The guys have been in contact with me for a very long time and have always sent me great tracks and I am even happier that we were able to realize their first release on my label. - DRUMCOMPLEX

Confused World

Fixing

CMPL093: Beck And Rius - Fixing

only good ! electronic music ;)

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A native-born Texan, John Michael Pekowski, PhD (b. 1975) began composing music at age 11. Simple improvisations on the family upright piano were followed by electronic compositions in BASIC code on the TI-99 computer.

In Junior High (1988) he was elected President of the Science Club, served as Social Chairman of the band, was awarded the John Philip Sousa Award, and was a featured soloist on trumpet. In High School (1994) John was section leader, co-principal trumpet of LYSO, Jazz One soloist (TTU Band Camp), and TMEA All-State Concert Band participant.

He was a member of the Texas Tech University Jazz One, Symphonic Band (1994-2002), recorded with the fee-improvisation ensemble YATE, his dissertation greatly advanced our understanding of the hierarchical organization of pitch-interval cycles within a voice-leading context, and was in contention for the Graduate Achievement Award.

The world premiere of his composition Jest of Moonlit Point for Pierrot Quintet, took place in 2024 and was performed by the Texas New Music Ensemble conducted by Bill Tacket. In 2021 Forest of the Birdsong for soprano sax (David Dees) and piano (Nataliya Sukhina) was premiered at Crickets Theater / Buddy Holly Hall.

Dr. Pekowski continues to compose classical instrumental. Recent works include String Quartet Suites No. 1-9 (2019-2022), Jest of Moonlit Point for Pierrot Quintet (2024), Brookhollow Bayou for Solo Flute (2024), and Suite for Orchestra No1-No2 (2023-2025).

What does techno look like in its purest form? Clear in its structure. Credible in its message. With an insistent beat in the background. With its heart in the right place. And its melody in the tips of the never-ending goosebumps.Those who know, are aware of that. Those who can, do it. At Complexed Records they've only been doing just that since 2014. But they do it with a sound that embodies such determination that it could just as well come from the good old days in the beginning. That's primarily down to label boss Drumcomplex, who in this short period and with very few artists has established a reputation that has projected virtually every new release into the playlists of the major players. And in the process he and his label have themselves grown to become a major force.It's as if Complexed Records hit the nerve of an age which was not openly calling out for a powerful breath of techno past, yet still seems relieved to hear it. Or rather, to absorb it. Who would have thought a few years ago that once again a new techno label would be established and experience such a meteoric rise. But let's leave the past in peace. Let's look to the future. A glittering future with packed dance floors, on which visionaries once again celebrate music as a unifying element as they dance together into the early hours, with gratified smiles on their faces. And the sound they're dancing to? Complexed Records. Modern Future Techno.