BOOKINGS - UK & ROW: Andy.Raeside@entityma.com 
N & S AMERICA: Andrew@liaisonartists.com & Emma@liaisonartists.com

MANAGER - sophie@frameartists.co.uk

Funk / Soul / Breaks producer and live band from Cornwall, UK touring over 50 festivals and events as a live band since 2015 and releasing on various labels worldwide since 2009. Our new band album 'Remote Connections' is out now on Bandcamp, download and streaming services and has been featured on Craig Charles' shows on BBC Radio.

Soundcloud home to Sim Gretina, Frenssu & Peggy Suave. Please read this if you're looking to use my music https://www.youtube.com/user/SimGretina/about

Here is a thing the world didn't ask for but absolutely needs. The macabre, yet insanely melodic music of the Misfits through the production lens of The Cure's 'Disintegration' with Brian Wilson-esque backing vocals. An homage to my biggest musical influences.

https://soundcloud.com/atomathome
https://soundcloud.com/greem
https://soundcloud.com/dj-pfel
https://soundcloud.com/20syl

The four DJs’ dedication to their art has led them to make a clean sweep of the DMC World Champion title for four years in the row (2003 - 2006).

C2C consists of 20syl and Greem (from Hocus Pocus) and Pfel and Atom (from BeatTorrent). 

After a decade of teamwork, they dropped their debut EP, Down the Road in 2012. The success of this first project provided a strong foot forward for the anticipated release of their groundbreaking album Tetra the same year.

Critically acclaimed, the record was rewarded four “Victoire de la Musique” (French Grammys) and a Double Platinium Record. 

Features’ enthusiast, C2C has invited several artists on record (Gush, Jay Jay Johansson...) and has shared the stage with major acts such as French poly instrumentalist -M-, while working on iconic remixes (Bernhoft, Vitalic etc.).

Their original music videos F.U.Y.A. and Delta showcases C2C’s neat and eccentric visual esthetic. 

On stage, C2C’s impressive scenography discloses the band’s love for graphic design and visual arts. Their flawless identity and their original sound catapulted the quartet from European’s biggest stages to the Coachella music festival.

Savant mix of Hip Hop and electronic C2C’s has shaken the music landscape and has turned turntabilsm into a pop culture phenomenon. 

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

MY FACE HURTS FROM SMILING - THE MIXTAPE - OUT FRIDAY 6/27

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