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O Observatório da Torre Alta é único na Amazônia e no mundo. Com 325 metros de altura, equivalente a um prédio de 110 andares, a Torre ATTO, como é conhecida, já seria uma grande atração. Mas essa relevante e impressionante infraestrutura científica de 416 toneladas de ferro sustentadas por 26 quilômetros de cabos de aço está cravada em sólidas bases de concreto no meio dos 6 milhões de km2 da maior floresta tropical do mundo. A estrutura impressiona tanto pela altura da torre principal, quanto pela instrumentação e localização.


A torre está instalada na Estação Científica de Uatumã, dentro da Reserva de Desenvolvimento Sustentável, uma área da Floresta Amazônica protegida por lei estadual. Além da torre alta, outras duas torres menores formam um complexo de monitoramento que funciona há mais de mais de dez anos. Essa é a principal fonte de dados e monitoramento de alta precisão sobre a Floresta Amazônica e sua interação com a atmosfera.


A nova roda-gigante de Foz do Iguaçu tem 36 gôndolas (18 a menos que a do Rio), cada uma com capacidade para até oito pessoas. Através dos janelões panorâmicos das cabines, os visitantes conseguem ter uma vista privilegiada da região da tríplice fronteira entre Brasil, Paraguai e Argentina.


A Casa da Torre da Silva ou Casa-Solar dos Silvas é, de facto, uma torre quadrangular de defesa. Conserva o carácter medieval, não obstante as transformações sofridas ao longo dos séculos. Sendo das mais antigas torres senhoriais do país, teve aproveitamento doméstico e corpo residencial anexo, de que restam vestígios. Possui uma interessante escadaria exterior encostada a uma das faces.


Por que os romanos construiriam uma torre militar no norte da Suíça? Segundo os pesquisadores, o objetivo da construção seria a instalação de um sistema de informação e observação que podia alertar as cidades e povoados sobre movimentações na área, principalmente aquelas que pudessem representar possíveis ameaças.


Entre cinco e 15 pessoas devem ter vivido na torre de vigia, afirmou 
Hansjörg Brem
, que é um dos arqueólogos envolvidos na escavação, em entrevista ao LiveScience. Outro detalhe é que provavelmente nem todas as pessoas morando na construção militar eram soldados, uma vez que evidências da região apontam para o fato dos militares viverem com suas famílias dentro das torres.


Como cidade de fronteira carrega, comumente, na visão dos que estão de fora, o estigma de lugar perigoso, lugar onde reina a contravenção, criando um ar de suspeição sobre seus moradores. Aqui, procuraremos enfocar a fronteira percebida, entendendo esta como um lugar que é percebido, pelo centro do país, a partir da imagem construída sobre esta condição.





Embora as fortes mudanças ocorridas na economia mundial rumo ao liberalismo, à abertura comercial das fronteiras, tenham promovido uma reorganização no tradicional contrabando, pois ele deixa de ser lucrativo em pequena escala, a nível do cidadão, para só ganhar rentabilidade em grandes volumes transportados, como um grande empreendimento, e do mesmo modo, os acordos internacionais de extradição de cidadãos, tenham possibilitado a busca além-fronteira, esse lugar ainda permanece sendo visto pela sociedade com reservas.


Apesar de não ser tão fácil inserir-se num lugar, conviver como um de seus habitantes, para a partir daí tentar compreender o lugar como seus habitantes os compreendem, as diversas permanências em Tabatinga e Letícia, as relações estabelecidas com uma gama variada da sociedade fronteiriça, permitiram-me um aprofundamento analítico. De feirante a funcionário público, de professor universitário a índio, de garçom a motorista de táxi, de militar a traficante, conseguimos ouvir e viver a fronteira.


A grande diferença estabelecida pelos moradores de Tabatinga para com a cidade colombiana de Letícia é

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Simon & Schuster announced in a press release on Thursday that they will be releasing Brady's new book, 
The TB12 Method: How to Achieve a Lifetime of Sustained Peak Performance
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Another principle for excellence found in the TB12 Method is brain training. The ability to keep the brain adaptable and continuously learning over a lifetime is key for peak performance. Neuroplasticity plays an important role in processing and storing information as well as maintaining focus. Cognitive exercises can keep our brains healthy and help generate new neural connections. Something to think about!



