Space Wolf

❖ BUY ALBUM

From Beyond

Night Waterslides

Produced and Mixed by: Magnavolt
Mastered by: Magnavolt
Artwork done by: Ariel Zucker Brull
Story created by: M.K. Magnavolt
Story Written by Razorredd


Night Force //////
Original track written / produced by Power Glove
Cover done by Magnavolt
Mixed and Mastered by Magnavolt

Follow and support Power Glove:
https://www.instagram.com/powergloveaudio/


Light's Not Far Away //////
Written / Produced by Magnavolt
Mixed / Mastered by Magnavolt
Vocals written and performed by Megan McDuffee
Vocals mixed by Tonebox

Follow and support Megan McDuffee:
https://www.instagram.com/megmcduffee/


Contact:
magnavolt@outlook.com
kenta.records@outlook.com

Follow and support Megan McDuffee:
https://www.instagram.com/megmcduffee/


Follow Magnavolt on social media:
https://linkin.bio/magnavolt

Listen to Magnavolt on other music platforms:
https://linkin.bio/magnavolt


Released by Kenta Records.
©2024 Kenta Records· All Rights Reserved.

Data Link Protocol

DRACULA

Track from the MVQX  Archives Dated back to 2019. Enjy.  Art by @shininggrass

Waving Bloom

Mecha Maiko is back to blow you away with her most dance-oriented record to date. For Let’s! she has drawn inspiration from her favourite upbeat 90s dance and freestyle jams to create a sound that is uniquely hers. Aimed at a more DJ-friendly approach, these tracks will find a happy home on the dance floor.

Mecha Maiko has taken a stylized, deliberate approach to the writing process with hardware accompaniments that expand on the stylistic framework laid out in Okiya, released earlier this year. This record draws on the anxiety felt in a late-stage capitalist society and seeks to agitate that uncomfortable energy within us to shake us from our collective paralysis of shock. Inspiring, uplifting and motivating, these songs are unmistakably laser-lit dirges of the dystopia.

Trust

Life in the gutter of small town America was nothing new for Darrel Santiago, but after a brutal storm hits the sleepy beach town of Silver Lake, its once peaceful citizens transform into blood-thirsty maniacs! It is up to Darrel and his motley crew of ne'er-do-wells to get to the bottom of this phenomenon, and what they find is a hellish nightmare that they could never have imagined. Evil is at work in Silver Lake and it is literally tearing its inhabitants apart. Whatever you do...try not to PANIC!
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In the summer of 1980, just outside of Staten Island’s scenic Silver Lake Park, a small team of ambitious, young filmmakers set out to make a motion picture that would be regarded as the most gruesome and controversial horror film of all time. Written, directed and scored by the aliased phenom, Destryur (“Endurance” 1976, “Midnight Maniac” 1979), “Panic” or “Panic! Curse of the Vile” became an overnight cult hit, portraying graphic images of demonic possession and grotesque imagery. It capitalized on the recent wave of public shock in the occult known as the “Satanic Panic”. Shot in the course of only two weeks on 8mm film and a shoestring budget, the picture plunged Destryur into the realm of amateur cult film-making and a notable director/composer in genre cinema. The film also featured guitar slinging celebrity Dominick Martes of rock and roll supergroup Wild Street in the lead roll as street-wise punker, Darrel “Grimer” Santiago along with Cobra Wipeout as cinematographer, supporting actor and fledgeling composer. We’re still not sure what his actual name is. Cobra was currently working with Gold Line Pictures, a studio specializing in B-Horror and mob-funded exploitation films such as “Murder of Crows” 1974 and “Swamp Thing” 1979. Destryur also enlisted the writing talents of another aliased master of the subversive. Prestigious science-fiction-horror writer, artist and composer STRNGR (“The Skurge” 1968, “Mass” 1973) who had recently returned to the states from Italy after finding success in the European horror movie market. “Panic” went international only three months after it’s initial screening at Tales of Terror Film Exhibition in Greenwich Village where it received a notable tip-of-the-hat from some of horror cinema’s most celebrated film makers. The film was almost immediately boycotted throughout Europe. A violent protest broke out at a midnight screening in Istanbul resulting in the entire theater burning to the ground. Meanwhile, in the states, outrage escalated with various public interest groups demanding that the film either be removed from theaters or undergo strict censorship. However, even after the studio’s agreement to censor, picketing continued and threats from many religious organizations overwhelmed the Film Board. On October 1, 1980, “Panic” was officially pulled from every theater. Some say this marked the end for Destryur’s career. Some say it was only the beginning. Today, you can find Destryur at a monthly midnight showing of the film at St. Vitus Cinema in Greenpoint, Brooklyn hosted by Sam Valentine.

