Dymmelonsdag is by all right the official day of the low pass gate. Deerhorn is muffled by the Shallow Water.

Dymmelonsdag

Pre Order the new album by Oberlin which was recorded in the summer of 2021 in Koblenz, Germany, while preparing a concert that never happened.

releases May 3, 2024 

All music and instruments (Eurorack Modular, Ibanez Custom Guitar, Koma Electronic Field Kit) by Alexander Holtz 

Shimmering Moods Records 2024 
SHM 299

Oberlin - Gernholland

Inertion Point

Ho lavorato principalmente sul pianoforte e la sua timbrica.
Con EQs e Compressori vari ho "schiacciato" il timbro sulle frequenze medioalte/alte.
Ho usato le prime battute del pianoforte per creare un loop, dove velocità e timbro vengono modificati.
Il loop si alterna tra i canali ed è l'elemento portante e caratterizzante del pezzo.
 Dopo circa un minuto appare una fascia con funzione di bordone.
Altri elementi percussivi e di disturbo.

Dimenticavo.... remake/remix del brano dell'illustrissimo Marco Lucchi.

La Confessione (R/R "Soliloquy" by Marco Lucchi)

My contribution for a piano challenge by the crow hill company. It should only be used one free plug by them – "attic grand piano".

https://thecrowhillcompany.com/composing-challenge/?utm_campaign=Linktree+Composing+Challenges

Enjoy

with a gaze

This track was created for the Naviar Haiku group.
564
https://www.naviarrecords.com/naviarhaiku564-fog-clears-away/

2024-10-24

Fog Clears Away (Naviarhaiku 564)

31Oct24

My naviarhaiku565 track;
https://naviarlab.tumblr.com/post/765775339933908992/naviarhaiku565-springtime-woods

:D

springtime woods [naviarkaiku565]

made for the Naviar Haiku challenge 565: https://www.naviarrecords.com/naviarhaiku565-springtime-woods/

I used only free VST plugins from Venus Theory: https://venustheory.com/home

Composed during a quiet music making session organised by Naviar Records: https://www.naviarrecords.com/membership-and-services/#membership

springtime woods (naviarhaiku565)

Track 9 from the Sanoi album 'Augenblick'
https://ffm.to/augenblick-side-a

Known for his textured approach to sound design, Sanoi steps into a new creative space with this introspective exploration of nostalgia, emotion, and atmosphere.

Sanoi blurs the boundaries between ambient soundscapes, downtempo grooves, and lo-fi beatwork, creating an experience that feels both cinematic and deeply personal.

Produced by Sanoi
Written by Jonas Fischer
Mastered at Kog by Chris Chetland

Inertion Point

Composite Layers

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