New Album "The Hill" Available March 29
Pre-order here: https://aaronlewis.lnk.to/TheHillIB

The new album So Help Me God feat. "Heaven By Then" is out now: https://Brantley.lnk.to/SoHelpMeGod

Hailing from Dripping Springs, TX lead vocalist Mark Wystrach fronts Midland’s rich sound that is rounded out with lead guitarist/vocalist Jess Carson and bass player/vocalist Cameron Duddy. Rooted in tradition in both sound and style, the trio initially garnered attention playing clubs in the region. Their critically-acclaimed sophomore album LET IT ROLL (Big Machine Records) earned the No. 1 position on Billboard’s Top Country Album Sales chart upon release, receiving praise from outlets such as Rolling Stone, Variety, NPR and Entertainment Weekly among others. Wystrach, Carson and Duddy all played an integral role in writing the 14-track album with Shane McAnally and Josh Osborne which features Country Radio’s Top 40 and climbing single “Cheatin’ Songs.” The album was produced by Dann Huff, McAnally and Osborne and was a follow-up to the critically acclaimed debut album, ON THE ROCKS (Big Machine Records). Launching in 2017 with rave reviews, ON THE ROCKS was declared “the year’s best Country album” by Washington Post. Their 2x Platinum-certified chart-topping debut “Drinkin’ Problem,” which offers an intentional nod to Country music reminiscent of the 1970s and 80s, earned the band their first GRAMMY® Awards nominations for Best Country Song and Best Country Duo/Group Performance. Midland was also named New Vocal Group of the Year at the 2018 ACM Awards and is nominated for Group of the Year at the 2020 ACM Awards.

Though he began his career in the shadow of his legendary father, Hank Williams Jr. emerged as a formidable Country singer-songwriter in his own right with 1960s hits such as “It’s All Over But The Crying” and “Cajun Baby.” But things changed with the 1979 release of “Family Tradition,” where he broke the Nashville mainstream by adopting a rebel image and writing/recording in a style incorporating his Blues and Southern Rock influences. The results were staggering as 42 Top-10 hits followed, two CMA Entertainer of the Year honors, three ACM Entertainer of the Year honors, multiple Grammy nominations and a Grammy award for “There’s a Tear in My Beer”, a duet with his father using electronic merging technology.  As groundbreaking as Hank Williams Jr. became, it wasn’t just his performance that people took note about, but rather his songwriting that became so notable. The driven musician penned hit songs year after year scoring 20 BMI Awards. One of the arguably most-heard Country song of modern times, the four-time Emmy award-winning “Are You Ready For Some Football?,” which was heard nationally as the theme song of ABC and ESPN’s Monday Night Football telecasts, was aired for 21 years.   As the accolades kept coming, Williams sold over 55 million albums, achieving gold, platinum, and multi-platinum status along with 13 of those albums hitting the no. 1 spot on the Billboard chart. In 2008, Williams was honored with the BMI Icon award at the 56th annual BMI Country Awards, joining an elite group of past honorees including Willie Nelson, Merle Haggard and Dolly Parton. Today, Hank Williams Jr. writing and recording new material for his first album on Nash Icon Records slatted to be released in 2016.

A trusted troubadour for hot summer nights and cold beers, Owen is now in his forties, tangling with separations from lost lovers, raising kids, and growing out of the fresh-faced kid that headed down to Nashville 20 years back with a six-string and a dream.  Case in point: Dreams to Dream, Owen’s long-awaited, Shooter Jennings-co-produced foray into classic, honky-tonk country, out November 7 via Good Company Entertainment. Dreams to Dream, Owen’s first independent studio album, featuring 10 original tracks and two stellar covers, tells the tale of a man at a crossroads — and what it takes to set out a new path. 

Owen wasn’t expecting much when he commented on one of Shooter Jennings’ Instagram posts, half-jokingly suggesting that they make a honky-tonk record, but the producer called his bluff. Two days later, Owen’s manager had Jennings on the line and, soon, Owen was on his way to L.A. and Jennings’ Sunset Sound. It was a cozy yet electric scene: Jennings and Owen cracking jokes in the sepia-toned studio, creativity crackling as they collaborated with the likes of songwriters Ben Chapman and Kendell Marvel, as well as long-time shooter pal, guitarist/harmonic player Leroy Powell. 

“All my friends who have heard my stuff have gone, ‘Dude, Jake, this is you man. This is who you've always tried to be,’” Owen says. “Sometimes you need to get outside what's comfortable, what people think you are, or think you should be, and take a risk.”

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