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Special thanks to everyone involved in the production of this album and you for buying it. A big thank you to Sam Valentine for pushing me to make new music to play live. I hope you genuinely enjoy this album just as much as I've enjoyed making it. 
credits
released October 1, 2019

Guitars - Dominick Martes

Additional Programming - Cobra Wipeout, STRNGR

Remixes by DreamReaper, Misanthropix

Mixed and Mastered at Gold Line Studios in Brooklyn, NY

MBR011

Panic Ft. Dominick Martes

While sharing a meal, our Lord and Tom recalled their time together and talked about their journeys. While relaying the journey our Lord was on, he inadvertently found an ally to help him defeat Dare Dynamo.

Not long after the last journey, we find our Lord in a far-off universe. The one where space and time seem to muddle. Where screams and flashes of light are considered normal.

Spotify
open.spotify.com/album/47WPlo8bOLHO2UvBAego5e

Bandcamp:
isidorbobinec.bandcamp.com/album/red-gem

Red Gem

Headhunter

● Bandcamp: https://m-a-d-e-s.bandcamp.com/album/arrival-lp
● iTunes: https://apple.co/3g1sPsJ
● Spotify: https://spoti.fi/36lCfvD

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Following a somewhat quiet 2019, French Darksynth/Synthwave maestro M.A.D.E.S is finally back with a new album!

'Arrival', which has been in the making for more than a year, is the next chapter in M.A.D.E.S' retro-futuristic saga. Eleven new original tracks moving between Darksynth, Outrun and classic melodic Synthwave. Power, suspense, speed, atmosphere and imagination are some of the words that come to mind immediately when thinking of 'Arrival', which proves to be not only a worthy successor and follow up album to his debut 'Motor' but also that Synthwave is still alive and kicking, with artists who still compose and produce great albums and music if you know where to find them.

And having talked about imagination and despite not having a follow up video to the massively successful 'Nightkiller' (which would have been almost impossible to produce during the covid era), we decided to team with master horror illustrator Anthony Galatis who visualized the music and transformed 'Arrival' into a visual masterpiece. Enjoy!

● Follow M.A.D.E.S:

Soundcloud: https://soundcloud.com/official-mades
Facebook: https://www.facebook.com/madesofficial
Bancdamp: https://m-a-d-e-s.bandcamp.com
Spotify: http://bit.ly/spotify-mades
Twitter: https://twitter.com/_Mades_

● Follow JST Records:

Website: www.jstrecords.com
Bandcamp: https://jstrecords.bandcamp.com
Spotify: https://play.spotify.com/user/jstrecords
Facebook: https://www.facebook.com/JetSetTrashRecords
YouTube: http://www.youtube.com/JetSetTrashRecords
Twitter: https://twitter.com/JSTrecords

Arrival

M.A.D.E.S - Lightbringer

First Carnage

Independent Electronic Music Producer



2021 1976 A.D. EP
2019 Delusions EP
2018 Fragments of Bach LP
2017 Trickster's Paradise LP
2016 North Wall EP
2014 The Void EP
2014 Terraformer EP
2014 Tachyon LP
2013 Talking Machines LP

Old Stuff Collections:
Chronicles IV (2008 - 2012)
Chronicles III (2003 - 2008)
Chronicles II (2000 - 2003)
Chronicles I (1997 - 2000)

From Beyond

Compilerbau