Pip is a duo playing improvised and composed pieces of music, consisting of Torstein Lavik Larsen on trumpet and Fredrik Rasten on guitar. 
Long lasting, blending sounds with a basis in chord structures and harmony is an ever returning element in their music. 
Pip's music also emphasizes small variations in tonal colour, often applying just intonation, extended playing techniques and repeating musical patterns.
Sometimes they include electronic sounds, without leaving behind the core sound of guitar and trumpet as a point of departure.

The duo has existed since 2006, and since then explored many different musical approaches. 
A recuring theme of their exploration has been expansions of the duo instrumentarium, including 
electronics, multiple guitars and different electronic and acoustic keyboard instruments.

Pip released their first official release on the Portuguese label Creative Sources in 2016,
and they have toured in countries as Germany, Czech Republic, England and the Scandinavian countries.

The duo has also worked with artists from other disciplines. They collaborated with choreographer and contemporary dancer Marie Bergby Handeland on the piece Lyden av besluttsomhet, jeg tåler den ikke, which were premiered at the CODA festival in Oslo in 2013, and they have also worked together and performed with the Copenhagen-based live visuals duo of Freya Sif Hestnes and My Lambertsen, called Manuals.

Torstein and Fredrik also play together in the band Oker, with drummer Jan Martin Gismervik and bass player Adrian Fiskum Myhr, and in the quartet Volumes with Magda Mayas on prepared piano and Isak Hedtjärn on clarinet.

Release date: 27. September 2019

Pip: Possible Worlds (excerpt)

Ruggine (for string quartet + electronics, 2019 - Casa Ricordi)
co-commissioned by Fondazione I Teatri Reggio Emilia / De Sono Associazione per la Musica
written for / dedicated to / premiered by:  Quartetto Maurice
Live recording:  09.11.2019 @ Willem Twee Concert Hall, Den Bosch (NL) - 
November Music Festival

Ruggine

Ruggine (2019)

Marco Lucchi : ring modulator and generative sounds

22 marzo 2020

bedroom music no. 1

Recorded microphone contact by Michał Zygmunt at various locations across Świnoujście Port, Odra river in spring 2020

Cuma/Hawser

A Light Divides (Naviarhaiku 337)

From poking stove elements with pencils, to recording the ambience of a teapot, and playing balcony railings, mnk is an album which restlessly re-imagines everyday sounds. FenGi is the moniker of the Turkish sound artist Altuğ Kaptan, and mnk represents his extended examination of the vibratory and the resonant. It is an album which blurs the boundary between object and instrument, at one point Altuğ performs by simply opening and closing doors, at another he reworks recordings of the violin. Altuğ describes himself as someone who ceaselessly records sounds, seeking spontaneous moments amid the everyday. In his debut solo album mnk we discover an artist both courageous and frenetic, who sitting amid the boiling stove pots, and the sliding doors of his home finds music.

Mastered by Nima Aghiani
Art is the work Rug by Tuba Kaptan

dng - FenGi from the album mnk out July 3

Excerpt from the B-side of the 'Albatross' cassette, to be released in September.

Albatross

Grant Evans - India Ink Mirror (excerpt)

Beautiful, spare and sensitive home recordings by cellist Hannah Marshall, who has treated us to so many special moments as a player at OTO over the years.

"Recordings made in a friends spare room on a half and full size cellos with re-tuned strings, not far from an open window on a quiet row of back gardens.

In some of the gaps you will hear the chair creak, the rain fall, the children at near by child-minders house. The slap and fall of strings, on fingers on wood.

In memory of Beth Hardisty. Rest In Peace."
- Hannah Marshall

TR070 - Hannah Marshall - 'Clearing 1'

One Hundred Years for voices, orchestra and electronics (2020)by 
Yannis Kyriakides

Commissioned by Gaudeamus to celebrate its 75th anniversary 
Premiere 19th September 2020 by the Netherlands Radio Philharmonic Orchestra & Silbersee conducted by
Karina Canellakis, NTR ZaterdagMatinee, Concertgebouw, Amsterdam. Live broadcast and recording by NPO radio 4.

One Hundred Years (premiere)

Back To The Surface   ...  Was bleibt, bleibt.

Back To The Surface

Manja Ristić: Sonic Ontology of Negligence
7 Nov 2021–8 Jan 2021
FM exhibition, exhibition of 8-channel sound installation

7 Nov 2020 at 12.00 (noon) on FM 88.8 MHz – in-situ FM walk (at Park Tivoli)
10 Nov 2020 at 18.00 p.m. on FM 88.8 MHz – in-situ FM walk (at Park Tivoli)
18 Nov 2020 at 20.00 p.m. on programme Ars – radio exhibition opening

---------------------------------------------------
For more please point your cursor to:
http://www.steklenik.si/en/manja-ristic-sonic-ontology-of-negligence/
---------------------------------------------------

Sonic Ontology of negligence is a continuous research evolving from listening to abandoned places and landscapes reshaped by extensive intervention of human presence and exploitation, and eventually “given over“ to Nature to reclaim the space. In the process of conceptualizing Sonic Ontology of negligence, Manja Ristić resided in places that were heavily exploited and forever changed by the human urge to build, comprising thousand years-old quarries as well as present-day mega-structures, abandoned as a result of corruption and consumerist socio-political turmoil. The nucleus of the compositional structure is devoted to abandoned construction building site of the Stožice mega-structure, while layers of mnemopoetic sonic imprints are derived from an old lime-stone quarries from the island of Korčula in South Dalmatia, such are Glogovac, Lenga, Defora and Vrnik, but also abandoned mineral mines and lime pits from Fruška gora in Vojvodina, North Serbia, and other sites such is the military compound placed in the middle of the Avala forest in the suburbs of Belgrade. The poetical accent is given to the dynamics and textures of waters and aquatic micro spaces, which are building the formative/reproductive environments in the process of re-establishing bio diversities.

Manja Ristić graduated from the Belgrade Academy of Music and later also completed her post-graduate diploma in Solo-Ensemble Recital at the Royal College of Music, London. Besides performing in the field of instrumental electroacoustic music, her sound-related research is focused on an interdisciplinary approach to sound art, field recordings and experimental radio art.

Credits:
Artist: Manja Ristić
Curated by: Irena Pivka, Brane Zorman
Organisation: Irena Pivka, Katarina Radaljac
Translation and editing: Katja Kosi, Melita Silič
Public relations: Katarina Radaljac
Production: Cona, Institute for Contemporary Arts Processing, 2020
Venue: Steklenik gallery for sound bioacoustics and art, FM 88.8MHz, 3rd programme of Radio Slovenia – programme Ars

Exhibition is being part of the Acoustic Commons project support from the European Union’s Creative Europe program.

Manja Ristić: Sonic Ontology of Negligence (stereo version of an 8 channel sound exhibition)

CONA zavod / institute

Related tracks