I like noise music.
I like other genres of music as well.
I play music, but I'm not an artist.

Against war and all forms of discrimination.

Original and alternative improvisational harsh noise made using two connected laptops with software, fast hands and a single MIDI keyboard ◊◊
Interests: Loitering, Voyeurism, Wanderlust, Youth, Eroticism, Bizarre Sound Creation, Wild Visions.

Original and alternative improvisational harsh noise made using two connected laptops with software, fast hands and a single MIDI keyboard ◊◊
Interests: Loitering, Voyeurism, Wanderlust, Youth, Eroticism, Bizarre Sound Creation, Wild Visions. _█̩_̩̅̿̿█_̩̩̅_̩̲̩̲̅̅█̩̲̩̅_̛̛̲̅̿_█̛̩̩̩̲̥̩̩̩̅█̛̛̩̩̩̩̩̩̩̩̩̩̩̩̲̩̩̿̅̅̅̅__█̩_̩̅̿̿█_̩̩̅_̩̲̩̲̅̅█̩̲̩̅_̛̛̲̅̿_█̛̩̩̩̲̥̩̩̩̅█̛̛̩̩̩̩̩̩̩̩̩̩̩̩̲̩̩̿̅̅̅̅__█̩_̩̅̿̿█_̩̩̅_̩̲̩̲̅̅
█̩̲̩̅_̛̛̲̅̿_█̛̩̩̩̲̥̩̩̩̅█̛̛̩̩̩̩̩̩̩̩̩̩̩̩̲̩̩̿̅̅̅̅__█̩_̩̅̿̿█_̩̩̅_̩̲̩̲̅̅█̩̲̩̅_̛̛̲̅̿_█̛̩̩̩̲̥̩̩̩̅█̛̛̩̩̩̩̩̩̩̩̩̩̩̩̲̩̩̿̅̅̅̅__█̩_̩̅̿̿█_̩̩̅_̩̲̩̲̅̅█̩̲̩̅_̛̛̲̅̿_█̛̩̩̩̲̥̩̩̩̅█̛̛̩̩̩̩̩̩̩̩̩̩̩̩̲̩̩̿̅̅̅̅__
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KAZUYA ISHIGAMI, is composer, sound designer, sound performer and sound engineer born in 1972, in Osaka/JAPAN. He learned electro-acoustic music composition at INA-GRM in 1997. His pieces were performed at DR(DeutschlandRadio/Germnay) ,WDR(westdeutscher rundfunk/Germany), CCMC(Japan), JSEM(Japan), FUTURA(France), MUSLAB(Mexico), SR(Radio Saarbruecken/Germany), HR(Hessischer Rundfunk/Germany), ISCM(Stuttgart/Germany), Spark(USA), NICOGRAPH(Japan), SILENCE(Italy), VII International FKL-Symposium(Italy),  ICMC(2015_USA/TEXAS)  and so on. He has an independent label “NEUS-318”.

I love making my own music.

The expressive themes that interest me include alienation, psychological repression, the existential vacuum, obsession, rage, absurdity, mourning, regret, neurosis, depression, death, and the concept of self.  These themes may be bleak, yet all sounds are intended to be ultimately uplifting affirmations of human vitality and spirit.

Influences range from old-school industrial to musique concrète and contemporary classical, from kosmische musik to minimalism and dada, from power electronics to any form of genuinely experimental music.  While absorbing and acknowledging these influences, it is important to me to find and evolve my own sound.  

Contact: david.paganin@gmail.com

Compilation track, Dysgeusia, 2018: https://bit.ly/2SahLgf
Collab w/ anonymous waves, 2018b: http://bit.ly/2F5aeba
Collab w/ anonymous waves, 2018a: http://bit.ly/2FP6ewQ
Collab w/ anonymous waves, 2017: http://bit.ly/2AK7dhz
Compilation track, Dysgeusia, 2017: http://bit.ly/2iG35Fd
Compilation track, Cian Orbe, 2017: http://bit.ly/2BZgsJd
Compilation track, Petroglyph. 2017: http://bit.ly/2AM8g0D
Compilation track, Earsheltering, 2017: http://bit.ly/2BQj6QG

So. I'm Grigorij Avrorin, just a noiser, making it all from 1997.
Participated in some noise groups, collaborated with some people.
My mostly common monikers are Huren Aquarium and Alisa-Yhtye.

Muh      electronics,violin,drums
Japan,Kyoto-city

my solo project started 2013


Fast paced cut-up noise / extreme computer music

Followers of Comforter, Inc.