Brady writes, "sustained
 peak performance isn't about luck" and claims that "much of the success I've been lucky enough to have in my career I owe to a lifelong 'will-over-skill' mindset." However, if Alford had caught the ball Brady threw to him instead of Edelman, or if the ball had followed its natural course and fallen to the turf instead of being held up by a thicket of arms and legs -- or if Pete Carroll had just handed the ball to Marshawn Lynch in Super Bowl XLIX -- we might be having an entirely different conversation about Tom Brady. He wouldn't be an immortal, and instead of talking about the efficacy of the TB12 Method in prolonging prime performance, we'd be shaking our heads about another NFL great reduced to chasing his own ghost. Brady didn't only get good against Seattle and Atlanta, he also got lucky.
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I have always had some "risqué" portraits I've used, and now have also used the pictures to make FG's to go with them. I have seen mods for other games such as Skyrim and Fallout 3 that have adult content, but also have them flagged as such. These mods are being done in a forum and I'm not sure to what is and is not appropriate. I would like to offer some sexy content and more but want to known what is allowed. If I could get some direction before posting any I would appreciate it. Here are a few examples of the portraits, to can guess what goes with them. FYI, most I have are no worse than what can be seen on broadcast TV, But I don't want to offend others. Feedback would be gratefully appreciated, thanks.


Psychologist Kenneth Kaye showed[8][9] that the ability of infants to match the sounds or gestures of an adult depends on an interactive process of turn-taking over many successive trials, in which adults' instinctive behavior plays as great a role as that of the infant. These writers assume that evolution would have selected imitative abilities as fit because those who were good at it had a wider arsenal of learned behavior at their disposal, including tool-making and language.


Infants have the ability to reveal an understanding of certain outcomes before they occur, therefore in this sense they can somewhat imitate what they have perceived. Andrew N. Meltzoff, ran a series of tasks involving 14-month-old infants to imitate actions they perceived from adults. In this gathering he had concluded that the infants, before trying to reproduce the actions they wish to imitate, somehow revealed an understanding of the intended goal even though they failed to replicate the result wished to be imitated. These task implicated that the infants knew the goal intended.[54] Gergely, Bekkering, and Király (2002) figured that infants not only understand the intended goal but also the intentions of the person they were trying to imitate engaging in "rational imitation", as described by Tomasello, Carpenter and others [54]


At around eight months, infants will start to copy their child care providers' movements when playing pat-a-cake and peek-a-boo, as well as imitating familiar gestures, such as clapping hands together or patting a doll's back. At around 18 months, infants will then begin to imitate simple actions they observe adults doing, such as taking a toy phone out of a purse and saying "hello", pretending to sweep with a child-sized broom, as well as imitating using a toy hammer.[
citation needed
]


No other research is more controversial pertaining gender differences in toddler imitation than renowned psychologist, Bandura's, bobo doll experiments.[65] The goal of the experiment was to see what happens to toddlers when exposed to aggressive and non-aggressive adults, would the toddlers imitate the behavior of the adults and if so, which gender is more likely to imitate the aggressive adult. In the beginning of the experiment Bandura had several predictions that actually came true. Children exposed to violent adults will imitate the actions of that adult when the adult is not present, boys who had observed an adult of the opposite sex act aggressively are less likely to act violently than those who witnessed a male adult act violently. In fact "boys who observed an adult male behaving violently were more influenced than those who had observed a female model behavior aggressively". One fascinating observation was that while boys are likely to imitate physical acts of violence, girls are likely to imitate verbal acts of violence.


Children with autism exhibit significant impairment in imitation skills.[52] Imitation deficits have been reported on a variety of tasks including symbolic and non-symbolic body movements, symbolic and functional object use, vocalizations, and facial expressions.[52] In contrast, typ

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Puberdade é o nome do período em que ocorre a transição da infância para a vida adulta. As meninas costumam iniciar a puberdade entre os 8 e 13 anos de idade. Ao final desse período, por volta dos 18 anos, a maturação sexual está completa.


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Mario Kart Wii only has coins during the all new Coin Runners battle game. Players collect them by driving into them, but if they get hit by an item, the players lose coins. The team who has the most coins after the three minutes are up wins. In various coin-collection tournaments, players must collect the set amount to finish the mission.


