New Release 'Feel' out now on Spotify:
https://open.spotify.com/album/51XnVqBnts3hRtYm6FdfxD

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Label | @In-You-Records
Mixes | @In-the-blender
Email | blendbold@gmail.com

Mh Ultra is a UK-based visual artist, lifelong DJ, & newcomer producer who draws inspiration from the 90s 00s & modern club culture. Refreshed and reinspired each year with the obligatory pilgrimage to Ibiza.  Armed with a passion for modern house, & a love for composing beats, rolling bass, plastic toplines & stabbing synths of the bygone era, he hopes to release his own creations into the wild.

British electronic musician based in Colorado, USA.

Kanuko are based in Manchester; project by producers MaiKu & Remain Nameless...

*BOOK/CONTACT*
post@kanuko.co.uk
 
For more info, downloads and streaming, please click the links below...

We make Music to Colour the Void

► colourthevoidmusic@gmail.com

Freshly plucked by @BlendBold
❱ Follow the playlist on Spotify: goo.gl/uGrgLH
❱ Submissions | promo@blendbold.com
❱ By @BlendBold / @In-You-Records

For many years, music already accompanies me. I grew up with rap and rock / indie. Later I learned to play the piano which is still with me today. Music is an inspiring and regulating medium for me, which daily guides me, inspires and picks me up. 

Many of you know the special and inspiring feeling you get when you discover a new track that completely captures your attention, thrills you and won't let you go. Most of the time you don't really know why, but something resonates with you and creates a fascinating interaction between you and the music. 
As I discovered electronic music at some point, I felt this attraction and affection more and more often. 

I started to buy the tracks that inspired and touched me deeply and with time more and more songs came up on the computer. Inspired by these and also by my brother, who started producing electronic music at that time, I bought my own equipment and started recording my own sets. The initial euphoria and motivation was not rewarded as quickly as I had imagined or even desired. I realized that it was a challenging process to make a "good" set, a set I am satisfied with, because I have high demands on my own sets. Not necessarily in technical terms and not using the sync button, but rather wanting a coherent flow and track choice for a set. 

After a few frustrating afternoons I realized that on one hand I need more practice and on the other hand things don't work in such a short time as I thought they would. I subsequently succeeded more and more in putting myself behind it with composure and calmness, and to this day I sometimes take several weeks before recording the final set. When selecting my tracks, I put the emphasis on the coherent sequence, on the mixing of different elements such as instrumental parts or sometimes excerpts from classical music or other musical styles. So it happens that different tracks merge with each other over a period of several minutes and in the corresponding section of a set there also comes a long break where something brews together and builds up again. I'm not afraid to use an orchestral ensemble. I think that in a set something like that works. Unlike playing live or in a club, I don't demand fast, imposing and technically interesting switches, but rather a merging, a journey and an overall picture that fits together, sometimes irritates and challenges. If you do not produce yourself, this is often a nice challenge...

Contact - tasuta(at)simonstuber.ch

check also my lovely brothers -> @ben-yoosuk & @noten_sohn

For demo demozartha@gmail.com
DEMO SUBMISSION RULES: Please only send download/streaming links, (private Soundcloud streams with a download option will be considered). All submissions must be unreleased and original tracks. No remixes, cover songs or music with unlicensed samples. 

▲ We do listen to everything that comes in but unfortunately due to the volume of music we receive we cannot reply individually, however if we like the demo and want to speak to you further about it you will be the first to know.

Followers of Colour The Void