Elodie Lauten passed away yesterday. I am dedicating this to her.

http://youtu.be/3IoWvCUGPgU

Music for Interference Patterns (2014)

Day 14 of 31 days of new works in just intonation:

Day 14 is a mostly 7-limit work (there is one 17-limit note) that features several long sustained tones. I determined that the long tones should not change, but rather the other notes would alter their frequencies. This resulted in the entire work raising in pitch by about 52 cents (a quarter step) by the one minute mark. For the last couple bars, I switched unprepared back to the stating frequencies. To my ear there's no abrupt shift or noticeable sound of the key resetting. I assume those out there with perfect pitch will notice the pitch drift throughout the whole work. 

Day 14

Recorded 2 February 2014. Semi-dronal improvisation on cluster chords which often closely approximate just otonalities in (mainly) the 13-limit.

One of my first recordings to showcase 50EDO's wonderful shimmering quality in the more complex ratios. Both neutral tones as well as the lesser minor third see a lot of use in moving between 3, 11 and 13 identities.

Harmonic Clusters on 50EDO Harpsichord (Bosanquet Axis through Pianoteq)

The Folklore Guild
Lay a Garland (1840)
by Robert Lucas Pearsall (1795-1856)

Conducted by Ruben "Hypodorian" Valenzuela of Bach Collegium San Diego

Lay a garland on her hearse
of dismal yew.
Maidens, willow branches wear,
say she died true.
Her love was false, but she was firm
Upon her buried body lie
lightly, thou gentle earth.

Recorded at Saint Martin of Tours Catholic Church in La Mesa, California. Cover photo Romantic Landscape by Thomas Cole (1801- 1848)

Lay a Garland - Robert Lucas Pearsall

OUIA (20') 

Jun Cho, piano (scordatura)
Ling Ling Huang, violin (scordatura)
Max Geissler, cello (scordatura)

Otonal/Utonal tuning


OUIA - trio for pno/vln/vlc (extended just intonation tuning)

The third of movement of 'Three Pieces for Electric Kantele in Just Intonation' (2009). Emma Kuntsi at her graduation recital, Sibelius Academy, Finland, Apr 23, 2016. Special kantele with the following 21 pitch classes (1/1 = C): 1/1, 25/24, 27/25, 9/8, 75/64, 6/5, 5/4, 32/25, 125/96, 4/3, 25/18, 36/25, 3/2, 25/16, 8/5, 5/3, 125/72, 9/5, 15/8, 48/25, 125/64. Fifth-tones ('diesis') abound, and septimal intervals, such as 7:4 and 7:6, are approximated by 5-limit intervals, making use of the 225/224 comma. 

Suloinen Diesis (balladi) [Sweet Diesis (a Ballade)]

Jude Thomas is a composer and performer in the New York City area. He composes acoustic and electronic music that uses alternate systems of tuning—especially just intonation. He is also an active barbershop harmony singer and sings with the quartet, Age of Flight and with the New York City chorus, Voices of Gotham.

Day 14

Jude Thomas

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