One of the core Flexout Family and one of our favourite Artists and Producers of the Drum& Bass Community, Arkaik drops us a mix showcasing exactly why we think that. Enjoy!

FFS070: Arkaik

Here we are with a recording from the first (but certainly not last) time Kiernan Laveaux graced the decks at Nowadays back in September of 2021. In it you’ll find so much of what we’ve come to love about the T4T LUV NRG affiliate: swarming percussion, freaky and frenetic psychedelia, otherworldly groove, a captivating sense of narrative, and so much more. 

This mix is a two and a half hour segment from her closing set, after DJ Voices and Azu Tiwaline earlier in the night. Packed to the brim with moments of tension and release, it makes for one truly wild and mesmerizing ride. The home listener is likely to find it just as enchanting as the dancers did. 

Big thanks to our staff and all those in attendance on this night <3

Nowadays Live and Direct 014 - Kiernan Laveaux

inter-spatia (2020/22)
Catherine Lamb

performed on March 18th, 2022 at Nykirken, Bergen, Borealis Festival

Microtub (Robin Hayward, Martin Taxt, and Peder Simonsen), Rage Thormbones (Mattie Barbier and Weston Olencki), with MO Abbott and Henrik Nørstebø

tuba trio + trombone quartet

recorded by Weston Olencki

inter-spatia (with Microtub and Rage Thormbones)

As one of the founding members of Fog City Pack, resident of San Francisco's monthly disco party DAD, and newest resident of one of SF’s longest running fetish nights, Stank, Joe Weidman (a.k.a. Jumpr) has spent the last several years striving to create unique, inclusive, exciting experiences for the SF queer and leather communities not just as a DJ but also as the Creative Director of Fog City Pack. He prides himself on being a dance floor filler, agnostic of genre, spinning everything from sweaty bathhouse disco to throbbing techno bangers. Jumpr wants to bring the rush and keep the energy ecstatic.

This mix is downright chunky-thick with it's build of heavy bass intertwined with 80's new wave selections. It lands as well crafted with basslines nicely pairing between tracks-a moment to breathe before the next chapter of seedy, bouncing rhythm. The reflection of community support Jumpr provides is evident with this sound- while not easily defined in sound per-say, it's certainly felt through every layer of latex, leather, and mesh from listeners. 

Thanks a lot Joe, and wishing you and all of Fog City Pack the best-

Chris + Chris

Tracklist: 
Theus Mago – Erotic Polymorphic Experience
Beesmunt Soundsystem – Playin’ Myself
Local Suicide, Theus Mago – Technician
Jorkes – Wet Dreams (Zombies in Miami Remix)
Locked Club – Two Girls
Agle – Calling Back
Kendal – Profondo Russo
Cowboy Rhythmbox – 6AM Cowboy (Cowboy Rhythmbox Deviation Variation)
Damon Jee, Darlyn Vlys – Phenomene
Pastor in Vegas – Na Tu Ta
IM Kellar – Bolwerk
Neurotiker – Ojos Distantes feat. Dani (Chinaski Remix)
OorsprongPark – Orde en Discipline
Sedef Adasi – Turbo Ride
Alden Tyrell – Phaze Me
Jorkes – All Your Juices (Younger Than Me Remix)
Happy707 – Infectious Waste
Franz & Shape  – Eyes Like Knives feat. Kill Memory Crash
Ecar – The Motion
Biesmans – Heroes After Dark

*Intro & Outro poems from Hot Rod to Hell by Roy Garrett & Man Parrish


Soundcloud: @jump_r
Instagram: @unluck

SOUND COALITIONS / Episode 45: Guest Mix featuring Jumpr

chk it out

silo

#9 of new works in collaboration with Sarah Saviet and Joseph Houston, created during Fall 2022

piano harmonically aligned with the open violin tuning

this is a piece that culminated after 9 studies, realized by Sarah and Joe

recording is taken from the live concert recording, December 2nd, 2022, KM28, Berlin

violin/piano study #9 for Sarah and Joe (by Catherine Lamb)

Rinse FM Podcast

1985 Music (Alix Perez & Headland presents 'Hellion' LP - 11 July 2023

Live from the Aspen Music Festival
June 29, 2018
Benedict Music Tent

Fauré: Soir (1894)

The work is in two movements - Fraying and Prolonged. The first presents a sonic object that gradually disintegrates. The second reframes this object and slows it down, so that the process of decay is frozen, and the object appears almost immortal. The work grew out of reflections on 1 Corinthians 15 and Jiang Zhi's Love Letters (2014). In Jiang Zhi's photographs, flowers are on fire, but are not harmed by the flames.

Alto Flute - Isobel Doughty
Oboe - Caitlin Heathcote
Clarinet in B flat 1 - Heather Ryall
Clarinet in B flat 2 - Julia Raga Pascual
Horn in F - Karen Starkman
Trumpet in B flat 1 - Catherine Pollit
Trumpet in B flat 2 - Thomas Thornton
Tenor trombone 1 - Samuel Dye
Tenor trombone 2 - Jake Jones
Harp - Teresa Raff
Piano - Ábel Misha Gille Esbenshade
Violin 1 - Kanon Miyashita, Tilman Fleig, Yuriko Matsuda, Zora Orfgen
Violin 2 - Camille Saïd, Anastasia Egorova Wise, Zoe Hodi
Viola - Michaela Bartošová, Jeremy Tonelli-Sippel
Violoncello - Lucy Neil, Pieter-Jan De Smet
Double bass - Jess Martin, Cole Morrison
Conductor - James Hoyle

Recorded in October 2018.

Reframe (2017)

Will u mixxxx me when I’m deadx2 I juxx fiend girl kurxxed evil eye say the others cloxxe 2 me don’t deserve the consequences that I earn n I feel so alive w the moon xxuixide —

Xxhe’s so fucking tired of this life N ion ever feel right fuck this life buts it’s who I be can’t trust no1 can’t trust no family if I die will

Will u miss me girl and my cursed evileye say that this magick get me hurt and I feel so alive and u say the others close 2 me don’t deserve the consequences that I earn baby I need drugs just let me be this tanninsam is all I need some shadowmancy and a hint of nexromanxy to get me where I need skkkult hok these daemons fond in me so it’s hard to be with me Lil gurigur who I be /-can’t b w no1 cause I just feed lustful king make her cum like 4 times cause i bleed fuck this life and everything between me and my infernal throne so lucid use me as a scapegoat demons in my soul I’ll fukkin go fuk bout me listin xxhadowmanxy I’m everything that I see is so crazy let’s go skkkult sneak fuk round me these shadows is my distribution bitxh you get me hurt get me hurt dam get me hurt -///~~n I can’t feel no more XX-she’s off the xans —leave me lone I can see through you

Fauré: Soir (1894)

Conrad Tao

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