ON THE GRIND

conover / for one of the most complete artists / composers great musician, a voice, unique and nice !!

Cloud Occlusion-1

Cloud Occlusion-3

liked in maart 2017

Just Because:

Procrastination

Quiet Time((Conover))

Three on a Match

Please enjoy some of my compositions and collaborations during 2014 thru 2016.
Thank you for very kindly your support and reposts
Bruce

t h e c o n o v e r p l a y l i s t

My friend and soon to be epic guitarist, Matt Warnick and I recorded this song in the back of the old Hollywood Guitar Center in 1978 in between customers in the ProSound room. This track was recorded on a Sound Workshop four track cassette recorder and using a Linn drum Computer that had just come into being and was going to be picked up later that afternoon by Todd Rundgren's manager. Enjoy our throwback Thursday production and arrangement that we thought was not bad for the recording medium used.
The owner of Sound Workshop Inc. "Michael Tapes" heard this demo two days before the Namm show in  Anaheim California and gave me the recorder in trade for this cassette tape to use as a demonstration during the show. I guess this would be my very first endorsement deal.
warts and all. Here it is ))))))))))))))))))

Mission Impossible Theme  Conover/Warnick

Guitar, Lead Vocal, Lyrics and song by William Paterson 
@w-paterson-1-1
backing vocal, mix and production by conover
© 2015 Patersongs/Conover

This song is basically about relationships where two people love each other unconditionally.
Take the good with the bad and support each other no matter what.
That to me is what love is meant to be. 

When You Love Someone

I love you
You love me
That's the way its meant to be

Good or bad
Yours or mine
That's the way its meant to be

Sometimes life can get you down
Just call my name I'll come around

When you love someone it feels so good
When you love someone it feels so good

Good or Bad
Yours or mine
That's the way its meant to be

Up or down
Smile or frown
That's the way its meant to be

Without your love my soul would die
Without your love then who am I

When you love someone it feels so good
When you love someone it feels so good

First or last
Future or past
That's the way its meant to be

Sometimes life can get you down
Just call my name I'll come around

When you love someone it feels so good
When you love someone it feels so good.

END
The download is your free to share with friends ;  )

When You Love Someone  (Patersongs/Conover)

Sink Into Oblivion

Another try 
would be nice 
Another path to walk 
so I could think twice
 I'd have a room 
with a lamp
 and an envelope
 in need of a stamp
 I could fall  into the sunset 
or sink into Oblivion
 I could burn all my bridges
 and sink into Oblivion.

Music Bharath Ram  
https://soundcloud.com/brambient
Guitar Solo: Matt Warnick
https://soundcloud.com/mattwarnick
 Lyric, vocal, Arrangement editing and final mix by conover
© 2016 Conover/Bharathram

Sink Into Oblivion))   Conover/Bharathram

MUSIC BY SPLINTERED FINGER
 LYRIC, MELODY AND  VOCAL BY CONOVER


HighWay Man (Conover/Splintered Finger)

Fools Forever  
Bruce Conover composed and performed except
Intro Guitar and 1st half of guitar Solo by  https://soundcloud.com/its-tophonicus
https://soundcloud.com/michaelredman-1 on 2nd half of guitar solo.
© 2016 Conover



You could take care of me
I could be your fool forever and ever
That would be wrong wrong wrong

You could find a lover in me
I could see the same in you
Oh we could get lost
That would be wrong wrong wrong

You could take care of me
All of my life
I could be your stupid Hero
That would be wrong wrong wrong 
That would be wrong.

Fools Forever

Composed by Bruce Conover and Matt Warnick 

I Can’t Help You Now

funny now how it seems so strange
i should have known it from the start
i caught you stealin the town while i was fallen down
guess i was tearing out your heart

i used to feel empty just like you …it’s true
but i don’t want to change the things you do
it’s gonna be all right

and now you say that your the one i need
yes indeed, your wrong again
and i’m sorry i just can't help you now

searched my soul now im movin on
try a new way of dream’n
if not for you this tune would be through
in fairytales you believe in

i used to feel empty just like you …it’s true
but i don’t want to change the things you do

I Can't Help You Now ))))  Conover/Warnick

You Are The Road, I Am The Wheels)))Conover/The​Phaige

Lucky Little Boy   Conover/Wiggs
In the evening
when the sun goes down.
I pull you close to me
and I’m so proud.
That your the Girl
I know that can’t be found by
Lucky Little Boy’s like me.

