Marco Lucchi : found sounds, synthesizers and piano

11 novembre 2021

https://freesound.org/people/felix.blume/sounds/117263/
https://freesound.org/people/felix.blume/sounds/117259/

To swing on a dosimeter

- Opuss

Baltic Azure

Mirage 91

Sound materials from SYNTRX synthesiser, composed during the residency in EMS Stockholm in 2022. Originally 4-channel.

Cruelty of Obedience (stereo)

O.V.
https://soundcloud.com/faktor4/faktor4-modern-nature-4

Faktor4 - Nature 4 (Senglar Rmx)

Sensen - Cldscp

Weird Garden

his mouth erupted in vomit, a pop speech from another lifetime, shouted by an
inquisitor at the stake. his words droned and it seemed to me that every
man, woman and child at the game found themselves possessed by the spirit of
a goat that danced and sang quietly to itself as angels fell dead and plucked
at the stranded corndogs that floated inside their brains:

i was no exception, dancing and waving my arms with the others. my body
twitched and hummed. the only thing that seemed strangely out of place was
the fireball that glowed green at the centre of the gathering, above our hips,
just above the ground.

i decided to ignore it, and so i staggered and gazed at my new friends,
singing and dancing with their arms outstretched, as if to embrace the
world, beckon its life force, absorb the very essence of their
existence into their bones, into their abstract minds and thereby to
become absolute.

they raised their voices and warbled out a requiem from the world of faery.
as if each was the primrose of a song from the king of faeries. the king of
doom and darkness.

each one more beautiful than the last, some with hair of yellow sun, some
with hair of blue fire, some with glistening red lips and eyes that would
pierce a thousand daggers through the hearts of men and women, of lovers and
believers, of all the mindless drones who lived in the shining metropolises
of the modern age.

they sang and danced and shook their bodies in a rubenesque frenzy of the
senses made manifest to blind old age and make beautiful the world of
dreams and souls. they stomped their feet to stir the ashes of the
dead to bear witness to our working of the matter of the cosmos. an orgy of
flesh and sighs and spasms and flesh head-thrashing with their limbs
outstretched. their. limbs.

it seemed to me that anything that could live among them at that moment
would consider itself lucky to die with them and be remembered by none.

ıı|Il∏ıI||ı||||\\⁄\vııı˝ı∑◊>⁄\\\/⁄<

flowers smile in the clear pool

Online session with Mr.Sunahara
Melodion :me
Synth:Mr.snahara https://soundcloud.com/sunahara1976

Beautiful soundscape!!

Enjoy

Lost City In Color -Syncroom session with Mr.Sunahara

The work is in two movements - Fraying and Prolonged. The first presents a sonic object that gradually disintegrates. The second reframes this object and slows it down, so that the process of decay is frozen, and the object appears almost immortal. The work grew out of reflections on 1 Corinthians 15 and Jiang Zhi's Love Letters (2014). In Jiang Zhi's photographs, flowers are on fire, but are not harmed by the flames.

Alto Flute - Isobel Doughty
Oboe - Caitlin Heathcote
Clarinet in B flat 1 - Heather Ryall
Clarinet in B flat 2 - Julia Raga Pascual
Horn in F - Karen Starkman
Trumpet in B flat 1 - Catherine Pollit
Trumpet in B flat 2 - Thomas Thornton
Tenor trombone 1 - Samuel Dye
Tenor trombone 2 - Jake Jones
Harp - Teresa Raff
Piano - Ábel Misha Gille Esbenshade
Violin 1 - Kanon Miyashita, Tilman Fleig, Yuriko Matsuda, Zora Orfgen
Violin 2 - Camille Saïd, Anastasia Egorova Wise, Zoe Hodi
Viola - Michaela Bartošová, Jeremy Tonelli-Sippel
Violoncello - Lucy Neil, Pieter-Jan De Smet
Double bass - Jess Martin, Cole Morrison
Conductor - James Hoyle

Recorded in October 2018.

Reframe (2017)

Sylvia Lim is a composer based in the UK. Her works are intimate, exploring a small amount of material in depth. She is interested in the materiality of sound, notions of close listening, perception, rawness and instability.

Reframe (2017)

Sylvia Lim

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