Early Baroque and Renaissance music.

živě z vystoupení na Benefičním podzimním koncertu v chrámu svatého Mikuláše na Staroměstském náměstí ‘22

Připravované koncerty a akce
www.zusharmonie.media/koncertyaakce

YOUTUBE PLAYLIST KONCERTU
youtube.com/playlist?list=PLTal…-iAJoC3WdAu1ufB5hRI
SOUNDCLOUD PLAYLIST KONCERTU
on.soundcloud.com/1VnpUpti65yExnLg9

video a audio: FG

Flétnový Soubor Harmonie | Octava Intrada (1601) [Hans Leo Hassler]

Georg Daniel Speer (Breslau, 2 July 1636 – Göppingen, 5 October 1709) was a German writer and composer. His collection titled Musikalisch-Türckischer Eulen-Spiegel was published in 1688 in Ulm under the pseudonym Dacianischer Simplicissimus. The first 24 songs (out of 41) form a cantata for tenor and figured bass. The protagonist of the loosely connecting episodes is Lompyn, a professional fool with a great appetite. After convincing the sultan with a joke to release him, Lompyn is in the service of a Hungarian nobleman, Gergely, who is in Turkish captivity. He tells him about his adventures, which include the Turkish Grand Vizier, the beautiful miller, the Patriarch of Moscow, as well as a Turkish-Hungarian duel, and of course his own pleasures and sorrows in love. The songs are always framed with a Central European dance for a five-part instrumental ensemble, which returns between verses – either in original double meter, or in “proportion”, in triple meter. At the end of the movement there is always an "omnia", a moralizing song played by all the musicians.
In his preface, Speer tells us that the names of the dances are not only given “pro forma”, but he personally heard them on their original spot. If his claim is correct, then what we have here are musical documents of his travels in the 1650s and 1660s in Upper Hungary and Transylvania. He describes these travels in his (doubtful) Ungarischer oder Dacianischer Simplicissimus published in 1683. As the style of the dances are close to the Central German traditions, it seems certain that the dances were not written for Central European communities but for citizens of distant Protestant lands. The additional part of the publication also includes works with genres popular in the Protestant region; sonatas for various combinations of brass instruments or for two violins and bassoon (No. 25–30, 31–32), and a nine-movement suite in c minor for a five-part string ensemble (33–41, on this disc: track 14–22).

Daniel Speer: Musikalisch-türckischer Eulenspiegel - 33. Sonata à 5

Daniel Speer: Musikalisch-türckischer Eulenspiegel - 10. Pohlnisch Ballet

Prima Collezione

Giorgio Mainerio:
-La Lavandara
-Ballo Milanese
-Putta Nera Ballo Furlano

Tre balli

Canzon 27

The CONCENTUS CONSORT ensemble plays music by historical instruments and suitable costumes.Their repertoire consits  the masterpieces of the most famous composers of the period. The rarely heard and uniquely beautiful stage of musical history, combined with the special sound appearance of the period’s instruments, offer the audience an unforgetable experience.

The CONCENTUS CONSORT name signifies our program: the realization of harmony in music and trough music in people.

Tre balli

Concentus Consort