In Mario Kart 7, coins return during races, working like they did in Mario Kart: Super Circuit. Unlike that game, however, coins collected will respawn on the track seconds later, racers can only have up to ten coins per race, and jostling other racers doesn't affect one's coin count or cause skidding if one does not have any coins. Also, racers will always lose three coins if they are hit by items or fall off the track (excluding being hit by fireballs, which makes them drop one coin, and if they have two or less). In addition to improving a Kart's top speed, collecting a coin also causes a very small speed boost. Starting with this game, every 50 coins still collected at the end of the race will unlock kart parts for the player's vehicle. A glitch causes it to be possible for the player to end the race with more than 10 coins, as long as they don't get hit before finishing, then all coins exceeding the limit will be "destroyed". This exploit allows it to be possible to unlock a new kart part every time a player completes a cup. The Coin Runners Battle Mode also returns, but with a two-minute time limit and it can be played solo; the race courses' max coin limit also applies in this mode.


Coins appear in Mario Kart Tour, where they work in a similar manner to previous entries. In this game, the counter displays more than ten coins per race, like in Super Mario Kart and Mario Kart: Super Circuit, and coins from Item Boxes are automatically used. However, coins do not provide any speed advantages to the player during races. The player is given points for every coin they get in a race. Red and Blue Coins also appear in Gold Rush and various challenges, and are worth two and five coins, respectively, as in Super Mario 64. Up to 300 coins can be earned from races daily, or 600 if the user is subscribed to the Gold Pass. Coins can be used in the shop to buy drivers, karts, gliders, item tickets and point-boost tickets.


I've only started playing last week in the Bangkok tour. I got a lot of challenge rewards and freebies like 40k coins, 1k green tokens, 250 rubies so far. What are you supposed to use these on? I've basically just been spending rubies on the pipes because it's the only one you can buy?


Coins are really important in Mario Kart Tour. First, they act as currency to purchase items like new karts, gliders, and upgrades for different drivers. Besides the "Coin Rush" mode (which requires Emeralds, a different currency that is purchased through micro-transactions), the only way to collect coins is while racing.


Don't just practice on 50 cc and think you'll get better. Play on the more difficult tracks to learn their layouts. Try out different characters, karts, and upgrades to see which combination allows you to minimize your loss of speed and maintain a top position. Get a sense of where the item boxes are, where coins are scattered, and look for shortcuts. Mario Kart is notorious for shortcuts that can dramatically change how the track is played, so look out for them!


CoinA coin as it appears in the New Super Mario Bros. series.Information
Description
Pick coins up to increase your kart's speed. Not having coins could result in consequences.
Effects
Slightly increases a racers speed in races.
Rarity
Common
Place Obtained
1st and 2nd places.
First Appearance

Super Mario Kart
 (1992)
Most Recent Appearance

Mario Kart Tour
 (2019)


One of the biggest additions to Mario Kart Tour is the inclusion of Event Tokens. These green toke

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A Sufi and a Killer

 is the debut studio album by Gonjasufi (Sumach Ecks). It was released by Warp on March 8, 2010.[1] The album was produced by Flying Lotus, The Gaslamp Killer, and Mainframe.


Ecks said of the album: "I didn't want it to be too easy for the listener. I wanted it to hurt a little bit. I wanted it to get into a spot in the head that hasn't been hit".[2] Of its title he said "The Sufi side of life has helped me with my killer side so I try not to attach myself to any label. There's a Sufi and a killer in everybody, man, and I'll be whatever I have to be just to make it through".[3]


The best description of Gonjasufi's voice may have come from Flying Lotus, who gave the new Warp artist a high-profile appearance on Los Angeles deep cut "Testament". FlyLo called it "timeless, incredible filth," which reads more laudatory than descriptive, but there's something about that voice that escapes simple specifics. On "Testament", Gonajsufi lost himself in the track's wispy, ghostlike soul, but on earlier self-pressed records like Dead Midget on Stilts (Crutches) and Flamingo Gimpp (released under the name Sumach), his voice had a gruff, restless quality. His singing can sound raw, maybe a bit off, but his ability to pull off a frail falsetto and ragged rasp in equal measures gives him a serious depth of range.


In pairing with L.A. producer Gaslamp Killer, Gonjasufi has found a powerful outlet for his otherworldly strain of singing. Together they've created A Sufi and a Killer, one of the most fascinating slabs of hallucinogenic head-nod music to arise from Southern California's post-hip-hop vanguard. Unlike the digital bleeps and squelches of SoCal contemporaries FlyLo and Nosaj Thing, however, Gaslamp Killer and Gonjasufi draw from their hip-hop background to create an LP that could as easily fit on the Stones Throw roster as well as it does IDM-centric Warp. The beats knock, but for every moment of b-boy-friendly atmosphere, there's another moment-- or a simultaneous one-- that makes like 21st century acid rock.


