Wave Function Collapse.
Improvisation with code for Disquiet Junto Project 161: Netmix Relabel
Miquel Parera.
February 2015.

video on: http://youtu.be/ihpSfP4yEOU

Track:

Wave Function Collapse
ID: nxI004R-2015-02-02_02_53_02--2015-02-02_03_19_32
Time: 2:12

Made with this samples:

The first 15 seconds of “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), available for free download at: http://goo.gl/iWcJJs

The first 10 seconds of “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), available for free download at: https://eg0cide.bandcamp.com/album/eg0-131-ayato-natalia-kamia-cluster

The first 10 seconds of “Espasmo” by Lingering Last Drops (Bump Foot Records), available for free download at: https://lingeringlastdrops.bandcamp.com/

The algorithm cuts and play random patterns of samples.

Programmed with:
SuperCollider: http://supercollider.sourceforge.net/
Processing: https://processing.org

More on this 161st Disquiet Junto project — “Create a new track from three tracks from three different netlabels” — at:

http://disquiet.com/2015/01/29/disquiet0161-netmixrelabel/

This track includes material from the songs “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), and “Espasmo” by Lingering Last Drops (Bump Foot). More on Enough at enoughrecords.scene.org. More on eg0cide at eg0cide.com. More on Bump Foot at bumpfoot.net. All work used courtesy of a Creative Commons license allowing for derivative use.

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

LICENSE: Attribution-ShareAlike 4.0 International (CC BY-SA 4.0) 
http://creativecommons.org/licenses/by-sa/4.0/legalcode

Wave Function Collapse

Creator / Organizer of sounds and psychologist.

Aesthetically, its main interest is the exploration of the limits of the ego: To what extent the composer can leave your work free-for example, through algorithmic or random processes -? He also believes in the sound as a means of transcending the experience, provided that attention is focused on the sound itself. 

Technically, explores the relationship between composition / programming and improvisation by livecoding with open source languages. 

He has released albums on various netlabels and collaborated on various projects, festivals and sound art magazines. Always published under creative commons licenses.

Wave Function Collapse

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