I can’t be fooled by you,
but I believe in me and you.
Somehow and Forever
I Do, I Do

In the evening
When the sun goes down.
I pull you close to me
and I’m so proud
That your the girl
I know that can’t be found by
Lucky Little Boy’s like me.

And when the children are asleep
We will reflect upon this night together.
All the roads we drove.
All the blessings showed.
All these things and more
opened up the door
For a Lucky Little Boy

Original guitar and musical composer. Chris Wiggs
Please enjoy the original track here:
https://soundcloud.com/chris-wiggs/dusk-until-dawn
Arrangement, Lyrics, mellotron, vocals and production. Bruce Conover
Production and final mix by Matthew Warnick/Bruce Conover
Bass and drums Matthew Warnick
@chris-wiggs
https://soundcloud.com/matt-warnick-58962582 
Conover/Wiggs
Mastered at Abbey Road by Sean Magee
http://www.abbeyroad.com/engineer/sean-magee
© 2017 Conover/Wiggs

Lucky Little Boy)))  Conover/Wiggs

A mix of STEREO IS A LIE's "Stop" that I did for fun.  I was given carte blanche, so I did something a bit silly with it.  Don't let the into fool you.  The album mix keeps the same feel as the intro throughout the song.

STEREO IS A LIE-Stop (Bootay Mix)



Divide and Conquer  collaboration by Conover/Anmafean

Divide and conquer
This is how it works.
Maintaining control
Over those little things that lurk.
Reducing their power
Encourage dissonance,
These tried and true principles
Will elegantly work


Divide And Conquer     Conover/Anmafean

Our take on the popular 1967 hit song by Sonny and Cher “The Beat goes on”
Music and vocals by Bruce Conover
Guitar and additional piano arrangements and mix by Tarde última
https://soundcloud.com/tardeultima
Play ☑ like ☑ repσst ↺ ☑ share with yσur friends ☑

The Beat Goes On (Conover / Tarde última)

Nobody's Rules   Conover/Welin

We could be star crossed
We could be fools 
nobody told us
Nobody's rules

When I introduced myself.
You began to blush
And together we smiled.
And you were looking at me 
I couldn't stop thinking of you 
Those hours went on and on forever that night.

We suffered through with an awkward pause.
The front desk held almost all of our calls.
cause…

There was something new
there was something new
There was something different between me and you.

If you want a story
I’m happy to tell you
It’s about a man who crawled out of Hell

We could be Star Crossed
We could be fooled 
nobody told us
Nobody's rules
We could be star crossed
We could be fools 
nobody told us
Nobody's rules..

Trust Your Heart.......

Music by Jussi Welin https://soundcloud.com/juswel/akustinen
Vocals and lyrics harmonica and strings by conover
Strings by Claes Steen

Nobody's Rules....... Conover/Welin

Everybody knows Gene...Remix
Composition,Music ,lyrics, harmonica, Piano, Bass, percussion, drums production and vocals by Bruce Conover
Guitar Solo by Matt Warnick
Phil McWalter vocal and added lyrics
© Conover-McWalter April 2016

Everybody knows Gene...Yes they do
You'll want to stay all day
And everyone is looking for you
Everybody seeks you out
No-one wants a party 
If Gene isn’t about
Are you hiding in the garden?
Are you swimming in the pool?
Is there music in the kitchen?
Are you on the hill you fool?

Everybody knows Gene...

We’re all counting on you coming
All gathered in your name
We’ve filled a dozen toasters
Got the music and the games 
Are you hiding in the attic?
Are you down inside the den? 
Can we hear you in a cupboard?
Or have you upped and fled again?

We’re playing hide and seek with Gene
Everybody knows Gene...
We’re playing hide and seek with Gene

We’re all counting on you coming
All gathered in your name
We’ve filled a dozen toasters
Got the music and the games 
Are you hiding in the attic?
Are you down inside the den?
Can we hear you in a cupboard?
Or have you upped and fled again? 
Everyone is looking for you
Everybody seeks you out
Are you hiding in the garden?
Are you swimming in the pool?
Is there music in the kitchen?
Are you on the hill you fool?