Gonjasufi's vocals are both haunting and haunted, coolly assertive yet frequently fixated on mortal matters, and they bleed vividly through Gaslamp's corroded analog wall of zero-fi psychedelic noise. The results are stark: Brooding, bad-trip laments ("Kobwebz"), a doo-wop number punctuated by spacey twang ("Duet"), a warping of the blues ("Ageing"). Even the more straightforward stuff has a grimy quality to it, particularly the heavy soul of "Change", the bar-jazz tension of "Advice", and the woozy "Kowboys & Indians" with its Eastern vocals looped against a rust-covered revision of club rap beats circa 2003. A couple of previously issued tracks helmed by other L.A. producers sneak into Gaslamp Killer's showcase as well: Warp 2010 comp selection "Ancestors" maintains the psychedelic mood with a sitar-driven Flying Lotus boom-clap, while both sides of last year's Mainframe-produced "Holidays"/"Candylane" single contribute mini-Casio chirpiness and roller-rink funk. Even with the additional producers and the stylistic elasticity, it all coheres nicely.


And if the production on A Sufi and a Killer proves anything, it's that Gonjasufi can stitch himself into the beat whether it's a heavy banger or a quiet ballad. "Sheep" is the most notable example of the latter, as well as a testament to both the singer and the producer's ability to salvage a potentially corny concept: The lyrics are a vague and contradictory metaphor about wanting to be a sheep instead of a lion, but Gonjasufi sells it expertly with a fragile, subtly harmonic multi-tracked voice. And in the more impassioned moments-- "She Gone", "DedNd", "Stardustin"-- his off-kilter wail pushes an already surreal junkshop-rock aesthetic into a kinship with Safe as Milk-era Captain Beefheart. There are plenty of times where the mix renders

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The filmmakers wanted nature to be the antagonist for the main character Arlo. Ream noted "Nature can overcome anything, including a massive dinosaur." In order to achieve the needed realism, the film's team traveled to the American Northwest, spending time in Jackson Hole, Wyoming, Juntura, Oregon, and southern Montana. Production designer Harley Jessup stated that the film "has a fantastic variety of landscapes," which ranged "from the Jackson Valley and the Tetons to the amazing geysers and waterfalls in Yellowstone," as the filmmakers "studied the grasslands of Montana and the Red Desert" and used them to incorporate into the film. To use the landscapes that they had experienced, the filmmakers used data from the U.S. Geological Survey, and satellite images from Google Earth. The geographical data provided a foundation that the team then built on. According to supervising technical director Sanjay Bakshi, this gave Sohn "the freedom to shoot in any direction he wanted to make the world feel big and real." In addition, 
The Good Dinosaur
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Take one look at this kit and you know it's going to sound different. Drums don't come a lot more organic than these Finnish beauties. Since 1998 Wacco have turned out beautiful wooden kicks, toms and snares (some literally carved out from single slices of tree), heat treated, beautifully finished with natural satin oil, and tuned to perfection with traditional rope-tensioned lugs to give a natural sound like no other. To finish it off, we paired the kit with dry cymbals from the Meinl Byzance series, trashy and low with a sandblasted smoothness. It's the kind attention to detail that shines through in the sound. Warm and natural, and as organic as the stuff it's made of. All the drums in this ADpak were played with both sticks and mallets, with atmospheric cymbal swells to swish you into a whole new direction. Soft and folky, deep and different. Whether you're writing a simple love song or a cinematic film score, this kit has the sounds to suit.


Once you have inserted Addictive Trigger on an audio track, simply click SuperStart and begin playback in your host software. Addictive Trigger listens to your track for several seconds, analyzes the incoming hits and automatically sets a number of different parameters based on the source material. In most cases, this is all you need to do in order to have accurate hit detection happening on your track.


Do you remember the first time you listened to Led Zeppelin? For most of us it's a special musical moment, and the sound was bashed firmly and indelibly into our memories by the thunderous, raucous, booming drums of John Bonham, kicking triplets and thumping tom-tom fills on a big Ludwig drum kit like a man possessed. This ADpak is based on that memory.


I have been trough a similar thought process and started out by practicing with the abbey road samples that came in the Komplete Select bundle that came with my Maschine MK3. They have been OK as starting kits, but now I am at a point where I want some really great sounding drums to play whole songs with max grooviness.


