Answer The Phone.....

original piano version written by hitoshi yasui of chairhouse, guitar arrangement by naldo, orchestration by guillaume pearson.

as always, special thanks to hitoshi for his daily musical beauty and for helping us to adapt this song. his luminous piano version from june 12, 2020 is here:
https://soundcloud.com/chairhouse/i-looked-beyond-2372-by-chair-house-06122020

more of guillaume's songs & cinematic orchestrations:
https://soundcloud.com/guillaumelecompositeur/tracks

cover art: Alexander Brook, portrait of Peggy Bacon & black cat

I Looked Beyond

This song was composed before cell phones and Skype were composed.


10 Digit Love

Cars and guitars go well together.

Drive your Drive
© 1992 Conover



Featuring the Effervescent Phil McWalter on vintage 6 string flamethrower  @phil-mcwalter

Drive………………………………….

Buzz Lightyear to Star Command
Come in Star Command………….

Drive your Drive
and in style…..

New pair of trousers
with houndtooth check
New ring on my finger
Sporty Car
with a payment to match
Step on the gas
and don’t linger

Drive your Drive
and in style…..

Effervescent Vintage Guitar Solo

Drive your Drive
and in style…..

1954 Pine Interior Door close...

Drive your Drive

"Silhouette" Poem: Peter aka @user-264930040
Piano and Arrangement of Astor Piazzolla's "Oblivion" : Debra Bueskinghttps://soundcloud.com/debra_buesking
Vocal Composition and Vocals: @Oddrun-Eikli
cover design: Debra Buesking.
Studio Mix: @Arne-Hiorth

Thank you Peter, Debra, and Arne for this moment to ponder "Life's Silhouette" together but from different vantage points. 

Silhouette

Like the fjord, edging my eye
Material reward can pass me by.
Ice to sea, slowly but sure,
Floating free, flowing pure.
Whispered smile, bears no regret,
Ponder a while, on life’s silhouette.

Solace of breeze, whiffles my hair.
All at ease, by waters fair.
Mirrored of cloud, sparkled of sun,
Where two is a crowd, I’ve a table for one.
Nature’s fine art, devoid of defect,
Embraces my heart, through life’s silhouette.

Treasured time, in mind’s recall.
Love sublime, in its rise and fall.
Flickered glints from glistened waves
Fall distinct, and light the way.
As morning rays shall yet reflect,
Of peaceful days in life’s silhouette.

Silhouette.  Debra Buesking. 1234567890. Oddrun Eikli.

Questa composizione neoclassica è un tributo intimo e personale a mia figlia. Rèveries è un viaggio sonoro nei ricordi, un abbraccio musicale che attraversa il tempo. Spero vi piaccia.

Rèveries

Guitar: gaspar monterde
Label: @florecillarecords www.florecilla.com/
Cover Design: @perevilardebo.estudio www.perevilardebo.com/

people, not profit

This piece unfolds like a breath made visible — structured, intentional, yet deeply human in its fragility. In the opening, we see repetition rooted in the lower registers, almost mechanical yet comforting, like the steady rhythm of a clock marking each second with devotion. These patterns seem to echo the mundane rituals of life, the unnoticed beauty in routine, the sacred silence of presence.
As we move forward, a gentle escalation begins. Notes rise, one after another, reaching toward something unseen. There's a yearning here — a soft insistence — as if time itself were stretching, holding its breath. Then suddenly, the lines splinter upward: sharp bursts of high notes like thoughts breaking through stillness, or memories surfacing with urgency.
Midway through, this breath becomes restless. The motif repeats with variations, suggesting reflection, perhaps even inner conflict. The density increases, not chaotically, but like a mind trying to grasp something just beyond reach — a moment, a feeling, a forgotten truth.
Then comes the climb again. But it’s not the same as before. This time, it carries wisdom, as if the breath has learned from its own rhythm. The final ascent is quieter, more deliberate, like a farewell exhale — tender, aware of its own impermanence. And finally, the descent: a peaceful surrender, a return to stillness, where time no longer counts — it just is.
Written and composed by Jessica Bains Brown & Francesco Adornetto

A Breath In Time

Piano Sonata No. 10

Coffe And The Dog

Cogito Vestrum - The Day After
when a heart falls silent, one that walked beside you for so long.
When the place once filled with life now echoes with absence.
When even the wind seems to whisper,
because silence suddenly says everything.