@phil-mcwalter took my original music bed and created a bit of a homage to George Martin imagining another facet to The Fool On The Hill character. He said and I quote: "Bruce's track was so redolent of the Beatles already. The @conover bed included the main man singing the eponymous title lines "Everybody knows Gene..." and the lovely rich "bum, bum, bum" and "la, la, la..." bits! I cut it all up and sellotaped it back together in a different order; added lyrics, the song verse/chorus, and the additional orchestration (brass, guitars, strings etc). Good fun working with BC material as always! (Isn't the bass line stunning for one example!)"

AND NOW THE REMIX! I worked on Phil's version and edited, remixed and remastered, added a few friends contributions and some different seasonings, cooked it all up on Bruce's beachside barbecue and invited you all over to enjoy the new flavours! Please enjoy and bring a bottle! I promise not to hide!! Lyrics and provenance below:

Everybody Knows Gene (Conover & McWalter)

Cry © Chris Wiggs/Bruce Conover 21.02.16

If you know the reason
We’re saying goodbye
Then would'nt you tell me
Cos I want to cry
I want to cry

You’d be better off alone
Won’t be long you’re on your own
And you’re not the only one
Cos I wanna cry 
I wanna cry

Why did we quarrel and wrangle
Nerves all got jangled
Tied up and tangled
Out of our depths, in over our heads
Yearning and aching and cut up instead
How could we lose what we had?

Now that it’s over
Ashes just smoulder
The world has grown colder
And I wanna cry
I wanna cry

Now that we're older
Ashes on sholders
The world has grown colder
And I want to cry
I want to cry

Cry, cry, cry

Song and Lyrics composed and performed by Chris Wiggs
https://soundcloud.com/chris-wiggs/cry
Vocals and final production by Conover


Cry      ((((Conover/Wiggs))))

Tracklist:
Wave Your Happy (Skytek Mashup)
Farraon Memories (Skytek Mashup)
Problem Filled Room (Skytek Mashup)
Turn-On-Go-Rollin-Skytek-Mashup
Without Pallaroid (Skytek Mashup)

Follow US 
@weareskytek
www.fb.com/skytekofficial

FREE DOWNLOAD

Welcome To The Vortex 10 Pt 2 ft Skytek (FREE DOWNLOAD)

ILLUSIONS

Triangulation
Talk to me... Please talk to me.
You survey and trace the angles and I will right the ship.
We could be done with this before the dawn.
Definition: 
 Triangulation is a situation in which one family member will not communicate directly with another family member, but will communicate with a third party, This can lead to the third third party becoming part of the triangle.

Triangulation is driving us insane
Triangulation could bring us back again
Triangulation is tearing us apart
Triangulation will take us to the start

repeat and seek therapy......

Music by Syntaleta 
Lyrics, arangement editing, Vocals and mix by Conover
© 2018 Conover/Syntaleta
O/A=tan(x)

Triangulation    ((Conover/Syntaleta))

NO HELP

Crwth - L0 (S.Y.A.T.) 

Follow @crwth
Follow @HybridTrapMusic

<a href="https://theartistunion.com/tracks/b30629" rel="nofollow" target="_blank">Download for free on The Artist Union</a>

Free Download

Crwth - L0 (S.Y.A.T.)

Got A Line On You

Let me take you little baby, down to the river bed
And I've got to tell you somethin' it’s gonna go right to your head.
Cause I’ve got a line on you, baby
Yes I do
I got a line on you.

You gotta put your arms around me
With every bit of your love
If you know what to do, I'll make love to you 
Cause you got the right line to make it through these dark and dreary times.
I got a line on you baby oh you know I do.
I've  got a line on you bababababababa baby

I got a line on you babe I'll tell you now.
I got a line on you

Let me take you little baby, down to the river bed
And I got to tell you somethin', it’s gonna go right to your head.
I got a line on you, baby
yes I do
I got a line on you.

