Standing On the Outside Looking In / Sugar Street

"Where I'm From" from THE CAUTIONARY TALES OF MARK OLIVER EVERETT.  Available now at http://eelstheband.com/stores.php  

The Cautionary Tales of Mark Oliver Everett

Where I'm From

Available via Imprec.com

Francesco Gennari is trained as a classical pianist and he commits himself to sound exploration through modular synth practice as further evolution of his musical journey. Gennari's origins are with black and white keys, noise-punk bands and DIY instrument building. This stunning debut, titled Frammenti, is the culmination of all of Gennari's interests.

Through simple ideas developed with classical techniques like counterpoint and harmonic expansions, Francesco uses the modular setup as a virtual companion, allowing him to do what he wants while remaining open to what the machine whispers to him.

Francesco’s music charms with minimal rhythmic patterns, sonic manipulation and lush ambient soundscapes comprised of short ideas full of variations.

Highly recommended to fans of Caterina Barbieri, Jessica Ekomane, Alessandro Cortini

Frammenti

Francesco Gennnari - Ardere - From Frammenti Tape - 5.5.23

Eggsistentialism

Memory Man

COLD TRANSMISSION proudly presents the second chapter of their ZEITGEIST CHROME series - intended for VINYL format only.

ZEITGEIST CHROME is dedicated to the finest electronic music. 

Limited coloured & hand numbered edition of 250 copies.

ZEITGEIST CHROME VOL. 02

Rina Pavar - Heavy Rain (Chrome Edit) [COLD TRANSMISSION MUSIC]

Someone's Gonna Break My Little Heart Tonight

dayaway "rogue wave"
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"rogue wave" on all platforms: https://ditto.fm/dayaway-roguewave

Lyrics

A rogue wave
Came and took me under
Rolling outta nowhere
Never saw it coming

And when the impact hit
Hazy, dizzy double vision
I didn’t know how far I’d get

Crush crash
Sink my ship
Take me to the bottom of your ocean
I wanna know how deep it is
Crush crash
I’m all in
Pull me down as deep as you can get it
I wanna swim in all of it

My rogue wave
Danger and wonder
Really shoulda known babe
We’d wreck each other

And when the impact hit
Hazy, dizzy double vision
I shoulda known how lost I’d get

Crush crash
Sink my ship
Take me to the bottom of your ocean
I wanna know how deep it is
Crush crash
I’m all in
Pull me down as deep as you can get it
I wanna swim in all of it

I’d follow you under water
Challenger deep and farther
I’d follow you where no one’s been
Up into outer space and
Straight past the constellations
Till all we are is high redshift

Crush crash
Sink my ship
Take me to the bottom of your ocean
I wanna know how deep it is
Crush crash
I’ve been hit
Pull me down as deep as you can get it
I wanna swim in all of it

rogue wave

Late Night Tales: Trentemøller

Unavailable

Sugar Street

Standing On The Outside Looking In

Levitation Sessions

Carrion Crawler (Live)

Though only 34, Oberst has been a recording artist for more than two decades, starting with raw, acoustic guitar-based bedroom tracks he cut as a young teenager and initially released on cassette. After his early Omaha-based band Commander Venus broke up, Oberst recast himself as Bright Eyes, an umbrella name for Oberst, producer-keyboardist Mike Mogis and multi-instrumentalist/arranger Nathaniel Wolcott, and a shifting group of collaborators. By the time he released Lifted or The Story is in the Soil, Keep Your Ear to the Ground on Saddle Creek, the label he helped found with friends in Omaha, Oberst was a word-of-mouth success, with an avid young audience that helped to sell out his tours. The critics soon followed. Rolling Stone called him “a true American original: the ghost of Walt Whitman setting up shop in the wraith-white, rail-thin frame of an acoustic-strumming Nebraska Cure fan.” The 2005 simultaneous release of two markedly different Bright Eyes albums—the more singer-songwriter-oriented I’m Wide Awake, It’s Morning and the darker, computerized Digital Ash in a Digital Urn—displayed the breadth of his talent. Time Magazine listed I’m Wide Awake among its top 10 albums of the year. Since then, Bright Eyes has continued to evolve, its lineup morphing with each successive tour. While supporting his 2007 Cassadaga album, Oberst took over New York City’s Town Hall for a week of sold-out shows, with his large, string-augmented ensemble outfitted spectacularly in white suits. He’s also recorded and toured with Mogis, Jim James, and M. Ward as Monsters of Folk as well as with his own Mystic Valley Band. For the first leg of his summer 2014 tour, he’s bringing along Wilson’s other pals, the Southern Californian quartet Dawes as his support act and backing band.

“I feel lucky that I have been able to do this for as longs as I have,” declares Oberst. “I’ve seen so many talented friends come and go, for a lot of different reasons. Sometimes they stop making music because they can’t pay the bills or they lose the passion for it. At this point it is my life. I don’t know another way to live. There is something fundamental in myself; I have to be this way. It completes what I am.”

Standing On The Outside Looking In

Conor Oberst

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