Addictive Drums 2 brings the world's finest drums straight into your music. You get outstanding drums, professionally played rhythms, and phenomenal sound-shaping and mixing features that make your productions sound alive. All this with a fast, musician-centric interface that gets amazing results without getting in your way.


Tweak any of the professionally designed presets or build up a custom kit from scratch, it's your choice. Addictive Drums 2 is packed with mixing and sound-shaping features that let you transform the raw sounds in amazing ways. Whether you need your drums to sound open and crystal-clear or produced and radio-ready, or grungy and heavily distorted, AD2 has studio-grade tools to get the job done.


Anyone have any opinions on which one is best? I hope to get an electric kit to trigger the vst through midi. I record music and would want a vst that would allow me to process the drums sounds the way I like them. What are the pros and cons to each one? I hear addictive drums is far easier to learn how to use. Is this true? Thanks in advance


Could a USB audio interface handle something like this? If yes is there something specific kind of interface that I should look for? I imagine in this case I would connect the Alesis module using the MIDI OUT to the interface and then connect the interface to the laptop using a USB cable. In that case I might be able to somehow output the sound from both Ableton/AD2 and say a browser back to the interface and into the headphones?


A fallback option that I see in case the previous idea wouldn't work is to get a mixer and to connect the output from the laptop's 3.5mm to the mixer and to then use a different device such as a tablet or a smartphone on another channel on a mixer as a different audio source. Perhaps an interface be ok in this

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Just bought a new HP computer and I need to get my Officejet J4680 printer working on it. "Print and Scan Doctor" finds it and gives me a link to "Get Installer", which takes me to the "Software and drivers for
HP Officejet J4680 All-in-One Printer" page, from which there is no way to download the software I need.


The scanning is by Integrated OCR software that automatically converts scanned text into editable texts. It also has an Image editor installed. The speed at which the printer scans depends on the complexity of the document. The scan resolution is 1200 x 1200 dpi optical. Download HP Officejet J4680 All-in-One Printer driver from HP website


DriverGuide maintains an extensive archive of Windows drivers available for free download. We employ a team from around the world which adds hundreds of new drivers to our site every day. How to Install Drivers Once you download your new driver, then you need to install it. To install a driver in Windows, you will need to use a built-in utility called Device Manager. It allows you to see all of the devices recognized by your system, and the drivers associated with them.


Many device drivers are not updated through the Microsoft Windows Update service. If you are having trouble finding the right driver, stop searching and fix driver problems faster with the Automatic Driver Update Utility. Automatic updates could save you hours of time.


The Driver Update Utility automatically finds, downloads and installs the right driver for your hardware and operating system. It will Update all of your drivers in just a few clicks, and even backup your drivers before making any changes.


Many computer problems are caused by missing or outdated device drivers, especially in Windows 11. If your desktop or laptop is running slow, or keeps crashing or hanging, there is a good chance that updating your drivers will fix the problem.





To install the HP Officejet J4680 All-in-one Printer driver, download the version of the driver that corresponds to your operating systemby clicking on the appropriate link above. A window should then show up asking you where you would like to save the file. Save the driver file somewhereon your computer where you will be easily able to find it, such as your desktop. Then follow the instructions below corresponding to the file type that youdownloaded


If you're using the network connection to this scanner, then you don't need to install any HP drivers. However, you might need to make sure your firewall is configured to allow VueScan to talk to your scanner.


You might want to look for newer drivers on HP's site. This HP support page says that Apple no longer provides print drivers through Apple Software Update (not sure about drivers on Apple Support Web pages), and has a link to HP's driver site.


I had the same issue before, and a colleague told me to try this site for software and drivers, where I luckily found one for my HP printer too. Give it a try if you can find one that will work for your HP printer.


We're pleased that HP is starting to include wireless access on almost all of their newer printers, and the J4680 is no different, although it separates itself from others on the market with the capability to turn it on and off using a button on the front panel. Setting up the 802.11g print server to connect to a computer is incredibly easy--using the network preferences utility on the driver, it's simply a matter of waiting for the printer to sniff out your network and entering your password--the printer will do the rest of the pairing automatically. The whole process, from start to wireless printing, took less than 10 minutes of tangle-free installation.


Another way that HP keeps size and cost down is by incorporating the two-ink cartridge bay into the middle section of the printer, as opposed to adding

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