 Piano and Bass By Dome https://soundcloud.com/domenico-crispino-1
 Vocals and such by Conover
Thanks to Mr. Bill Fike "an old schoolmate" for suggesting I cover this track.
Anyone looking for an extremely talented voiceover man can reach him at http://www.billfike.com

Got A Line On You....   Conover/Dome  (Spirit Cover)

A recent remaster that I did for an ex-student that's starting to make a bit of noise in the Central Texas electronic music scene. ALR Boosh is going to make you move!

ALR Boosh-Out Of Breath (remaster)

Here's a recent remix that I put together for the Austin, TX shoegaze band Everything Fades.  The song is titled "Here's To A New Tomorrow," and started off as an analog love affair but soon found it's way into more industrial-gothic territory. 

Everything Fades - Here's To A New Tomorrow - Remix

Slow Crimes

A Theme dedicated to all people who pursue vague concepts that end up evaporating

Watching the Sprinklers

The Followers of the Shadow of the Clouds

Buy on itunes

The Followers Of The Shadow Of The Clouds

Careful With The Ax Eugene

Drifting

I would love to get some comments on the mastered version here as opposed to the mastered version "not" pushing the volume to it's limits and allowing more dynamics to be retained.
https://soundcloud.com/conover/we-remember-sheryl

I'm not sure if I'm a big fan of mastering, and I'm trying to check with my  sound cloud listeners. When comparing adjust the volume so that you're comparing sound not just the overall volume.
Thanks much for your comments.
Mastering by Andy Walter
http://www.abbeyroad.com/engineer/andy-walter
Here is another link showing the process that and he uses and a quite nice interview.
Move forward to 8:40 for Andy's bit!!
https://youtu.be/MQDRamXC4qw

We Remember Sheryl mastered at Abbey Road

I'm working on my 2nd album... this track is not in... It's for you for free...

REFLECT ***FREE DOWNLOAD***

Influence and persuasion are the words of today, the words of those who want to rule the world and somehow draw us to their lies

Influence and Persuasion

Influence And Persuasion

Hi guys, another upbeat dance inspired release :). 

I hope you´ll enjoy!

SUNSETS (Original mix)

Morgan Grealish
WEARIN’ THE CROWN 


Plannin’ how I’m gonna’ make everything right 
Takin’ all your troubles home, holdin’ them tight 
All my illusions of control held so close 
Burnin’ deep inside my soul; Free the ghost 
I get off wearin’ the crown 
All hung up in my own renown 
Cardboard throne wearin’ the crown 
I get off wearin’ the crown 
Speak in universal tongue you might want to hear 
In the same sardonic tone year after year 
I’ve got opinions you should know, pay the price 
Band of gypsies in my tow, lead the fight 
I get off wearin’ the crown 
All caught up in my own renown 
Cardboard throne wearin’ the crown 
I get off wearin’ the crown

This is not one of my tracks and I did not play, sing or produce it.
It's just an old school mate that gave it quite a go promoting his music and his band a while back and Soundcloud had not come out yet. I want to show him how this community may accept him. We shall see...
We played in bands together in our teens and I always knew he had something special and original to offer. Hey Pittsburgh musicians are a special breed.
Bruce

Up In Arms                    

Wearin' The Crown (((Morgan Grealish))

Me Me Me   (Patersongs/Conover)

Bass and Drums backing vox by https://soundcloud.com/elephantpr 
The other stuff conover

Play ☑ like ☑ repσst ↺ ☑ share with yσur friends ☑

Simple Quarters   [Labarca/conover]

Music bed composed and performed by William Paterson
Lyrics, Vocals Harmonica, harpsicord, percussion, Mix and production by conover
mastered at Abbey Road by Geoff Pesche
https://www.abbeyroad.com/engineer/geoff-pesche
© 2018 Patersongs/Conover

I'd be cool with that….
So if you wanted to be boy and girlfriend I'd be cool with that
So if you'd let me walk you home at night from school. that be cool
I'd be cool with that Yea
I'd be cool with that  ah Ha.

And every day you wait for me
at the path in the park on the bench that we first met
I'd be cool with that 
I'd be cool with that
I'd be cool with that
For the rest of my life.

