morvyn375 - super slowed

GOD IS NOT HERE is a descent into a world where faith collapses, colors bleed, and silence becomes divine.

6 rituals of witch house, darkwave and experimental phonk, each echoing with spiritual decay and emotional collapse.

A journey through empty heavens, unanswered prayers, dying angels and the ruins of belief.

This is not music.
This is the absence of God.

©2025 NEZARI.VOID

WHERE THE FAITH DIES

Hell Is Coming

Niell - Hell Is Coming (Original mix)  [Toxic Recordings]

London label @nervoushorizon may be rooted in the capital, but that's never prevented it from showcasing artists, genres and trends from around the world. 

For its latest V/A outing, Nervous Horizon has enlisted new label friends such as @objectblue, Ehua (@ehuamusic) and Chevel (@chevelmusic) alongside mainstays such as DJ Plead (@1djplead) and DJ JM (@deejay_jm) for a neat ten-tracker that delves into the global, hybrid sounds that have become the label's signature over the past few years.

While all tracks are catered towards the dancefloor, no two tracks sound the same. From reggaeton to club delirium to object blue's 'Neo Noir' – a hypnotic techno mutation that echoes the drama and high energy experienced in one of blue's sets – it's a brilliant comp filled with brilliant artists from a label that's only getting better.

'NH V/A VOL. 3' will be released on November 15. Pre-order below.

Pre-order: https://nervoushorizon.bandcamp.com/album/nh-v-a-vol-3

More exclusive music

Premiere: object blue 'Neo Noir'

Xr/spool: (@exerspool) – Void Lands
Release Date : March 2020 (Digital & Tape Cassette)
Label : Comic Sans Records
Cat n° : COMICSANS7

Artwork by Virgile Flores
Produced, Arranged & Mastered by Michelangelo Perrone
A&R by GBoi & Jean Mi

Tracklist
A1 Handle Fear
A2 Plus
A3 Yblsky
A4 Blast Riff
A5 Eocene
B1 Init Phases
B2 DG Msh
B3 Dreamscaper
B4 Silver Scissor
B5 Warcracy
B6 Spoken Mind

Under his Xr/spool: moniker Michelangelo Perrone enjoys the exploration of unknown territories in which forces of the universe interact with time and space in order to distort reality. 
The notion of constrast is essential to capture the meaning of "Void Lands", a distant world  in which the beauty of nature is closely linked to its brutality and both of those merge in a pleasant agitation. 
This chimera is translated into music thanks to wild but mastered interactions through which powerful polyrithmia stands against hypnotic samples, mostly issued from the artist's personnal field recordings. 
For his first album, Xr/spool: paints a dark and mysterious canvas that invites us to pay more attention to the smallest details that may help us to grasp the complexity of this new world we're in.

Xr/spool: - Void Lands [COMICSANS7] (Preview)

Melbourne based producer, DJ and co-founder of Sumac Records, Jon Watts delivers his Butter Sessions debut, Music for 3 CDJs. With over 10 years experimenting as an artist, Jon has an established history with the Australian underground scene. Music for 3 CDJs, showcases two contrasting sides, revealing his ability to seamlessly navigate manifold sounds.

The A-side presents three distinct tracks, thread together with restless percussion and a propulsive force. The introduction to the EP, Prohaasation, is a medley of techno and electro fabrics which progressively build before abruptly halting -- generating suspense for the track to follow. The feverish William gasps and screeches in tones that peak and fall, accompanied by audio maintained throughout; reminiscent of a malfunctioning fax machine. Now It’s Done is a choppy and disjointed piece yet coherent in its structure that makes for a rewarding conclusion to the release’s first chapter.

Subtlety and minimalism prevail for side B, as Jon gifts us with loops that swirl and churn. AMB 4 marks the first deviation from the narrative of Side A; sounding like hypnotic swelling from the bottom of a deep well. AMB 5 follows suit, divulging more of the picture. Carved out of a sound bed of field recordings, the nine and a half minute piece enchants with its repetitive arc, a spaciousness mirrored in the EP’s farewell. The last track Piano 1, is an intricate study of a singular piano chord, examining the layers of the chord’s sustain that are disclosed. A testament to Jon’s unadorned restraint and confirmation of the old adage that less is really more. 
credits


Mastered by C. Kikos
Design by M. Syawish

Jon Watts - Music For 3 CDJS - B Side Previews

The second 12" on CC comes, once again, from Hamilton Scalpel. Four tracks of Max Anti-Power Energy coming this June.

Order Here: www.rubadub.co.uk/records/hamilton-scalpel-2-airfoil

Hamilton Scalpel - Two Bladed Spear Thistle (B1)

https://twinsystem.bandcamp.com/album/victim-of-the-system

Twin System present “Victim Of The System”, a 28-track compilation with all profits donated to Brixton Soup Kitchen. Functional heaters alongside malfunctioning oddities for a good cause.

Brixton Soup Kitchen offers support to the homeless and in need, and relies heavily on donations to sustain their work. They provide invaluable relief to a community hugely impacted by the virus, as well as a homeless population forced back onto the streets since the temporary housing provided came to an end. As normality resumes, the chance of another wave of cases and another inadequate response from our government grows. This along with the huge number of people already suffering from the economic impact of the virus means organisations like B.S.K. are now more important than ever.

Victim Of The System

Crème On Glais

Live recording of Nala Brown @ the Future Intel headquarters in The Hague. Streaming live on Facebook and futureintelradio.com every Thursday and Friday — from 20:00 till 23:00.

Nala Brown ╚═ Future Intel ═╗  09 11 2020

Rinse France Podcast

Download

carin kelly - 07 Novembre 2020

To wind up 2020, Allergy Season is excited to share Drum Control – 6 tracks of fierce, forceful house (and beyond) from Lady Blacktronika. 

Connecting the dots between a brand of ultra-deep house first mastered in the early 2000’s on the West Coast, and tough-as-nail techno transmitted from Berlin under her Femanyst alias, Drum Control is a jump forward for Lady Blacktronika. Hers is a sound sketched out over dozens of releases, now etched into stone: emotive singing and unyielding sample mastery, channeled through raw emotional house, disco and techno.  “Can I Turn Too” leads us off with a step out of the darkness and into the light; all glint and glimmer, with one final glance over the shoulder before moving on. “Drum Control” is pure slow-cooked funk, warm and powerful with a lysergic swirl to it, a callback to Lady Blacktronika’s storied history cutting and chopping extended disco edits.

Extended is the byword for the EP’s core: over nearly 7 minutes “Female Troubles” plays out a back-and-forth between the mantras of “you give good love” and “I still want you to call me,” an opus to the “dilemmas of womanhood.” She runs it even longer on “Tootfairy Noises,” keeping the pressure at a simmer, leading a bass-heavy, whistle-driven carnival of the damned that can step toe-to-toe with any psychedelic techno without breaking a sweat.

If the rasping open hi-hats and earworm chords of “Shoulda Known Better 2018” make you wish the song would roll on endlessly, you’re in luck. Lady Blacktronika doubles down with an infectious “Reverso” twist, bringing the beat back one last time with a harder edge and hypnotic crunch. Drum Control is a reinforcement of what some know, and more are due to find out: that after all these years, we’re still living in A Blacktronika World. 

Written & Produced by Akua Marcelle Grant
Mastered by Kevin McHugh @ Valence
Art by Bad M.

Drum Control

Buy on Bandcamp

The label / club night of @djcrud & @mothermark

Hamilton Scalpel - Two Bladed Spear Thistle (B1)

Concrete Cabin