“Paper Ruins” is a dramatic and melancholic debut from Sozorie, an up-and-coming producer from Minsk, Belarus. Beautiful experimental ambient and arty electronica inspired by “visionary architecture,” the kind of architecture that is not realistic and only exists on paper.

Nikolay Steshitz, the person behind Sozorie, is really enjoying creating what he calls “controlled aggression” in his sound. Indeed, even the lushest moments of “Paper Ruins” possess a certain tension, buried underneath the elusive melodies and the rubbery beats.

The album showcases a rich production palette. Some synth work here sounds “classic,” repurposing the classic IDM/electronica/downtempo canon. But then everything changes, and we get more penetrative, siren-like hyperboles that clash against glitches, kick drums, and distorted clangs shaping rhythmic passages not dissimilar to early Amnesia Scanner. Sozorie ties all of these broad influences into a knot and carefully places them inside a narrative, and it does feel like a scaled paper model of a brilliant, strange building. Steshitz comes up with a fresh vision and an excellent record equal parts a home listening trip and great material for the more adventurous DJs.

released March 25, 2021

Music: Nikolay Steshitz
Mixing & Mastering: Nikolay Steshitz
Artwork: Nikolay Steshitz

Pillar Crush

eclipse

Peace In Da Middle East

Follow me on all platforms❤️❤️❤️ ILY All

Summer's Almost Over

The relatively young experimental platform, Edited Arts, was born out of a friendship between two students and has had an impressive journey so far, establishing itself as a progressive event organiser and filmmaker. Since its conception about two years ago, the organisation has matured and grown in many ways. Instead of throwing house parties, it regularly organises live events at London’s booming venue, The Glove That Fits. Instead of curating a DIY multimedia exhibition at the abandoned police station, it assists in the event programming at the Royal Albert Hall. Instead of filming a graduate art show, it collaborates on a documentary with Resident Advisor. Now, it’s also set to conquer another height and become a label.

The name ‘Edited Arts’ refers to the process of continuing to work on something that seems finished, editing it and saving it as a new file. It’s about the process of constant improvement and advancement through building on what’s already there. As such, the platform aims to upgrade the current concept of audiovisual performance by paying special attention to the set design during its events. Similarly, for its very first release, the platform turns to what it already has – a community of long-time collaborators – and comes up with a tracklist full of adventurous talent, enhanced by some really noticeable newcomers.

The bio of their debut compilation, EXTENDED, purports to “invite musicians, artists and designers to consider the idea of the extended self”. This can be seen in the artists involved, many of whom have been prominent at Edited Arts since near the beginning of its existence. They include Alex Buchan, the artist behind music videos of this compilation, Loraine James, Rave Retirement Community, Keiken, and +777000, who’s premiering here today. +777000’s input ‘Salt Salt’ is a metaphor for the medical use of salt, the painful healing that is heard in the patches of noise on an otherwise ambient track.

Listen below and look out for a full compilation released on Wednesday, May 15th via Soundcloud and Bandcamp with a visual stream available on Youtube. All the profits will be donated to Young Minds, a charity fighting for children and young people’s mental health.

Premiere: +777000 - Salt Salt [Edited Arts]

Frozen Ashes is an examination around the themes of “Cold.” We’ve brought together some of the underground’s most exciting artists:
Evitceles, Diamondstein, Lighght, Thugwidow, Sangam, Ross Birdwise, Lila Tirando a Violeta, Jamie Awakshidar, Snakepiss, Ridge Racer, Sour Gout, Yoshimi, Ganz Feld, fdsdf, and VVV.
These artists bring a wide breadth of sonic identities to the compilation's themes.

Evitceles - THE CLIFF BEHIND MY BACK WHERE MY HAND USED TO BE HELD

Steven Warwick - MOI
Format: LP / Digital
Cat.No: PAN 103
Release Date: 08 November 2019
Purchase: https://bit.ly/2OOBRO1 / https://bit.ly/2IW4LI9

“MOI” is the fearless new full length album by artist and musician Steven Warwick. The record signals a more upbeat reprise following the previous, reflective release “Nadir”. “MOI”, the first physical release under his own name ( having previously recorded under the Heatsick monicker), is a journey considering interior worlds and personal architecture, as found in early spiritual narratives. Recorded in Berlin, the FUGA residency space in Zaragoza and and on location in New York, Warwick’s sonic vocabulary is further expanded with intense frenetic rhythms, prismatic melodies and resonant vocals.

Like the dopamine rush of contemporary life, “MOI” is a sonic roller coaster with a scream -if-you-wanna-go-faster urgency ; “Open Fire Hydrant” bursts out like a pressure valve spiralling onto the dancefloor, while Kaleidoscope offers cheeky anecdotes as told on a ride home soundtracked by a garage beat.
MOI is a spectrum both emotionally and musically, embedded with an underlying spirituality wrestling with existential dread, as witnessed in “Over There”, “Salvation”, “Kind of Blue” or the icy digital pulse of “Cold Light of Day”. “Danke” featuring guest vocals from visual artist Josephine Pryde offers a slightly gothic feel, albeit of the architectural variety, while the purgatorial transmissions of “Consolatio”, bring a moment of respite. “Rush” is a sensuous percussive workout before concluding on the rampaging seductive house track “Silhouette”.

“Do you know who I am? Because I don’t!”

The album is mastered by Jeremy Cox, featuring cover photography by Ilya Lipkin, and layout by Bill Kouligas and Johannes Schnatmann

@stevenwarwick
http://p-a-n-org

Steven Warwick - Open Fire Hydrant (PAN 103)

From tape 'House (Unbuilt), by Belarusian composer Kirill Mazhai. Released October 25 2019 through Moloton. @kirill-mazhai

House (Unbuilt)

Kirill Mazhai - 7th Floor

Written & Produced by 111X.
Mastered by Noah Kin.
Artwork by Helen Korpak.

@111x

Envy

111X - To Regret (Closure)

Yolabmi - Rebirth - (Senglar Birth Full Version)

possible nights

Dreams in post-industrial landscapes. 

Demo's and other inquiries: collappsingstructures@gmail.com

//Experimental Club
//Ambient
//Industrial
//Dreampunk
//Ghost Tech
//Electroacoustics

Evitceles - THE CLIFF BEHIND MY BACK WHERE MY HAND USED TO BE HELD

Collapsed Structures