Who Really Cares

Cigarettes out the Window(slowed and reverb)

𝔱𝔥𝔢 𝔭𝔢𝔯𝔣𝔢𝔠𝔱 𝔤𝔦𝔯𝔩 𝔫𝔦𝔤𝔥𝔱𝔠𝔬𝔯𝔢

Karma Police (Radiohead) ~ sped up

NO OTHER SIDE - sarm

NO OTHER SIDE! - SARM? (Slowed Reverb)

Zombie - Max Fry  Slowed Reverbed Nostalgia

new song! https://on.soundcloud.com/nquzFw3Lu8vdpXiy6

music vid out now! https://youtu.be/3z2OgBQEu8k

Take it All Away

Created by Flawed Mangoes (https://open.spotify.com/artist/4MrQDA45Gd0llLrwFUzimG?si=BegPWTKAQCmHCfv2QzFjrA)

Surreal - Flawed Mangoes (Extended Riff)

Plug in. Drift out. Let the Cosmic Banana peel back your skull and show you what the void really thinks of you.

Get Yours

BANANAOSKERNEL_PANIC()

lost dream player

'En la ribera de la noche plutónica', nombre tomado del poema 'El Cuervo' de Edgar Allan Poe, es el segundo LP de Lu Glass. Junto al productor Antü Filardi Sabín, construyeron una serie de composiciones en clave pop, a veces incluso bailable, pero manteniendo siempre el tono misterioso y onírico característico de Glass.
La evocación del desamor se mezcla con imágenes crípticas y lúgubres, reflejando los contrastes presentes entre los timbres y ritmos del disco.
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'En la ribera de la noche plutónica' a name taken from the poem 'The Raven' by Edgar Allan Poe, is the second LP by Lu Glass. Together with producer Antü Filardi Sabín, they constructed a series of pop, sometimes even danceable, compositions while always keeping the mysterious and dreamy tone so characteristic of Glass.
The evocation of heartbreak gets mixed with cryptic and lugubrious imagery, reflecting the contrasts present between the timbres and rhythms of the album.
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Recorded at Suspiria in late 2019 & Estudio Estomba between 2021 and 2023.
Artistic production by Antü Filardi Sabin & Lu Glass.
Mixed by Juan Stewart at Estudio El Árbol.
Mastering by Ariel Schlichter en Keine Zukunft, Berlín.
Graphic Design: Marcos Díaz.
Cover art photograph: Bianca Siffredi
Back cover photograph: Lu glass
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Lu Glass: voice and synthesizers Roland JX8P, Yamaha Cs1X, Ensoniq SD-1, Roland Alpha Juno 1, Korg DW8000, Casio CZ1, Roland SH201, & beats with Electribe Korg ESX-1.

Antü Filardi Sabin: sequencers & voices in Cosmografía, La última clase & Mina Loy. Bass on all tracks except 'La última clase'.

Agostina Tagliapietra: Bass on 'La última clase'.

107 faunos ft.:
- Mora Sanchez Viamonte: Voice in Decepción, recorded at Suspiria.
- Javier Sisti Ripoll: Guitar in Decepción & Primavera Fúnebre, recorded by Felipe Quintans at Resto del Mundo.

Magdalena Seeber: MPC samples & voices on Némesis & La última clase.

Silvina Costa: Batería 'Silchons' octapad sampler on all tracks.
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All songs written by Lu Glass

Lyrics of 'Decepción' based on Florencia Rumi's short story “La isla”

Lyrics of 'Cosmografìa' based on the poem “Preparación” by Fabiàn Casas

Ipse Venena Bibas (IVB) means “bebe tú mismo tu veneno” (drink your own poison) and it's part of the y it's part of the prayer for exorcism of the St. Benedict medal.

Primavera fúnebre (Funereal Spring) is the name given to the generation of poets from La Plata of '17 because of their tragic ending.

Lyrics of Mina Loy based on the poem “Lunar baedeker” from Mina Loy and her letters with Arthur Cravan; 'Breve Baedeker Lunar' is the title of her anthology of poems.

Primavera fúnebre

I’m Commander Glitchrot. I make music for spaceheads.
No AI. No templates. Contact email is commanderglitchrot@gmail.com