For the LoopDiggers Crew Main Challenge "El Pistolero"

GunnShot (JorDams)

YouTube visualisation @ https://youtu.be/nyGcxSWLils

The rain is over:
South Mountain puffs out
Spring clouds.

(Tr. Sōiku Shigematsu)

haiku by Natsume Sōseki https://www.britannica.com/biography/Natsume-Soseki

picture by Daniel J. Schwarz https://unsplash.com/@danieljschwarz

For more information visit http://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF pufF [naviarhaiku485]

3 hour flip.
Original track - https://youtu.be/AgsK5xpzT90
MOSNAR DET - Remixing, drum programming

Loop Diggers Sunady Roulette Challenge 121 - Y ' A L L _ N E E D _ J E S U S

This weeks Entry for S..C. TPC 296

slice and filleting > "Gabor Szabo - People/My Kind Of People" & "Ziad Rahbani Mais El Rim 1978"

Cravat Lax

A Disquiet Junto assignment: subtly alter the frequency filter and resonance of a field recording. In this case, a recording of the beach at Saltcoats.

More on this 595th weekly Disquiet Junto project, Filter Progression (The Assignment: Make music by processing a static sound), at: https://disquiet.com/0595/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0595-filter-progression/

saltcoats 27523 [disquiet0595]

Pariah Rebel - #300

Marco's lovely haiku inspired this improvisation, played originally on Mai Tai VST synth (within Studio One 6). Because I'm not yet used to working in Studio One, I had a few problems and moved it into my usual DAW, Reaper, then did some quite heavy editing before mastering with CloudBounce. It's a bit of a mash-up but I hope it captures the feel of a desolate street at dawn...  :)
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

Desolate Dawn (naviarhaiku493)

Unsticking

Warm Vinyl Texture, Tape-Warp Effect, G-Funk, Laid-Back Groove With Hard-Hitting Beats, Layered Synths

time-machine

The Astrioasia Crown & The Dusty Apsara Breaks is an instrumental album rooted primarily in Cambodian musical heritage, shaped through a modern, global lens.
As a Cambodian artist, this project is a personal fusion of ancestral sound, lived identity, and contemporary production.

Traditional Cambodian melodic sensibilities — echoing instruments such as the khim, roneat-inspired textures, and flute-like motifs — are blended with dusty rhythms, deep bass foundations, and Western-influenced beat culture. The result is a soundscape that feels ceremonial yet street-level, ancient yet current.

The album draws inspiration from Apsara symbolism, royal and spiritual imagery, and the quiet strength of Cambodian culture, while openly embracing influences from other parts of the world. Rather than imitation, this is interpretation — honoring roots while allowing them to evolve.

Production-wise, the focus remains on space, clarity, and mood. Minimal arrangements, steady mid-tempo grooves, and atmospheric reverbs create a hypnotic continuity across the project, making it ideal for immersive listening, visual storytelling, and cinematic contexts.

The Astrioasia Crown & The Dusty Apsara Breaks stands as a cultural bridge — Cambodian at its core, global in its expression.

Hate Or Love It

A mostly instrumental compilation of tracks from the artists at SEVCO RECORDS.

Cravat Lax

X