Rating: Explicit
Original Text: https://archiveofourown.org/works/2659472/chapters/5943698
Summary: ...Watson had at that time deserted me for a wife, the only selfish action which I can recall in our association. I was alone.  
---Sir Arthur Conan Doyle, The Adventure of the Blanched Soldier
Music: New Constellations by Ceiri Torjussen

The Case of the Green Gown

Chapter 8

All this stuff is Toei Animation, Funimation, and all that stuff. I just use it for roll 20 stuff.

FUNNY STEPS

RF Starter3 Track31

RF Starter3 Track23

RF Starter3 Track19

RF Starter3 Track17

RF Starter3 Track05

A song I recorded with my high school band way back in 76. Lead guitar and drums by my dear friends Michael and Frank, who both passed away at a young age. Bass by Tony.
For those that don't recognize the image, it's a 45.  LOL
We recorded this with our hard earned cash at a local RCA studio. We had a blast.

Got To Get Together

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Show sample for 10/15/20: ACEDIA - NOON DAY DEMON

Disquiet Junto Project 0467: Toolbox Show & Tell. The Assignment: Share a tip for making music that you learned during the pandemic.

80% of my music started on a cheap android DAW app called "Caustic". The sound is not perfect, but I like the workflow. Anyway, since 1 year or so I try to switch to Ableton Live. Because of the lockdown I had a lot of time to flatten the learning curve with this DAW.

My tip is about "Follow Action", to bee seen in the Clip Editor. Follow Action allows a clip to trigger other clips by probability, in the screen example of the track cover there is "play again" with prob 1, "play any other" with prob 2. The clip is one of of many clips which only contains some note on a scale or a chord.

Normally I somehow reject pure generative music, although I place a lot of value on chance in my own. It always seemed dishonorable to me to let a software (that I didn't write myself) generate music and claim this music to be "mine".

However, with "Follow Action" I have the possibility to achieve an (in my opinion) honorable mix of probabilities and composition.

In this case, there are different tracks with different signatures and different Gongs in A minor. I even added "empty" clips to get some "silence" into it. The probabilty for the different tracks differs, one could for example use one track to establish sequencial clip triggers, to include motives that are bigger than inside a bar.

(And please consider "honorable" a way to big word here…)

More on this 467th weekly Disquiet Junto project, Toolbox Show & Tell (The Assignment: Share a tip for making music that you learned during the pandemic), at:

https://disquiet.com/0467/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0467-toolbox-show-tell/

Generative Gongs [disquiet0467]

Some guitar melody added to ikjoyce's synth track: https://soundcloud.com/ikjoyce/disquiet0472-jamtimebacking

I chose to play in F harmonic minor instead of natural minor. The sharp 7th sounds a little off sometimes but I like it.

More on this 473rd weekly Disquiet Junto project — Placebo Effect (1 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU

https://creativecommons.org/licenses/by-nc-sa/2.0/

RF Starter3 Track19

Compass Publishing