»vortices« is ueno masaaki’s first release on raster-noton, and the seventh release of the unun series.

ueno masaaki takes his musical cue from natural phenomenon and laws of nature by trying to reconstruct, not simulating them. the results are mainly rhythmical patterns that set off a chain reaction, expanding and contracting and creating new formations all the time.

the four tracks he presents on the EP are characterized by solid sound structures that appear to be very harsh and straight, sometimes even brutal, whereas the high pace even intensifies this impression. apparently repetitive at first sight, the tracks are in fact highly complex and intelligently arranged, presenting unforeseen breaks and shifts in direction.

ueno masaaki. excited state. taken from ueno masaaki. vortices

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ATTENTION

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withering

Frozen Ashes is an examination around the themes of “Cold.” We’ve brought together some of the underground’s most exciting artists:
Evitceles, Diamondstein, Lighght, Thugwidow, Sangam, Ross Birdwise, Lila Tirando a Violeta, Jamie Awakshidar, Snakepiss, Ridge Racer, Sour Gout, Yoshimi, Ganz Feld, fdsdf, and VVV.
These artists bring a wide breadth of sonic identities to the compilation's themes.

Evitceles - THE CLIFF BEHIND MY BACK WHERE MY HAND USED TO BE HELD

Warm Winters Ltd. is pleased to announce JC Leisure’s (@jcleisure) latest solo release, 'Mutations For'. The album is built from the artist's collection of mixtapes from circa 1992 onwards that distil the counterculture of rave, free parties and pirate radio broadcasts. 

For the last couple of years this archive has formed the basis for JC Leisure’s hybrid DJ cassette sets, a handful of which are archived on Bandcamp. Aware of each cassette's cultural legacy, with 'Mutations For' JC Leisure sets out to give the archive a higher form of autonomy. Similar to the audio-to-midi processes he developed with his band Raft of Trash (where they use the world-building game Simcity3000 as raw material) the cassette tapes are sampled live and fed to synthesizers, software patches and samplers; allowing them to write their own melodies and rhythms. Leisure has worked with and alongside these results and offers them up on 'Mutations For' as an alternative future to a counterculture's unstable history. 

These ideas are explored further in collaboration with designer Afonso de Matos on the poster that forms the physical realization of this work.

Full release coming March 20, 2020.

Mutations For

JC Leisure - Soft-Paste Porcelain (ft. Dialect)

DRONE A

XM Body(Feat.FourKing)

Underneath the stark white light of the laboratory lamps, the mysterious organism writhed and twisted into obtuse and indistinct shapes. Everybody gathered round in awe as it began to sprout new features, strange abnormalities that grew and lengthened before their eyes. What it would morph into, nobody knew, but curiosity kept them firmly fixed on this unspecified life form. 

The next transmission from Polish label Pointless Geometry comes courtesy of percussionist and leading force in Polish experimental music Qba Janicki, and Belgian sound sculptor and Knives alumni Obsequies. Titled Autolysis, the release blends various production techniques, from sound sculpting to processed percussion and digital manipulation, recorded through improvisation before being fully formed into an album. Described by both parties as an "electro-acoustic sound organism, which consumes its own flesh for the purpose of self-regeneration", the release explores a new world of sonics that are built, morphed and layered in the most unpredictable ways.

PREMIERE: Qba Janicki and Obsequies - Desintegration [Pointless Geometry]

* Announcing CANVAS007 *

Lugh - Re Munus (LP)

Format: Digital/Vinyl
Cat.No: CANVAS007
Release Date: 23rd of October 2020

Vinyl and Digital pre-order:
canvas-index.bandcamp.com/album/re-munus

‘
There is grief, exultation and relief inherent in belonging to community. Re Munus reflects on the tone of deep gravity with which the re munisation of the de munised is unravelling. The generations which dismantled their social contract, achieved immunity, revoked solidarity.

Severe circumstances foment collectivity, suffering and empathy, interrupting the ethereal dream of social weightlessness. Re Munus sketches sensations and observations during a time of reorientation, rediscovery of lived sensibility on a relational scale. An encounter with sensations which we had said defined us—the tangibility of which we had forgotten, believed to be confined to the past. There is tension between the physical withdrawal and lived intensity which permeates these works.
’ Lugh

Personal drift. There is a multitude of presences guiding you through this record as a listener, not without their own doubts as to where they are leading you. A murky social space. Time-compressed club experiences within layered acoustic dimensions; consolidated, captured and played back into the same space. I am sitting in several rooms simultaneously. Death metal screams in an Animal Crossing world modelled on our own.

The choral rush of ‘Million Dollar Cowboy’ from Lugh’s Hélico EP (2018) re-appears again in ‘Braises’ and ‘Free Fall’, deeper and re-figured. Sometimes the record also haunts itself—each element heard having been through a process so long and many-staged, it’s as though it has already lived.

These compositions hold within them a flawed attempt to communicate on every level. The desire of language as expressed through music—towards shared meaning. Paradoxically voiced and voiceless, it denies textual, verbal description, instead crying out through the cracks in forming its own liquid tongue. Clone choirs simultaneously rehearse in an open space below. A slow walk through this spectacle. It’s an anguished record as much as it is at times tranquil. The movement between voices detached and embodied becomes playful—often warping them far beyond recognisability.

Beautiful artefacts. Stomach churns in the face of a burnt-out horizon. Cantering & sneezing. Air is driven into the corners and creases of a gold-plated, reverberant structure. The neural network claps to keep itself in time. Gutter Synthesis organ lament; tears of the duffing oscillators. There are moments on this release when tensely divergent fragments are barely held together. The prominent human voice mixing with the heavily re-sampled voice—it’s an incredible lift. Superimposed night and day. Sonic creatures living within the material, sharing time and space. Tenderness and together-ness.

Michael Speers and Olan Monk

Music by Lugh O'Neill

Vocals on ‘Vertiginous Leap’ and 'Free Fall' performed by Marie Requa Gailey

Artwork, graphic and product designed by Zuzana Pabisova

Mastered by Ali Najafi

Underwater recordings from Zuzana Pabisova's underwater sports camera feature on 'El Rocio'

The ‘Gutter Synth’ designed by Tom Mudd features on 'Americans', 'Irony, Chastity, Obedience' and 'Index Veri'

@lu_gh

www.c-a-n-v-a-s.com

Re Munus

Buy DL/LP

Lugh - Irony, Chastity, Obedience

https://carpetgrouprecordings.bandcamp.com/album/mutant-reactions

Innsyter - Os Boca Branca

╳ Extracted from "RITUAL" by @shevsmachine

╳ Stream / Purchase: https://ghostcity.bandcamp.com/album/ritual

GCCLLCTV2020

Produced & Mixed by SHE/MACHINE during 2020.
Master & Artwork by Marco Zanella.

╳ She/Machine
- soundcloud.com/shevsmachine
- facebook.com/shevsmachine
- shevsmachine.bandcamp.com

╳ Ghost City
- soundcloud.com/weareghostcity
- www.facebook.com/weareghostcity

SHE/MACHINE ╳ De.script

Dreams in post-industrial landscapes. 

Demo's and other inquiries: collappsingstructures@gmail.com

//Experimental Club
//Ambient
//Industrial
//Dreampunk
//Ghost Tech
//Electroacoustics

Evitceles - THE CLIFF BEHIND MY BACK WHERE MY HAND USED TO BE HELD

Collapsed Structures