03. Thought In Motion

https://bricolageglasgow.bandcamp.com/album/sarno-ultra-bc092

“Sarno Ultra” opens up a new musical chapter in the lives of Jon Worsley and Kayla Painter. Known for both their own solo material and their collaborative work in Jilk, these two underground stalwarts have come together for something entirely different on this new project.

Prepare for a sense altering trip that creates and traverses through a futuristic audio landscape and leaves no surface untouched.

Fractured vocals, intricate cascading rhythms, collapsing mechanical structures and pulsing textures carry the weight as we shift between moods and tempos with open eyes and ears.

There’s blasts of high energy percussion and glitch laden sound design that effortlessly mesh with the more melancholic sounds and brittle bliss that partners them. It’s an album that never sits still. Even in its quieter and warmer moments, “Sarno Ultra”, always keeps us guessing which exploratory path we’re headed down next.

“Sarno Ultra” is a debut album that drags you into a sonic whirlpool but embraces you while you’re there. Enjoy the experience.

Sarno Ultra

Sarno Ultra - Such Eyes (from the "Sarno Ultra" album)

All tracks written and produced by Sasha Zakrevska in between 2013 and 2024
Mastering: @benpest
AV Collaboration @SophiaBulgakova
PR: @fomopr
Distribution: www.musicdeli.nl

(c) Lightronics 2025

Bandcamp

8. Poly Chain - Horse_s Ass

Stung

140bpm Electro inspired trip with a little ring mod thrown in for good measure.    Taken from my Phased Vision E.P.      Available at Newmolic.bandcamp.com

Dark Vision (Supermoon Version)[OUT NOW on Bandcamp]

Psevdonym - Mists.wav

cable.percussion (Johnny McDowell) is a Dublin-based electronic music producer specialising in hardware-produced acid electronica. Active since early 2023, he is known for his energetic live performances and his unique style of psychological electronic music.

His music is brimming with playful melodies and otherworldly acid basslines over frenetic and often aggressive beats that defy the listener to figure out its genre. Not afraid to experiment with different styles, his sound is forward-thinking, eclectic and unpredictable, but consistently held together by his signature brain-wiggling acid sounds and pummeling breaks-infused drum patterns.

cable.percussion independently released his debut EP 'C.PERC' in August 2023, shortly after his debut live performance. He has since released the EP, 'Chrysalis' (Jan '24), and his first LP, '303 Mechanics' (Aug '24), with Dublin-based label Aduaine, as well as a 5-track EP called 'XYZ' with Icelandic label Intellitronic Bubble (Sep' 24), and has also recently had singles feature on various artists compilations with Aduaine (Paraben), as well as French label Tripalium Corp (Ketone).

He continues to play live sets regularly around Dublin, and has played with Dublin-based collectives including Dublin Modular, Live&Electric, Dissolve and Áise agus Éire, as well as opening for bands including FM Attack, Shakalak and Robin Blakey, and recently played a set on Dublin Digital Radio (hosted by resident Ecstatic Intervals).

cable.percussion's latest release - 11 mind-melting tracks collectively known as 'Acroplastics' - sees a further refinement in his sound, exploring a multitude of electronic genres and warping them into brain-bending acidified landscapes from outer space, designed to get the listener's brain dancing as much as their body.

Buy here: https://computercontrolledrecords.bandcamp.com/album/cable-percussion-acroplastics

cablepercussion
-------------------
SC: @cablepercussion
IG: www.instagram.com/cable.percussion/



cable.percussion - Faei

Information Overload

Pearl Current - Melodic Dubstep Music

botanical soup

EP: Volavo su Algoritmi Cosmici  
Artist: Collettivo Undersound  


We are a scattered swarm of hacker-demons, drifting through the folds of a malfunctioning mind that connects nightly at 3:33 AM—the darkest hour—to IPFS, downloading vibrations like sacred code. It takes us 4 or 5 seconds to master a track, thanks to a bash script that catches the click at the exact frame—millisecond precision, hair-trigger LOL.

So no, we’re not here to “sell” music. We believe music is more important than any fictitious market. For us, music is an operating system for communicating with parallel universes. Sounds philosophical? It’s not. It’s daily ritual. We use words differently, so don’t expect “normal” music.

We dance between Lung Thung atmospheres and Zurich squat punk, glide through jazz with ease, and dive into Middle Eastern folk with overtuned vocals and shamanic drums. Music is a full-spectrum sensory manifestation—we can’t stop creating it.

This EP marks our entry into fractal composition, deeply tied to the signals of conceptual synesthesia. We’ve shifted to a sensory level, composing fractal music through sacred geometry, universal pulses, and evocative instruments.

The track was written by our producer Mario Marco Farinato, during a journey between hell and paradise. He introduced it with these words:

    “I was suspended. Beneath me, it was hell. But I was flying on cosmic algorithms.”

What can you do in the face of such phrasing? It’s pure poetry. It’s surrender. Whether you burn or not—we’re flying.

We present this double single:

    The original version, distributed by Beòlieve (dropping tomorrow LOL)

    The remastered version, compact, reverberated, open—epic.

Tell us which one resonates. We love the rawness of the original, especially the bass guitar’s breath. But the remaster? It’s a cosmic punch. You want to hear it again.

And for us, that’s the point. These are emotions. And emotions can’t be sold. Maybe you can showcase them—like an arabesque fabric or a cracked porcelain cup with bluish-golden veins—but you can’t sell them.


volavo su algoritmi cosmici remastered


Contact: ComputerControlledRecords@gmail.com