She knows I miss her dearly
When she's gone
I even miss her 
when I write this song

So if you wanted to be boy and girlfriend I'd be cool with that
So if you'd let me walk you home at night from school. that be cool
I'd be cool with that Yea
I'd be cool with that  Ah Ha 

And every day you wait for me
at the path in the park on the bench that we first met
I'd be cool with that 
I'd be cool with that
I'd be cool with that
For the rest of my life.

I'd be cool with that…   (Conover/Patersongs)

Jeff Beck Remembers George Martin: 'He Gave Me a Career'
"I couldn't wait to get to the studio every day," says guitarist of working with legendary producer on 1975's 'Blow by Blow'

http://www.rollingstone.com/music/news/jeff-beck-remembers-george-martin-he-gave-me-a-career-20160318


http://ultimateclassicrock.com/george-martin-non-beatles-records/

Cause Mr. Martin Said

Guitar, Lead Vocal, Lyrics and song by William Paterson 
@w-paterson-1-1
backing vocal, organ, melotron, mix and production by conover
© 2016 Patersongs/Conover
Mastered by Andy Walter at Abbey Road Studios www.abbeyroad.com/engineer/andy-walter

I could easily fall in love
So easily in love with you
My head says no
My heart says go
Now what's a poor boy to do
You came at a time when I needed to find
Someone that I could believe 
I was so low, I had nowhere to go
I open my arms to receive your love
You gave me your number you told me to call
I did and I got no reply
But I have looked in your eyes and I saw paradise
I started to ask myself why
Why did you give me the come on stare
You open the door let me in
I've been out in the cold freezing ancient an old
You look like somewhere to begin again.
Now all I want is to make you smile
and give you all that you need
For however long this is going to last
Girl you planted the seed
Have my dreams come true
Is it really you
The girl I have chased all these years
Always out of my grasp 
And now here at last
Now I need her the most she appears to me.
I could easily fall in love
So easily in love with you

I Could Easily Fall In Love   (Patersongs/Conover)

I can’t fall in love with you
This would never work in a million years
I trust my heart in situations such as these
This would never work in a million years

Step by step I hear you calling
Do you need my help
Where can I find you
Step by step I hear you falling
Can I help you
Can I help you

I helped my mother to pay off the farm
I counted chickens after school
I was a hard working lad
I helped my mother to pay off the farm
I counted chickens 
I was a hard working lad

I can’t fall in love with you
This would never work in a million years
I trust my heart in situations such as these
This would never work in a million years

Step by step I hear you calling
Do you need my help
Where can I find you
Step by step I hear you falling
Can I help you
Can I help you

I helped my mother to pay off the farm
I counted chickens
I was a hard working lad

We shall see how things work out
We shall see how things become unworkable

Original Bed music by @sergiocortes
Guitars were added by https://soundcloud.com/juswel
Vocals, lyrics production, arrangement and mix by conover
Assistant production for linguistics and verbal clarity coach: Aleck Rand and Phil McWalters

Instructions: Lie down, Turn-off the lights, Relax, and Clear your Mind. Breathe deeply and let the beats put you into a meditative

Unworkable   ((Conover Cortes and Welin))

Music Composed and performed by Tom Régnier at @tom-r-gnier
Lyrics,vocals and production by conover
I could be fooled by
The best in the business.
I could be beaten and dragged to the side.
Fully depleted but never run dry
Of words like these 
They scatter like flies.


Row, row, row your boat / Gently down the stream / Merrily, merrily, merrily, merrily / Life is but a dream

Row your own boat Man........ 
Dream like it mattered

Meaning ONE

Your boat = your life.

The stream = time. Water is always moving, so is time.

Row, row, row = you’re constantly rowing, constantly moving through life, constantly working at it. You don’t just row for a little while and then rest. Uh-uh. No breaks. No rests. Life. Keep moving.

Gently = It’s not a race. You aren’t racing toward the end – um, your death –are you? Gently row through life, don’t hurry. It’s the trip (life) not the destination (death).

Merrily, merrily, merrily, merrily = attitude, personality, character. How you look at things, positive versus negative, optimist versus pessimist. Be happy, be passionate on the way. They say attitude is everything. Enjoy your life, enjoy the ride.

