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Featuring heavily on most of Drumcode’s shows due to his impeccable DJ’ing, Bart Skils is back with a new EP flexing his signature rolling sound and hooks. Caressing from one track to another, the use of pads in this EP and using uneasy sounds to build tension in each track. The swelling bass within each track manoeuvres the tracks into dark after hour’s territory with the help of the subtle percussion.

Bart Skils - Dark Days - Drumcode - DC143

Mr. Freschetta - Lighter Fluid

Orbit

Gravitation

PREMIERE: WRD0272 - R Maestro - Kosher (Original Mix).

Drumcode favourite Bart Skils kickstarts the new year with his sixth EP for the label Bark Skils opens new year's season with his 6th hard hitting EP released on Drumcode

Since his debut on Drumcode in 2012, Bart Skils has been one of the label’s most regular contributors, with the Dutchman’s brand of functional, hook-driven techno a go-to weapon for Adam Beyer; from his stellar ‘Shadowprint’ EP in 2014, to last year’s classy remix of Moby’s ‘Go’. One of The Netherland’s hardest working ambassadors for techno, he is the organiser of the beloved Voltt Love Summer Festival that’s has been a favourite of Beyer’s for many years. 

His latest work for Drumcode, ‘Bells of the Revolution’ continues his impeccable reputation for quality with everything he does, with four cuts all with their own distinct storyline. The title track is characterised by dark driving grooves and bubbling acid line that slowly evolves into a lush melodic riff. ‘Ocean Drive’ nose-dives into deeper techno territory, while maintaining a sense of exquisite tension throughout. ‘Vocalized’ follows, a stomping acid techno cut that slides into the deep courtesy of skilfully programmed vox and elegant licks of melody. The EP concludes with ‘Retrodade’, a track that’s been one of the biggest in Beyer’s sets in 2017 and features the famous vocal from Rozalla’s ‘Everybody’s Free’. The sample was used with kind permission from the iconic ‘90s singer.

Bart Skils - Vocalized - Drumcode - DC184

https://fanlink.to/Mover

Metodi Hristov, the Bulgarian mind-bending chef returns to Filth on Acid with a menu consisting of 3 filled techno plates that will tickle your senses until you're are licking the plate while fist-pumping on the dancefloor.

This is Filth on Acid NOW! Lick your plate!

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

Kopen op Beatport

Metodi Hristov - Mover

Timmo returns to Terminal M to release his highly anticipated debut album ‘Starlight’ this September. 
 
Since making his debut in 2008, Bulgarian talent Valeri Ivanov, aka Timmo, has swiftly become a name of note within the current techno landscape following with a string of releases via some of the biggest labels in the scene, from Adam Beyer’s Drumcode and of course Monika Kruse’s Terminal M imprint. Having emerged as a core figure for the label following his collaboration ‘Violet’ with Kruse back in May, and leading straight on from his ‘Starlight’ EP which featured three tracks from the extensive body of work in early June, the imprint will now welcome the arrival of his eleven-track LP ‘Starlight’, featuring a combination of club-focused tracks alongside more emotive soundscapes. 
 
“’Starlight’ is my debut album, and I’m very happy it’s going to be out on Monika Kruse’s Terminal M. It took me more than a year to finish and create it as an experience, the way I felt it should be. Starting with more melodic tracks, going through more energetic and electric ones and finishing off with some acid. 
 
All 11 songs have been recorded in my home studio in Sofia, using a variety of synths and modules, some dating back to the early 80s like the Roland Juno 60, and some being brand new or improved versions of classic synthesizers such as the Sequential Prophet 6.” - Timmo 
 
Opening via the ominous ‘Leaving Earth’ and flowing straight into the action via the acid laced ‘New Beginning’, the eleven-track project swiftly takes its form as a balance of driving, uncompromising productions accented by subtle interludes and moments  of  space.  Take  for  example  the  bubbling  ‘Solar’  and  the  warping  ‘Belle  Epoque’,  which  keep  the  focus  on oscillating synths and regimented percussion, whilst title cut ‘Starlight’ takes control and ups the energy via soaring lead synths and frenzied electrics. 
 
Next up, ‘Sonic Voyage’ reveals yet another twisting journey as Timmo merges ever-evolving leads with restrained vocal snippets, whilst ‘Vortex’ and ‘Spacefreaks’ add further energy via a medley of hefty kicks and menacing bass patterns throughout. Entering into the final three cuts, ‘Rhythm X’ brings forth further infectious 303-lines, tripped out vocal hooks and slick hats to head further into the peak time, whilst the darker ‘Connect’ throws its hat into the mix via a combination of commanding female vocals and choppy bass licks, before arriving at closing track ‘Interspace’ which lowers the tempo and switches the emphasis towards bright synth melodies and calming breaks featuring rich soundscapes to punctuate the project in emphatic fashion. 
 
Channeling main room sonics whilst intertwining rich melodies and softer tones throughout, ‘Starlight’ sees the unveiling of Timmo’s most complete body of work as he continues his ascent as one of his genres leading talents via the ever-impressing Terminal M.

beatport/spotify/vinyl

Timmo - Solar

Italian DJ and producer Lazar returns to We Are The Brave for a four-track EP that infuses slick
acid lines, considered melody writing and touches of nostalgic rave, with the finest techno
rhythms.

Inhuman Signal

Lazar - Inhuman Signal

The first glimpse of Joseph Capriati’s ‘Self Portrait’ is revealed, as Drumcode drop a double a-side single from the hugely anticipated second album by techno’s heir apparent. The tracks ‘Fratello’ and ‘Awake’, have been highlights of Capriati’s sets in recent months, punctuating performances at landmark gigs such as his main room closing set at the internationally respected Time Warp Festival in Germany and maiden coast-to-coast tour of the US.

‘Awake’ was born out of Joseph’s longstanding love affair with Holland’s famous Awakenings parties and is a homage to the fanatical fans who turn out en masse at each event. Tense, atmospheric and relentless, ‘Awake’ captures the feeling of a momentary release of energy that is such a part of the high-octane Awakenings experience.

‘Fratello’ has achieved anthem status since it debuted in Capriati’s sets last September, such is the reaction it has garnered from fans. A work of rare beauty, this is techno at its most emotive, as hypnotic melody is laced with intricate key patterns, while the Italian’s trademark shaking percussion propel the track forward.

DC113 - Joseph Capriati - Fratello - Drumcode

Techno label based in Barcelona (Spain) by Paula Cazenave.
ALL THE TRACKS ON THIS PROFILE ARE UPLOADED IN LOW QUALITY  SOUND MP3 128 Kbps. Please support the artists and the label buying the tracks on the main stores and you will get HQ WAV and MP3.

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