, Triple Moon Records and Whitelabrecs. As Slow Heart Music, Ben focuses more closely on solo acoustic guitar instrumentals and has released albums exclusively through Whitelabrecs.
The majority of Ben's musical output finds its home in the rich and diverse territory of experimental ambient and drone music. Ben creates compositions using original recordings of guitar, keyboard, and piano, as well as samples, field recordings, and digital synthesizers. These sounds from various sources are then moulded, transformed, and edited together to form instrumental arrangements which span a wide variety of styles, tones, and emotional registers, with inspiration drawn from pioneers in the genre such as Tim Hecker and Lawrence English, the early ambient works of artists such as Sean McCann and Colleen, and the emotional weight and resonance of Constellation Records greats such as Godspeed You! Black Emperor and Esmerine (among many others).

Under the Slow Heart Music moniker, Ben strips things back to explore the simple joy of the acoustic guitar. His playing, influenced by the likes of Eric Chenaux and Richard Dawson, as well as the gentle beauty of solo piano works from artists such as Nils Frahm and Olafur Arnalds, combines a sense of playful and spontaneous improvisation with arrangements and compositions that often express a gentle and tender emotion.

For his new album ‘Hope’, Ben returns to the artful acoustic arrangements and soulful guitar playing that marked his debut as Slow Heart Music, ‘This Body Is Not Me’ (2017). Armed with the same £5 half-size classical guitar which was used to record the first time around, Ben adds a second classical acoustic borrowed from his girlfriend in the spirit of using whatever was to hand to create with. He had a vision for the sound he wanted to achieve, which builds on influences from artists that embrace the mournful and melancholic, but also find beauty and uplift amidst the sadness. As Ben explains, “I’ve struggled with my mental health ever since adolescence, and music was the thing that often provided me with the most solace and comfort. The artists that inspired me were those who were expressing something that felt real to my experience, that taught me that I was not as alone in my feelings of deep sadness and anxiety as I often felt, and that meaning and beauty could still be found and expressed in the midst of it all.’’

Those who know him would describe Ben as a quiet, calm, and reserved person, but his music is the space where he is able to express himself more fully. ‘Hope’ is a collection of soft and minimal pieces, steeped in emotion and feeling, at times mournful, at others uplifting, but never seeking to prematurely soothe or distract from the suffering of the world, instead sitting in the mud of it all, and seeing what can be created from there. It is Ben’s sincere hope that his music may help some other lonely soul feel that little bit more connected and understood.

Hope

wlr161 Slow Heart Music - Hope

Sombre cello, strings and drones for a world in danger.

Acheter

Footprints In The Snow

Night Waltz

[E95_065] W¯¯ - 该水我抱在我手

这是故事结束的地方。 在关闭和开启一时的命运的无限循环中。 从欢乐到痛苦。 这些是我
们握在手中的小时刻。 通过斗争，我们找到了希望。 通过希望我们找到了斗争。 这些是我
们心中难以忘怀的时刻。 从苦难到幸福。 在威望的定义实例。 这是故事开始的地方。

Out 7/07 on E95

@watchingwaters

NOW AVAILABLE >>> http://bit.ly/2zjSMlf

该水我抱在我手

Full Album

W¯¯ - 在扭曲的水中受损的灵魂

Watch the official music video: https://youtu.be/YVoqGMWVTF0

Daniel Brandt, co-founder of acclaimed German ensemble Brandt Brauer Frick, is set to release his second solo album via Erased Tapes on October 12th. Called 'Channels', the new record follows the release of the London and Berlin based producer’s solo debut Eternal Something from 2017.

The seven-track LP is Brandt’s biggest statement yet, with the album’s thrilling avant-garde framework interweaving chord-driven techno, orchestral flourishes, rich electronic textures and hints of dark cinematic pop. Following on from Eternal Something, which captured a contemplative kind of isolationism, with Channels Brandt set out to create an album that captures the essence of minimalism whilst lending it to a more playful context. 

Intricate floor-filler and lead track ‘Flamingo’ synthesises the measured pacing of Detroit techno with an orchestral background. As with all of the tracks on Channels, ‘Flamingo’ began life as a sketch with very basic instrumentation, before taking it into the studio to rehearse with his band members, giving the album a live and visceral sound that sets it apart from his debut; “It was a great experience to do it this way as I have always wanted to have the chance to try out something in a live setting before recording it in the studio and not the other way round,” explains Daniel. “The actual typical rock band recording style that I never had the chance to do before.”

With Brandt also being skilled as a filmmaker, directing and producing visuals for BBF and Eternal Something, much of the new album’s creative ideas reference a rich visual palette. He directed the video for ‘Flamingo’, a sideways glance at the art world that takes the concept behind John Cage’s 4’33” and turns it on its head. 

“The video for Flamingo is deliberately non performance — people sitting in a room and watching basically nothing, never really sure if anything is ever going to happen. It’s also a play on John Cage’s 4’33”, except in this instance there isn’t even a performer present.” — Daniel Brandt

Daniel’s passion for film even prompted him to kick start his own online television channel Strrr.tv in 2017 that since attracted a lot of attention with guest moderators including BBC Radio DJ Gilles Peterson, modular synth legend Suzanne Ciani and Berghain bouncer Sven Marquardt counting amongst the most popular episodes. 

Recorded between Berlin and London, Channels is a deeply enthralling listening experience, which sees Daniel Brandt build upon his distinctive percussive sound whilst exploring new and expansive horizons.

Praise for Daniel’s previous album, Eternal Something:
“Propulsive, tense, and entirely mesmerizing” 7.6 — Pitchfork
“An evocative ray of multi-instrumentalism” 9/10 — DJ Mag
“A fizz bomb of overlapping ideas” — Record Collector
“Utterly abstract and wholly melodic” — Clash
“A cracker”  — Electronic Sound

Memory and Ambition

Colin Stetson

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