Life is but a dream = Dream or nightmare, we have the ability to choose what our life will be. We cannot decide what happens, but we can decide who we are, what we become, how we react, how we cope. It’s our life, our dream. And our choice.

 

Meaning TWO

Boat = body. It’s the vessel for your movement, changes, growth, learning, development, awareness.

Row, row, row = you have to work for what you want in life, have to apply effort to get where you want to go. Unless you row, your boat won’t go anywhere. Be careful of distractions that could pull you away from your goal. But don’t be so focused, have such blinders on, that you don’t remain open to change, to life, to possibilities.

Gently down the stream = let go of the past, move toward your future. Row gently because to push or force or fight the natural direction your life is leading you will only create stress and upset.

Merrily, merrily, merrily, merrily = you may already have it hard. Don’t make it worse. Water can be rough but you can get through. A negative attitude will not help, in fact, it will make things worse. Use the challenges you face to make you a better person.

Life is but a dream = touches on the dreamlike state of reality. The world is physical around us, yet thoughts and emotions change, shift, alter, transmutation making something less physical, solid. Dreamlike.


RANDOM Meaning

Row, row, row your boat:
You have to row your own boat. No one else’s. Don’t try to control other people. Control yourself.

Rowing takes skill. Practice makes perfect.

When someone is rowing on their own, it implicates free will and the choices they make that decide which paths they take.

When rowing with others, it touches on the need to work together, in unity to reach the intended goal.

Gently down the stream:
Force creates resistance. Don’t resist if you can flow along with the water’s natural path and make something of it. This is different than fighting the challenges, the bumpy stream’s road.

Merrily, merrily, merrily, merrily:
Take challenges in stride, meet them with a joyous attitude and a smile. Go with the flow.

This is not a rehearsal, not a dry run, not a trial run before the real thing. This is the real thing. You might as well enjoy it. Don’t waste time being upset longer than need be or by holding grudges when you could be happy instead.

Life is but a dream:
So stop making it a nightmare.

It has religious overtones of how life is simply the dream before the consequences/rewards.

Life is only a dream, not real. Everything you do is meaningless. (I don’t like this one.)

Life is a short moment. Only a dream when compared to our eternal soul’s existence.

They Scatter Like Flies: conover/régnier

Conover plays and sings this version

History from the Beatles Bible:
Written by: Lennon-McCartney
Recorded: 1, 4, 5 August 1969
Producer: George Martin
Engineers: Geoff Emerick, Phil McDonald

Released: 26 September 1969 (UK), 1 October 1969 (US)

John Lennon: vocals, lead guitar
Paul McCartney: vocals, bass
George Harrison: vocals, Moog synthesiser
George Martin: electric spinet Baldwin harpsichord

The final song to be recorded for Abbey Road was John Lennon's Because. The song was inspired by Beethoven's Moonlight Sonata and featured The Beatles' distinctive three-part vocal harmonies.

Yoko Ono was a classically trained pianist whose interests had moved towards the avant garde. One day in 1969, however, she played Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2 - the Moonlight Sonata.


Lying on their sofa listening, John Lennon asked her to play the chords backwards, and wrote Because around the result. While not an exact reversal of Beethoven's piece, it contains a number of musical similarities.
The lyrics speak for themselves; they're clear. No bullshit. No imagery, no obscure references.
John Lennon
All We Are Saying, David Sheff
The vocal harmonies are one of the most distinctive aspects of the much-admired Because. Lennon, McCartney and Harrison sang together, and overdubbed their voices twice more, giving the effect of nine voices.

John wrote this tune. The backing is a bit like Beethoven. And three-part harmony right throughout. Paul usually writes the sweeter tunes, and John writes the, sort of, more the rave-up things, or the freakier things. But John's getting to where he doesn't want to. He just wants to write twelve-bars. But you can't deny it, I think this is possibly my favourite one on the album. The lyrics are so simple. The harmony was pretty difficult to sing. We had to really learn it. But I think that's one of the tunes that will impress most people. It's really good.
George Harrison, 1969
The vocal harmonies, isolated from their instrumental backing, can be heard on both Anthology 3 and Love. The Love album, however, features the sound of birds twittering in the background.