“The Day After” is a musical farewell.
A journey through emptiness, memory, and grief –
for any soul that once brought light
and now lives on within our hearts.

A continuation of Cogito Vestrum –
a quiet tribute to the beings who touched our lives
and left behind a soundless ache.

Part of the album Tides of Melancholy.
No AI.
Just feeling. Just music. Just truth.

Created with the following instruments:

EastWest Hollywood Strings: Chosen for their cinematic depth, creating grandeur and melancholy, perfectly expressing the contrast between loss and the lingering presence of loved ones.

Spitfire Audio Solo Violine: A solo violin that evokes vulnerability and sorrow, ideal for quiet moments of reflection and grief.

Virharmonic Bohemian Cello: With its warmth and expressiveness, it captures the human element of grief, adding depth and continuity as the cello’s voice lingers on.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

Cogito Vestrum - Der Tag danach
wenn ein Herz schweigt, das dich so lange begleitet hat.
Wenn der Platz leer bleibt, an dem einst Leben war.
Wenn selbst der Wind zu flüstern scheint,
weil Stille plötzlich alles durchdringt.

„The Day After“ ist ein musikalischer Abschied.
Eine Reise durch Leere, Erinnerung und Trauer –
für jedes Wesen, das gegangen ist,
und doch in unserer Seele weiterklingt.

Die Fortsetzung von Cogito Vestrum –
ein stiller Tribut an all die Seelen,
die unser Leben berührt haben und uns fehlen.

Teil des Albums Tides of Melancholy.
Ohne KI.
Nur Gefühl. Nur Musik. Nur Wahrheit.

Erstellt mit den folgenden Instrumenten:

EastWest Hollywood Strings: Für cineastische Tiefe und Ausdruck von Verlust und bleibender Präsenz.

Spitfire Audio Solo Violine: Eine Solo-Violine, die tiefste Emotionen wie Trauer und Sehnsucht ausdrückt.

Virharmonic Bohemian Cello: Wärme und Ausdruckskraft, die das menschliche Element des Abschieds verstärken.

Hinweis: Dieser Track wurde vollständig von mir komponiert, aufgeführt, arrangiert und produziert – ohne den Einsatz künstlicher Intelligenz.
Echte Musik mit authentischen Emotionen und Persönlichkeit zu erschaffen, ist mir wichtig. Vielen Dank, dass du zugehört hast und für deine Unterstützung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Cogito Vestrum - The Day After

“Twilight fell: The sky turned to a light, dusky purple littered with tiny silver stars. – J.K. Rowling

Twilight Serenade

'Dont Smudge The Ink' is an easy listening laid back track and soundscape.

Dont Smudge The Ink

This was the last communications found for this airline.


July 7, 1962
Near Junnar, Maharashtra, India
Alitalia, Flight 771
McDonnell Douglas DC-8-43
I-DIWD

The aircraft crashed into a hill near Bombay, India, at an elevation of 3,600 ft. 50 miles
ENE of the airport. Navigational error. Premature descent. Crew did not use navigational
facilities available. All 94 aboard killed. 

1838:54:00	"771 is leaving now five thousand three six zero on the outer marker"
"771 say again your last message"
1839:09:00	"Say again please."
"771 unable to make out your last message, will you please repeat."
"771 please say again. "
"771 request your intentions - Are you coming straight in from the outer marker for landing runway two, seven or making a three sixty over the outer marker then reporting leaving outer marker inbound over? "
1839:38:00	"OK clear to the outer marker runway two seven make a three sixty on the outer marker then report the outer marker inbound for runway two seven. "
"Roger understand you will be making a three sixty over the outer marker Report leaving outer marker while proceeding making a three sixty."
1839:58:00	"Roger will do Alitalia seven seven one. "

Music composed and performed by conover
Guitars by Jussi Welin

Vulcan Leather Cockpit Recorder conover/Welin

Procrastination

Original Bed music by @sergiocortes
Conover on Mix, Lyrics and Vocal
https://soundcloud.com/juswel on Guitar

Middle Of The Day  ((Conover Cortes and Welin))

If there was only two traits that came through in my music, I would hope that it would seem to be effortless and inevitable.
The Kind Place Studio

Middle Of The Day ((Conover Cortes and Welin))

conover

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