I just want ' ask a question
who really cares
of you, of them, of everybody else
who really cares
of what is making sense
of what leads someone to happiness 

for Thirty years
to find out who you are, you spend your time learning and creating
but the only thing they want' know is, why are you alone ? 
who really cares
of how long it takes
to get lost and find his way 

Am I wrong to tell you that
in a song,
in a song,
in a song,
in a song
Am I wrong to tell you that
in a song,
in a song,
in a song,
in my song	

one day you see
your life in her eyes,
feeling that you can move mountains, 
but the only thing they want'know is
why don't you marry her ? 
who really cares
of how long it takes to make the feelings grow

one fine day,
you see a ray of sunlight reflecting in a ring, children 
laughing, but the only thing they want'know is
do you still love her ? who really cares
of what is making sense
of what leads someone to happiness

Am I wrong to tell you that
in a song,
in a song,
in a song,
in a song
Am I wrong to tell you that
in a song,
in a song,
in a song,
in my song

Am I Wrong ?

Hey, thanks for listening to my music and collaborations
(which are a bit dated !). Don't have time to record and post on soundcloud anymore, but I am still playing. Life goes on ;)

My compositions focus on the melodies, the soft rhythms and moods.

is time discrete or continuous ? Also is it only a relative realm, or does it exist as unique, static & monolithic, and the things and beings pass in an illusory manner while it does not change at all ?
Who can say that time exists in any way other than intangible ? If this exists, can it be judging or helping in any other way than philosophically ....................................................
real music half composed with mouse, keyboard, mind and heart (No generative AI involved) and half played with my hands, in the case of keyboards and some synths.

Ionut Mirel Udrea (Member Of APRA/AMCOS) is a music composer, piano player and music producer based in Sydney - Australia. 
Ionut Mirel Udrea composes emotive piano-based instrumental music.

My warmest thanks to everyone stopping by for listening to my tracks, the most of the representing a  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and in addition to them, also to a minor but growing  LISTS of MY MY OWN RENDITIONS, all of the latter representing a variety of piano music, & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

Am I Wrong ?

Renaud Deback