I wouldn't mind betting Yoko was in on the writing of that, it's rather her kind of writing: wind, sky and earth are recurring, it's straight out of Grapefruit and John was heavily influenced by her at the time.
Paul McCartney
Many Years From Now, Barry Miles
The instrumentation on Because was simple, with arpeggio accompaniment on harpsichord, guitar and Moog. Paul McCartney later bought the electric harpsichord, played here by George Martin, when EMI were reducing their instrument collection; it remains in his recording studio.

In the studio

On Friday 1 August 1969 Lennon, McCartney and Martin taped 23 takes of the basic track, with Lennon on electric guitar and McCartney on bass. Ringo Starr added a basic hi-hat rhythm, but this was for guide purposes only and wasn't recorded.

Take 16 was the best of the 23 attempts. With the backing track in place, Lennon, McCartney and Harrison recorded the first of their harmony vocal tracks. Two more were added on 4 August.

A final overdub was recorded on 5 August, when George Harrison taped a Moog part - the first time the synthesiser was used on the Abbey Road recordings. Harrison recorded it twice, filling up the last two available tracks on the tape.


Ah, because the world is round
it turns me on
Because the world is round
Ah, because the wind is high
it blows my mind
Because the wind is high
Ah, love is old, love is new
Love is all, love is you
Because the sky is blue
it makes me cry
Because the sky is blue
Ah, ah, ah, ah

because: conover

Original Bed music by @sergiocortes
Conover on Mix, Lyrics and Vocal
https://soundcloud.com/juswel on Guitar

Middle Of The Day  ((Conover Cortes and Welin))

C r u t c h e s & C r o w s

Crows.........................
they laugh at my Crutch
they say far to much
with me down in the streets
the Crows they make all the cash
they spend way to fast
and that can defeat
the Crows
they make all the money
they spend it so fast
and that thing won't last
the Crows 
they manage my future
and i just sit back
when they hang me to dry
i hang on my Crutch
i keep at my side

The Crows.........................

Music Katze Bach
Lyric/Arrangement/vocal and Pixie Dust by conover

C R U T C H E S   &   C R O W S  Conover/Bach (SipanMiX)

@juswel: Original Bed composition, bass guitar, drums, synth and guitars
https://soundcloud.com/elephantpr: Vocals, lyrics and Backing vocals
@gotchi Orchestration and flute
https://soundcloud.com/conover : vocal, lyrics, B3 organ, muted trumpet, Mix and production

Find a location and Go.....

Where Would We Go?  (Conover/Labarca/Welin/Gotchi)

Cry Little Boy..... Cry

Original Bed music by @sergiocortes
Orchestration by  https://soundcloud.com/gotchi
Electric guitars by  https://soundcloud.com/juswel
Vocals. lyrics and middle guitar solo by Conover

I'm using trial and error.
To handle task when placed in front of me.
I've borrowed bows and arrows
To remove myself from corners along the way.

Don't back down
Don't back down
Don't back down
Don't back down

Cry little boy.. cry
The world has grown up all around you boy.
And you're just sitting there…
Lookin’ around
Cry little boy.. cry

I'm using trial and error.
To handle task when placed in front of me.
I've borrowed bows and arrows
To remove myself from corners along the way.

Cry little boy.. cry
The world has grown up all around you boy.
And you're just sitting there…
Lookin’ around
Cry little boy.. cry
Cry little boy.. cry
It' will be OK...........................

Cry Little Boy..... Cry    ((Conover Cortes Welin and Gotchi ))

Wonderful stay at Post Ranch Inn  Big Sur California
https://www.postranchinn.com
At the beginning of this song click on the link above then right click On the video and select "show controls" then "double click" on the video and mute the volume icon. Enjoy
Best 7day San Francisco to Los Angeles road trip ever 

Anonymous review
By Mr & Mrs Smith
It is just before dusk as we climb the steep hill to Post Ranch Inn. ‘Look! Look!’ I gasp, pointing to a bright crimson escarpment in front of us. The setting sun’s reflection has turned the mountains opposite, a beautiful electric puce. With a glass of cold chardonnay in hand and after (very few) reception formalities, we are transported to our room courtesy of one of the hotel’s very own executive eco-friendly Lexus Hybrids.

