Created for Azimuth 6, here as a stereo version of the original 32-channel version.

'Based on the introduction of Jean-Paul Resweber's book "The Philosophy of Language", the piece explores the ambiguity between the voice that conveys a message and the voice whose acoustic and musical qualities are heard. It seems that when our attention is focused on the musical aspect of the voice, we forget the message it carries, and vice versa. The back and forth between these different levels of listening leaves the listener free to give it its own meaning, if there is one. And this is precisely the question asked by the original text. '

https://www.azimuthfoundation.net

La philosophie du langage

Track available at Lambmother's "Thanatology" EP (Feb. 1, 2020) published on Bandcamp: lambmother.bandcamp.com/album/thanatology

Thanatology

Third track from Improvisación Analógica series.All sounds with semimodular synth.Live recording

Improv A-3

Synanunis

Distances

Swamp

Short excerpt of a 40 minutes live improv 
15 October 2019 @ Les Instants Chavirés
Sharing the bill with Kate Carr, a concert produced by La Fabrique Agitée
https://www.instantschavires.com/kate-carrvalerie-vivancos/

Valerie Vivancos Live Instants Chavirés  15 Oct 2019 (excerpt)

These recordings are recorded in Kunming city, from early February to early May in 2020. The random sound clips reflect the process of the whole city from silence to vitality, and personal life from public to private space and back again. Life in private space substantially affects the openness of public space, and vice versa, the closure of public life has made private life cramped and boring. The daily life that swings between the two has gradually become a longer "new normal" that everyone has to overcome.

This piece comprises 24 field recordings, each 60 seconds, separated by 3 seconds of silence. This is an equal arrangement, and they are arranged as neatly as the hand sanitizer on the shelf. In these sound clips, private life, media messages, and slowly reviving urban life are intertwined during the period of home quarantine.
Luo Fei, Kunming, China
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这些录音绝大多数来自今年2月初至5月初三个多月的时间内，我在昆明的实地录音。这些随机收录的声音片段反映出整座城市从沉寂到恢复生机，个人生活也从公共空间退回私人空间再返回公共空间的过程。私人空间里的生活也实质性地影响到公共空间的开放度，反之亦然，公共生活的关闭让私人生活变得局促和无聊。摇摆在两者之间的日常生活逐渐成为大家不得不克服的更为漫长的“新常态”。
这个录音作品最终收录了24条实地录音片段，每段60秒，每个声音间隔3秒。这是一种平等的排列，它们像货架上的洗手液一样整齐摆放。在这些声音片段中，居家隔离时期的私人生活、媒体讯息、慢慢恢复生机的城市生活交错混合在一起。

Kunming Record During Covid 19 (excerpt) - Luo Fei - out Sept 3

My artist-friend Christophe Rodiac took that picture which inspired me at first sight, envisioning sound-objects splattering all over... Et voila !

Philippe Petit - Splash Sonic Disruption

Manja Ristić: Sonic Ontology of Negligence
7 Nov 2021–8 Jan 2021
FM exhibition, exhibition of 8-channel sound installation

7 Nov 2020 at 12.00 (noon) on FM 88.8 MHz – in-situ FM walk (at Park Tivoli)
10 Nov 2020 at 18.00 p.m. on FM 88.8 MHz – in-situ FM walk (at Park Tivoli)
18 Nov 2020 at 20.00 p.m. on programme Ars – radio exhibition opening

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For more please point your cursor to:
http://www.steklenik.si/en/manja-ristic-sonic-ontology-of-negligence/
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Sonic Ontology of negligence is a continuous research evolving from listening to abandoned places and landscapes reshaped by extensive intervention of human presence and exploitation, and eventually “given over“ to Nature to reclaim the space. In the process of conceptualizing Sonic Ontology of negligence, Manja Ristić resided in places that were heavily exploited and forever changed by the human urge to build, comprising thousand years-old quarries as well as present-day mega-structures, abandoned as a result of corruption and consumerist socio-political turmoil. The nucleus of the compositional structure is devoted to abandoned construction building site of the Stožice mega-structure, while layers of mnemopoetic sonic imprints are derived from an old lime-stone quarries from the island of Korčula in South Dalmatia, such are Glogovac, Lenga, Defora and Vrnik, but also abandoned mineral mines and lime pits from Fruška gora in Vojvodina, North Serbia, and other sites such is the military compound placed in the middle of the Avala forest in the suburbs of Belgrade. The poetical accent is given to the dynamics and textures of waters and aquatic micro spaces, which are building the formative/reproductive environments in the process of re-establishing bio diversities.

Manja Ristić graduated from the Belgrade Academy of Music and later also completed her post-graduate diploma in Solo-Ensemble Recital at the Royal College of Music, London. Besides performing in the field of instrumental electroacoustic music, her sound-related research is focused on an interdisciplinary approach to sound art, field recordings and experimental radio art.

Credits:
Artist: Manja Ristić
Curated by: Irena Pivka, Brane Zorman
Organisation: Irena Pivka, Katarina Radaljac
Translation and editing: Katja Kosi, Melita Silič
Public relations: Katarina Radaljac
Production: Cona, Institute for Contemporary Arts Processing, 2020
Venue: Steklenik gallery for sound bioacoustics and art, FM 88.8MHz, 3rd programme of Radio Slovenia – programme Ars

Exhibition is being part of the Acoustic Commons project support from the European Union’s Creative Europe program.

Manja Ristić: Sonic Ontology of Negligence (stereo version of an 8 channel sound exhibition)

From the latest self-release Starfish & the sonic tonalities
https://manjaristic.bandcamp.com/album/starfish-the-sonic-tonalities
The Absence started from listening to an old recording of the Wind Quintet by Serbian composer Ljubica Marić. After learning the composition well, I simply fell in love with the noise hidden in-between sounds produced by an old vinyl crackling and web compression. I made myself a little drone and soon realized the psycho-acoustic qualities of it. The narrative is wrapped around the noise pollution, from both below and above the Adriatic sea.

The Absence

Created for the Disquiet Junto Project 0474: Police Action
@disquiet

The Project: Complete a trio by adding a track to an existing duet by two other musicians.

I added two tracks of a Volca FM organ patch + Avalanche Run delay/reverb to fill out the bass and add some mid-high overtones and slight counter melody to tracks from @anotherbenjamin and @homeontheland . You can find their first two parts of our trio here:
https://soundcloud.com/anotherbenjamin/jam-time-2-of-3
https://soundcloud.com/homeontheland/jam-time-1-of-3-by-the-land-disquiet0472

More on this 474th weekly Disquiet Junto project – Police Action (3 of 3) / The Assignment: Complete a trio by adding a track to an existing duet by two other musicians – at:

https://disquiet.com/0474/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0474-police-action/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Manja Ristić: Sonic Ontology of Negligence (stereo version of an 8 channel sound exhibition)

CONA zavod / institute