Bauhaus meets Middle Earth here. Forest-coloured redwood and Corten steel has been fashioned into 40 stilt-riding mini houses all designed around geometric shapes, and all in perfect harmony with 150 acres of natural forest and lime green pastures. It can’t have been an easy brief for architect Mickey Muennig. He was given the task of building 40 condo-like hotel rooms, all sensitive to the Big Sur’s craggy cliffs. Muennig apparently climbed trees and high ladders himself in order to cite the best views, affect the maximum privacy and save the redwoods’ roots from concrete. The result is outstanding.

As we drive down the path that leads to our room, the Pacific Ocean glittering to one side, and the grand old redwood dames towering on the other, it is clear why this hotel is considered, by many, to be one of the best in the world. Pfeiffer is our coastal room. (All are named after the pioneers that shaped the land over 150 years ago.)

Once inside, it is clear that the clever design extends to the remarkable interiors. A circular space around the lavish Royal Pedic bed is made cosier by warm redwood walls panels and seascape-hued soft furnishings. Grey and rust-flecked Indian Raja slate lines the deep Jacuzzi bath and the pre-stacked fireplace in our bedroom all breathe ‘calming’, ‘homely’, ‘organic’, ‘inviting’... But the money shot is to be found beyond. From the 30-foot verandah, we get a 180-degree uninterrupted view of the ocean.

It may be tiredness from the long drive, or maybe Mr Smith has something in his eye but I swear I can see him welling up as we stand staring out to sea. A scarlet ribbon of sunset is streaking the sky to the west and the ocean hovering below us is just majestic. There is no perceptible evidence of humanity. No building is visible to the eye; just conifers and berry bushes below, some condors swooping, and, 1,200-foot below, moss-green rocks are audibly being lapped by crashing waves. 

At some stage, it becomes time for dinner, so, guided by environmentally supportive lanterns along the cliff path, we make our way to the hotel’s renowned Sierra Mar restaurant, two minutes' walk. Pretty much every table is taken which, for a Tuesday night, is testament to the superb menu that Craig von Foerster has created.

Although it would be easy to pass your time at Post Ranch floating in the infinity pool staring out to sea, there are many activities and outdoor pursuits. One is Mindful Meditation which fits well with the Big Sur’s hippie roots. Origami’d fresh fruit tempts alongside courgette frittata, buttermilk waffles, sausages, eggs Benedict with avocado and fresh juices – all fuel for our next adventure, the Esalen Centre, a true Californian get-in-touch-with-your-navel retreat centre, further down the coast. 

As we pack our bags, it is clear that the Post Ranch effect has taken hold of Mr Smith. He turns to me, open faced, and says, ‘Mrs Smith, this has been one of the best hotels, ever.’ I can almost see that zoom-lens shot in his thought bubble.

Clear Spaces

Music Bed by Conover
Sax and Flutes by https://soundcloud.com/joerxworx
Guitars by https://soundcloud.com/juswel
Synth and Atmospherics by https://soundcloud.com/gotchi
Synth and depth by https://soundcloud.com/tobbenv

Three on a match (also known as third on a match or unlucky third light) is a purported superstition among soldiers during the Crimean War to World War II. ... Since then it has been considered bad luck for three people to share a light from the same match.

Stay Low.......

This is new for me... Loose and more live feel. I usually wouldn't release something like this but keep it in my back pocket for bike rides along the beach...
It started as basic jazz and once the brilliant Sax and Flutes by @joerxworx were recorded it almost sounded like early Zappa. As a totally unschooled musician that can't read or write I always looked at jazz as an unreachable destination.. Jussi Welin topped everything off with some great "straight from the heart" guitar and solo work.
 @gotchi and Tob just added the extra perspective  and temperament it needed
I'm sharing this side of my work to get feedback from the SC troops.
Best Bruce

Three on a Match  (Conover/Welin/Gotchi/Vagle/joerxworx)

If there was only two traits that came through in my music, I would hope that it would seem to be effortless and inevitable.
The Kind Place Studio